The Crystal Hall 住宅室內裝飾 by Thomas Abraham is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅獎 in 室內空間及展覽設計 Competition Category.
銅室內· 2022
The Crystal Hall 住宅室內裝飾
Client: Thomas Abraham
A' Design Award 銅獎 Winner in 室內 Category
Verified Award Winner
Verify Award Status for #129709The Design
About The Crystal Hall 住宅室內裝飾
水晶廳位於印度班加羅爾,被設計為私人住宅,將鄉土建築的概念與現代材料和技術融為一體。它周圍環繞著果園,旨在建立人與自然之間的聯繫。白色的牆壁和玻璃內飾,重點是保持空間整潔和簡約。所有使用的材料都是在施工過程中從多餘的材料中升級回收的,確保了近乎零的浪費。它的設計具有環保意識,提供隔熱、視覺和聽覺絕緣,同時忠實於其美學理念。
The Recognition
About the A' Design Award 銅獎
The Crystal Hall 住宅室內裝飾是 A' Design Award 銅獎得主,這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品,印證了其設計師豐富的經驗、想像力與機智。預計The Crystal Hall 住宅室內裝飾將成為一件備受推崇、令人欽佩且被珍愛的物品,兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐,並因注重細節而出類拔萃。The Crystal Hall 住宅室內裝飾出色地滿足需求,觸動渴望,迷住情感,並吸引好奇心。
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
- Dimensions & Packaging
- Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm - Tags
- Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
- Production Technology
- The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
- Design Challenge
- Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
- Research
- The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
- Inspiration
- Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
- Project Duration
- Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
- Operation Flow
- The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
- Patents
- Thomas Abraham
- Team Members
- Thomas Abraham
Diana Jacil Prakash
Saad Pasha - Image Credits
- Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep
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