Yu Lung Lee 嘅作品 Yearning for Home 住宅室内设计

由設計師 Yu Lung Lee 創作嘅 Yearning for Home 住宅室内设计係備受推崇嘅 2022 A' Design Award 鐵獎得獎作品，獲獎類別為室內空間及展覽設計。

鐵室內· 2022

Yearning for Home 住宅室内设计

由 Yu Lung Lee

客戶: HOLY Design

室內類別嘅 A' Design Award 鐵獎得獎者

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經驗證嘅獲獎者

驗證設計 #130542 嘅獲獎狀態

喺 A' Design Award 查看新聞稿獎項徽章

色彩

設計

關於 Yearning for Home 住宅室内设计

《思家》是一個兼具工作用途嘅住宅室内空間。原有格局經過打通處理,保留一間睡房同副室相連,令空間感覺更加開闊。灰色水泥漆覆蓋喺電視牆同睡房、儲物室以及客用浴室嘅暗門之上,呈現出光影交錯嘅層次變化。弧形設計柔化咗樑柱嘅線條,同時嵌入線性燈光,為夜晚時分增添氛圍。一張吧檯同一張斜向擺放嘅餐桌兼作工作枱面使用。保留落嚟嘅牆面用以展示業主嘅藝術收藏。

榮譽認可

關於A' Design Award 鐵獎

Yearning for Home 住宅室内设计是 A' Design Award 鐵獎得主，這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Yearning for Home 住宅室内设计將成為一件備受推崇、令人欽佩且被珍愛的創作，既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐，並擁有與專業知識和才華相結合的稱職技術特性。Yearning for Home 住宅室内设计因其嚴謹而受到尊重，旨在提供有助於讓世界變得更美好的生活品質改善。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
尺寸同包裝: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
標籤: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
生產技術: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
設計挑戰: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
研究: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
靈感: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
項目時長: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
操作流程: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
團隊成員: Yu-Lung Lee, Szu-Hui Wang
圖片來源: Chuang-Chieh Chiu