Koji Aoki, Lin Su and Atsushi Fujita 嘅作品 Fujifilm Clay Studio2 办公室室内设计

由設計師 Koji Aoki, Lin Su and Atsushi Fujita 創作嘅 Fujifilm Clay Studio2 办公室室内设计係備受推崇嘅 2022 A' Design Award 銅獎得獎作品，獲獎類別為室內空間及展覽設計。

銅室內· 2022

Fujifilm Clay Studio2 办公室室内设计

由 Koji Aoki, Lin Su and Atsushi Fujita

客戶: Fujifilm Corporation

室內類別嘅 A' Design Award 銅獎得獎者

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驗證設計 #131321 嘅獲獎狀態

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設計

關於 Fujifilm Clay Studio2 办公室室内设计

Clay Studio 2係一個喺東京為產品設計同視覺設計工作而設計嘅辦公室室內空間。呢個300平方米嘅空間規劃成一個寧靜嘅環境,方便專注工作,同以溝通為主嘅辦公室形成對比。混凝土、油漆同木水泥板都保持原始未經加工嘅狀態,令個空間睇落好似淨係得樑同柱咁簡單。庭園景觀同自然風景構成背景,將四季嘅變化帶入呢個空間。書桌一律向外擺放,一張七米長嘅枱可以進行簡短會議,同時保持人與人之間嘅距離。

榮譽認可

關於A' Design Award 銅獎

Fujifilm Clay Studio2 办公室室内设计是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Fujifilm Clay Studio2 办公室室内设计將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Fujifilm Clay Studio2 办公室室内设计出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
尺寸同包裝: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
標籤: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
生產技術: concrete, painting, wood cement board
設計挑戰: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
研究: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
靈感: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
項目時長: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
操作流程: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
團隊成員: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita