Waterfall 休閒椅 by Wei Jingye and Sun Bin is a highly esteemed winner of the very prestigious 2023 A' Design Award 銅獎 in 傢俱設計 Competition Category.

銅傢俱· 2023

Waterfall 休閒椅

by Wei Jingye and Sun Bin

Client: Lu Xun Academy of Fine Arts

A' Design Award 銅獎 Winner in 傢俱 Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

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The Design

About Waterfall 休閒椅

書本文字：Waterfall係一款專為辦公室日常放鬆而設計嘅休閒椅。其流暢嘅造型靈感源自德國嘅特里貝格瀑布，以及老樹嘅中空結構。椅腳同座位之間以榫卯結構連接，既承托重量，亦塑造出獨特外觀。椅背同座位貼合人體腰部曲線，座面上兩處對稱嘅波浪形起伏設計進一步提升舒適度。此椅以歐洲胡桃木製成，有機造型由電腦數控機床銑削而成，表面則以人手打磨完成。

The Recognition

About the A' Design Award 銅獎

Waterfall 休閒椅是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Waterfall 休閒椅將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Waterfall 休閒椅出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The design of this lounge seat is based on the graceful flow of the famous German landscape - the Triberg Waterfall - and reflects the organic and flowing sense of the seat as a whole. At the same time, the hollow structure of the hollow trees has been integrated into the design, and the interlocking forms have a certain connection with the function. The form of the seat backrest and seat surface follows the curve of the human waist, with two symmetrical subtle undulations on the seat surface, in line with ergonomics.
Dimensions & Packaging: 550 mm x 480 mmmm x 800 mm, The overall form of the seat is achieved through the use of modern CNC technology, with the wood milling machine, the polished organic form being shaped by hand by craftsmen; the small rounded corners and turned parts are also polished by machine to give them shape, and the articulation of the seat and legs draws on the organic hollowing elements, which are moulded together and complete the overall production process of the seat.
Tags: Nature, Organic forms, Modern aesthetics, Walnut, Subtle
Production Technology: The production process is based on modern CNC technology, using solidworks software to design it and then a wood milling and carving machine to achieve the organic form. The sanding part is done by hand by the craftsman, and the splicing is done using a jointing pattern, using European walnut for the raw material.
Design Challenge: The combination of the organic elements of nature with industrial products and modern aesthetics, the functional comfort of use and the cleverness of the design of the organic elements was a challenge for this design. There is also the question of the cleverness, grace and rationality of the organic interplay between the chair surface and the legs.
Research: The vivid organic elements of natural forms, modern industrial production elements and modern aesthetics are integrated into the design of the seat, which not only innovatively applies natural organic themes to the design of the seat, but also makes the user have a comfortable experience when using it. The entire furniture set is designed using walnut as the raw material, a serious requirement for the material used in the seat.
Inspiration: The design is inspired by the organic and fluid feel of the famous German landscape, the Triberg Waterfall, but also by the openwork and clever interplay in the hollow trees, which play an important role in the mechanics of support. It can be enjoyed in the office or in everyday relaxation, and its simple form is both practical and aesthetically pleasing. To make rest more humane, the chair has been designed with a great deal of ergonomics in mind, while giving the user a sense of calm and peace of mind!
Project Duration: The design had started in Shenyang in March 2022, completed in Shenyang in June 2022, and displayed in the museum of Lu Xun Academy of Fine Arts in Shenyang in June in 2022.
Operation Flow: When a person sits on the seat, the backrest and the seat surface are shaped and turned towards the curve of the body's waist to enhance its comfort. Two small symmetrical undulations are added to the seat surface to give the user a skin-friendly feel and add a human touch. The organic articulation of the legs and the surface of the chair will add to the aesthetics of the seat, while each interpolation serves the mechanics of the whole. The transition of the legs to the lower part of the seat from large to small makes the seat aesthetically pleasing to a certain extent.
Team Members: Wei Jingye
Sun Bin
Bai Jialin
Wei Yiduo