由設計師 Yueh Mei Cheng 創作嘅 Shang Shui 歷史提示係備受推崇嘅 2024 A' Design Award 銅獎得獎作品，獲獎類別為裝置設計。

銅裝置· 2024

Shang Shui 歷史提示

由 Yueh Mei Cheng

客戶: Taichung Mass Rapid Transit Corporation

裝置類別嘅 A' Design Award 銅獎得獎者

26,971

經驗證嘅獲獎者

驗證設計 #151934 嘅獲獎狀態

訪問網站喺 A' Design Award 查看新聞稿獎項徽章

色彩

設計

關於 Shang Shui 歷史提示

「上水」整合煙草、灌溉水道、可持續資源同希望之光四個設計元素,象徵舊台中九社嘅記憶,將台中百年發展歷史同土地記憶融入藝術當中。利用擴增實境技術,創造沉浸式視覺體驗,讓經過九社嘅乘客見證台中嘅發展歷史,從而拉近環境同人嘅距離。地面上閃爍嘅水波紋被賦予生命特質,為場地注入充沛嘅能量。

榮譽認可

關於A' Design Award 銅獎

Shang Shui 歷史提示是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Shang Shui 歷史提示將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Shang Shui 歷史提示出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The interactive design delicately evokes viewers emotions, creating an additional mobile visual world within the artwork.
AR enhances the interaction between passengers and the space, transforming the MRT station from just some place people pass by into a hub where passengers can experience the past and present of Jiushe, continuing their journey with newfound satisfaction and joy.
尺寸同包裝: 700cm x 700cm x 507.5cm
標籤: Public Space, Public Art, AR, Interaction, History, Memory
生產技術: The main material used in the artwork is mirror-finish
stainless steel sheets.
設計挑戰: The mirrored stainless steel design of the "circle" in this artwork is intended to symbolize the "wholeness" brought by water and light in terms of creative concept. However, lifting, securing, and aligning it posed a significant challenge. In the end, the decision was made to cut the circular steel structure into four equal parts and design connecting arms at the seams. This installation method simultaneously addressed concerns related to aesthetics, structure, installation, and future thermal expansion and contraction.
研究: During the Yongzheng era, the irrigation system was developed to divert water from the Dajia River to the Taichung area, with the Leigong River in Jiushe serving as a crucial point for water diversion. During the Japanese rule period, the Japanese introduced tobacco leaves to Taiwan, and with the help of the advanced irrigation system, tobacco exports became one of the major sources of local income in Jiushe.

In 1898, during the heyday of tobacco cultivation, the area where Jiushe Station is now located was called the "Jiushe Village " during the Japanese rule period. At that time, the area was predominantly paddy fields and tobacco fields. The preserved "tobacco barn" stands as an important historic landmark that bears witness to the flourishing development of the local tobacco industry.
靈感: Shang Shui, also known as Water of Life in English, depicts the history of an irrigation channel branching off from the Dajia River, used for watering tobacco leaves in Jiushe. The MRT line now brings convenience and endless vitality to Jiushe. Shang Shui, derived from the Taiwanese expression for “most beautiful,” represents the local essence of "water and light" as symbols of the area's lifeline, conveying the notions of "sustainability" and "prosperity".
項目時長: The artwork is complete and open in July 2022 and it is located in MRT Jiushe station, Beitun District, Taichung, Taiwan.
操作流程: Under the mirror stainless steel lighting plates around the center are three interactive AR installations. Viewers can interact with these AR devices and learn about the past beauty and glory of Jiushe through three scenarios.

Passengers can capture different postures and appearances of the works, and save the images to recall the old stories of Jiushe.
團隊成員: Integrator: Boxing Landscape Co., Ltd.
Designer: Yueh Mei Cheng
Producer: Ming Yu Hsiao, Yu Chuan Chen
Structure: Hung i Tai
AR artist: Yu Fan He
圖片來源: Main image: Photographer Chun Li, Shang Shui, 2022
Option image #1: Photographer Chun Li, Shang Shui, 2022
Option image #2: Photographer Chun Li, Shang Shui, 2022
Option image #3: Photographer Chun Li, Shang Shui, 2022
Option image #4: Photographer Chun Li, Shang Shui, 2022

Video credits: Chun Li, Yu Fan He, 2022