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Eleonora Federici 嘅作品 Kashmir 戒指

由設計師 Eleonora Federici 創作嘅 Kashmir 戒指 係備受推崇嘅 2024 A' Design Award 鐵獎 得獎作品,獲獎類別為 珠寶設計。


鐵珠寶· 2024

Kashmir 戒指

由 Eleonora Federici

客戶: Eleonora Federici Jewelry

珠寶 類別嘅 A' Design Award 鐵獎 得獎者

19,084

色彩

設計

關於 Kashmir 戒指

靈感源自克什米爾佩斯利花紋,反映出中東尤其是印度絢麗多彩的織物風情。此作品旨在傳達印度的神秘魅力與靈性色彩,以立體形式呈現克什米爾披肩的精髓。雖然屬於圓頂戒指的範疇,其設計在正負空間之間取得平衡,於繁複與簡約之間營造出微妙的和諧感。儘管體積較大,其重量與體積分佈經過精心設計,確保佩戴舒適,適合日常配戴。物料:18K金、鑽石、藍寶石、黃水晶及紅石榴石。

榮譽認可

關於A' Design Award 鐵獎

Kashmir 戒指是 A' Design Award 鐵獎得主,這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Kashmir 戒指將成為一件備受推崇、令人欽佩且被珍愛的創作,既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐,並擁有與專業知識和才華相結合的稱職技術特性。Kashmir 戒指因其嚴謹而受到尊重,旨在提供有助於讓世界變得更美好的生活品質改善。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性
While this ring generally falls into the category of domed rings, it displays an unusual interplay of positive and negative spaces, where the void becomes an integral part of the design, creating a decoration that balances complexity and simplicity in a delicate equilibrium. Despite its size, the ring is perfectly wearable and comfortable. The design ensures that the sides of the shank are not too thick or uncomfortable. It was created for the modern, strong woman looking for a statement ring.
尺寸同包裝
The ring can be housed in a box measuring 26.30mm x 28.30mm x 39.40 mm. The ring is made of 18 Kt yellow gold set with the following gemstones: 1 oval Sapphire, 11 round brilliant cut diamonds, 1 round orange Topaz, 1 emerald cut red Garnet. Total weight: 28 grams.
標籤
jewelry design, high-end jewelry, Kashmir, italian jewelry design, unique jewelry, one-of-a-kind jewelry, custom made jewelry, made in Italy, eleonora federici, award winning jewelry designer
生產技術
This model was born out of inspiration and literally grew while carving wax with my own hands. The design flowed naturally, each curve leading seamlessly to the next. While the idea existed in my head, the handwork clarified my vision. It was made using the traditional lost wax technique: the original wax prototype is encased and then melted, leaving a hollow mould that is filled with 18Kt yellow gold. The pure design challenge was to seamlessly translate the elegance of Kashmir fabric into a three dimensional version, avoiding chaos, monotony or predictability.
設計挑戰
Technically speaking, making the wax model was the most arduous task. The voluminous wax model with an average thin thickness and empty spaces made handling and maintaining its integrity a challenge. The model was then cast in 18K yellow gold using the lost wax technique. Finally, I recreated the model in CAD to produce the video, which gives anyone who cannot see it in person the opportunity to get a better 3D understanding of it.
研究
My aim was to create a design that is rooted in a traditional form but stands out from all other rings of its kind. Using the golden ratio as a guide to achieve harmony and complexity, I wanted to create a bold yet elegant piece of jewelry. I subtly adjusted the exact measurements of the golden ratio to achieve a more seamless and cohesive connection between the shank and the head.
靈感
The inspiration came from the paisley pattern, whose original Persian name was Boteh and which adorned the characteristic fabrics of the Middle East, especially India. In making this ring, my aim was to reflect the magic and spiritual charm of India and its culture and to create a piece that could embody the essence of a voluminous and elegant Kashmir shawl. The natural connection with jewelry arises because Kashmir has historically been synonymous with prestige.
項目時長
The project started in Pavia in January 2020 and concluded in Pavia in December 2020.
操作流程
This ring possesses a distinctive feature not commonly found in statement or cocktail rings: its ease of wear, proper weight and volume distribution, all while maintaining the necessary thickness for durability, making it a wearable piece throughout the day and for any occasion. Additionally, it is highly comfortable, as the design ensures that the shank's sides are neither excessively thick nor bulging. In fact, an important aspect of my design is always the anatomic-like fit.
圖片來源
Image #1: Stefano Negri
Image #2: Stefano Negri
Image #3: Stefano Negri
Image #4: Stefano Negri
Image #5: Stefano Negri
Video: Eleonora Federici
Video credits: Eleonora Federici, Paolo Argento (music)

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