由設計師 Marius Mateika 創作嘅 Clay Moulded 劇院室內設計係備受推崇嘅 2025 A' Design Award 金獎得獎作品，獲獎類別為室內空間及展覽設計。

金室內· 2025

Clay Moulded 劇院室內設計

由 Marius Mateika

客戶: Mama architects

室內類別嘅 A' Design Award 金獎得獎者

68,756

經驗證嘅獲獎者

驗證設計 #171457 嘅獲獎狀態

訪問網站喺 A' Design Award 查看新聞稿獎項徽章

色彩

設計

關於 Clay Moulded 劇院室內設計

Clay Moulded 係位於立陶宛克萊佩達一間音樂劇院嘅室內設計。牆身同天花板都以黏土覆蓋，超過30噸嘅材料全部用人手塗上。主廳嘅圖案連綿不斷，由空間一端延伸至另一端。項目專門研發咗一套七階段嘅塗層工序，包括噴塗、壓紋、風乾、打磨、上釉同保護處理。牆身同天花板可以開合，用嚟控制聲音反射，令空間可以靈活配合音樂會、話劇同會議等唔同用途。觀眾席可容納700人。

榮譽認可

關於A' Design Award 金獎

Clay Moulded 劇院室內設計是 A' Design Award 金獎得主，這是授予一流、絕妙而傑出設計的極為崇高的認可。金獎得主是極具創新、極富遠見且璀璨奪目的創作，反映出其設計師的天才、智慧與才幹。預計Clay Moulded 劇院室內設計將成為一項備受讚譽、引領潮流、氣勢恢宏的發明，帶來前所未有的價值。這件贏得 A' Design Award 金獎的設計是一個壯觀而受人敬重的項目，極大地造福並拓展藝術、科學、設計和技術的界限。Clay Moulded 劇院室內設計激起強烈的渴望，喚起激情，鼓勵創造力，令我們著迷。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
尺寸同包裝: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
標籤: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
生產技術: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
設計挑戰: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
研究: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
靈感: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
項目時長: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
操作流程: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
團隊成員: Architects: Marius Mateika
圖片來源: Photographer: Leonas Garbačauskas