Mengtai Group 企業展覽室內設計 by Yibin Yang is a highly esteemed winner of the very prestigious 2026 A' Design Award 銀獎 in 室內空間及展覽設計 Competition Category.

銀室內· 2026

Mengtai Group 企業展覽室內設計

by Yibin Yang

Client: Juji Culture (Beijing) Co., Ltd.

A' Design Award 銀獎 Winner in 室內 Category

20,368

Verified Award Winner

Verify Award Status for #173885

View at A' Design Award Press Release Award Badge

Colors

The Design

About Mengtai Group 企業展覽室內設計

蒙泰集團硬科技展館係一個位於內蒙古鄂爾多斯嘅企業展覽室內空間。展館佔地約4,500平方米，包括展廳、公共藝術品同戶外雕塑裝置。設計以源自工業生產線嘅空間語言取代咗傳統嘅展板同縮尺模型。牆身由鋁板拼裝而成，地面採用陽極氧化、訂製成形嘅鋁製構件，接縫控制喺0.2毫米以內。裸眼3D系統同一個22米長嘅CAVE沉浸式影院引領參觀者體驗一段循環式嘅敘事。

The Recognition

About the A' Design Award 銀獎

Mengtai Group 企業展覽室內設計是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Mengtai Group 企業展覽室內設計將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Mengtai Group 企業展覽室內設計是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Situated in the expansive landscapes of Ordos, Inner Mongolia, the Mengtai Group Hard Technology Pavilion presents a fresh spatial narrative that includes a new corporate showroom, upgraded public artworks, and a series of outdoor sculptural installations. The design seeks to inspire a comprehensive and profound exploration of the origins of science, its spirit, belief system, dreams, ways of understanding, methodologies, perspectives, wisdom, philosophy, and its enduring mission
Dimensions & Packaging: The project covers an area of approximately 4,500 square meters
Tags: Exhibition, Hard Technology, Science Fiction, Mechanical Style
Production Technology: The Mengtai Group Hard Technology Pavilion places strong emphasis on the relationship between structure and form, embracing a mechanical and industrial aesthetic. Through precise structural design and meticulous detailing, combined with a variety of machining techniques, the pavilion showcases the authentic appeal of hard tech.
Design Challenge: The interior of the exhibition space avoids the conventional use of display boards and scaled models, instead translating the precision of industrial production lines into a spatial language. The walls are assembled entirely from aluminum panels; the floor is laid with anodized, custom shaped aluminum elements, with each seam controlled to within 0.2 millimeters.
Research: The design translates the philosophy, while science fiction writers build worldviews with words, designers should trigger cognitive revolutions through space, and If writers strike with dimensional reduction, then designers must elevate thought through spatial dimensions into concrete practice. Applying topological thinking to reconstruct the company’s history, the project embeds the concept of the Klein bottle’s cyclicality within the CAVE theater. The solution maximally embodies the core philosophy,of Mengtai Group,to make finite resources infinite, and to make infinite undertakings green.
Inspiration: Departing from the standard formula of corporate pavilions, poster boards + models + screens, the Mengtai Group Hard Technology Pavilion reimagines exhibition storytelling with a bold deconstruction of form. All content is distilled into the main lobby of the Technology Building, where a new narrative unfolds: from the present to the past, into the future, and ultimately back to the now offering a cyclical, immersive journey through time and innovation.
Project Duration: This project is located in Ordos City, Inner Mongolia Autonomous Region, and the entire project design was completed on April 1, 2025.
Operation Flow: When it comes to materials, the Mengtai Group Hard Technology Pavilion takes a daring approach, pushing the limits of materials, craftsmanship, and procedures by integrating multiple advanced metal materials and processes that break from traditional construction methods. The naked eye 3D system delivers realistic, floating images in mid air with a strong sense of depth, presenting clear and vivid visuals that remain unaffected by bright light sources, truly achieving the magical effect of seeing without touching. Meanwhile, the 22 meter long CAVE theater takes immersion to the extreme.
Team Members: Yibin Yang