Tokyo 躺椅

由 Isabelle De Mari

客戶: Olho Moveis Autorais

傢俱類別嘅 A' Design Award 銀獎得獎者

20,377

經驗證嘅獲獎者

驗證設計 #181979 嘅獲獎狀態

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設計

關於 Tokyo 躺椅

Tokyo係一張以巴西蘇卡皮拉實心硬木製造嘅躺椅。框架完全外露，展現榫接工藝同塑形木構件。扶手同背部支撐以人手操控車床車削而成，末端帶有凹面細節。每個扶手嵌入天然皮革鑲件，並以縫線收邊。座墊同背墊結合多層聚氨酯泡綿同羽毛填充，以啡色亞麻布包覆。表面經人手打磨，再以啞光清漆處理。此設計將日本木工原理應用於巴西材料之上。

榮譽認可

關於A' Design Award 銀獎

Tokyo 躺椅是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Tokyo 躺椅將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Tokyo 躺椅是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
尺寸同包裝: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
標籤: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
生產技術: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
設計挑戰: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
研究: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
靈感: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
項目時長: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
操作流程: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
團隊成員: Designer: Isabelle De Mari
Designer: Filipe Melo