由設計師 Hiroyuki Shinohara 創作嘅 Suzumushi Tea House 係備受推崇嘅 2026 A' Design Award 銀獎 得獎作品，獲獎類別為 文化遺產設計。
銀文化遺產· 2026
Suzumushi Tea House
客戶: Craft Desgin Research Lab
文化遺產 類別嘅 A' Design Award 銀獎 得獎者
經驗證嘅獲獎者
驗證設計 #182206 嘅獲獎狀態設計
關於 Suzumushi Tea House
Sounds of Suzumushi is a series of woven bamboo pavilions that reinterpret traditional basketry as inhabitable architecture. Using the Kagome weaving technique, long bamboo strips are interlaced to form lightweight, self supporting enclosures without mechanical fasteners. Digital modeling and structural simulation translate tacit craft knowledge into scalable construction, enabling forms from intimate seating to a pavilion for small gatherings. Filtered light, tactile surfaces and integrated sound create a calm sensory environment, renewing bamboo weaving as a contemporary social space.
榮譽認可
關於A' Design Award 銀獎
Suzumushi Tea House是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Suzumushi Tea House將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Suzumushi Tea House是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。
設計背後
新聞資料包
由設計師提供嘅製作人員名單、團隊成員同技術詳情。
- 獨特屬性
- Sound of Suzumushi is a 20 sq.m woven bamboo pavilion for deTour 2023 at PMQ, Hong Kong, featuring torus-shaped seating baskets (2.5m & 1.5m diameters) via Kagome triaxial weaving. Unique for scaling handicraft to architecture with embedded video of craft processes, it offers tactile rest spaces, raises heritage awareness, and integrates computational form-finding with manual execution for superior structural lightness and sustainability.
- 尺寸同包裝
- Site Area: 20 sq.m
Diameter: 2500mm (large), 1500mm (small)
Height: 2500mm
Moso Bamboo strips: 5-8mm thick x 10-15mm wide. - 標籤
- bamboo weaving, Kagome structure, computational design, craft preservation, Hong Kong heritage, architectural prototype, tactile installation, cultural propagation
- 生產技術
- Kagome triaxial weaving analyzed via Grasshopper algorithms modeling bamboo strip topology (10cm grid), materiality, and physics simulation (Oasys gsa fea for deflection/bending under gravity/lateral loads). Validated by 3-point bending/strain gauge tests on mock-ups. Pre-woven components assembled on-site with scaffolding/forklifts; Moso bamboo strips split to 5-8mm thickness, interlocked sans fasteners for self-bracing reciprocal structure.
- 設計挑戰
- The toughest challenge was scaling delicate Kagome weaving from small baskets to 2.5m architectural forms, where manual techniques faltered on strip handling and wind resistance. Internally, capturing tacit knowledge from scarce experts proved elusive amid the historical decline of craft. Externally, sparse local bamboo sources, PMQ site weather disruptions, and coordinating volunteers posed hurdles. We overcame these through iterative finite element analysis and mock-ups, introducing forklifts and scaffolding for assembly, ultimately delivering a lightweight, reusable structure that advances craft viability.
- 研究
- This design research explores scaling Hong Kong’s traditional bamboo weaving into architecture. Objectives focus on digitizing implicit craft skills for broader use and creating inhabitable structures. The methodology involves analyzing Kagome techniques, building Grasshopper models with material simulations, and testing mock-ups using Rhino/Grasshopper, Oasys GSA for finite element analysis, and strain gauges.
Results yielded stable torus pavilions; insights reveal craft-digital tools propagate heritage. Impacts enhance sustainable design, societal craft awareness, and business in renewables. - 靈感
- The inspiration stems from the endangered bamboo weaving craft in Hong Kong, exemplified by master Lui Ming (age 79). Motivated by the decline of implicit craft knowledge due to industrialization, this project seeks to preserve and propagate it through architectural applications, transforming traditional Kagome techniques into scalable, inhabitable structures that promote cultural heritage and the use of renewable materials.
- 項目時長
- The project was designed and constructed from August 2023 to December 2023 in Hong Kong, with primary installation at pmq cultural complex terrace, Central, Hong Kong, for deTour Design Festival 2023. Pre-weaving occurred at cuhk School of Architecture workshops; on-site assembly involved volunteers.
- 操作流程
- Visitors approach the pavilion on pmq terrace, enter the larger woven basket to sit or recline on curved bamboo seats, feeling the smooth, flexible weave. Touch reveals craft texture; inside, a video plays craft stories, evoking bell-cricket “suzumushi” sounds metaphorically. Interaction flows from rest to reflection, outperforming rigid benches by inviting sensory immersion and heritage connection in urban bustle.
- 圖片來源
- Image Credit: Craft Design Research Lab
贊助
探索 Designers.org 以外嘅世界
探索我哋廣告合作夥伴提供嘅產品、服務同機會。
