Chengzhe Zhang 嘅作品 Wonderland 主要功能：展覽中心室內設計

由設計師 Chengzhe Zhang 創作嘅 Wonderland 主要功能：展覽中心室內設計係備受推崇嘅 2020 A' Design Award 銀獎得獎作品，獲獎類別為室內空間及展覽設計。

銀室內· 2020

Wonderland 主要功能：展覽中心室內設計

由 Chengzhe Zhang

客戶: Shanghai Hongshida Real Estate Development Co., LTD

室內類別嘅 A' Design Award 銀獎得獎者

25,685

經驗證嘅獲獎者

驗證設計 #92667 嘅獲獎狀態

喺 A' Design Award 查看新聞稿獎項徽章

色彩

設計

關於 Wonderland 主要功能：展覽中心室內設計

《世外桃源》係位於中國上海嘅一個展覽中心室內設計。設計靈感源自明代畫家仇英嘅山水畫《桃源仙境圖》，將綠、粉紅同白色調融入一個寧靜嘅空間。一幅灰色板岩牆首先遮擋咗視線，沿住通道行入去，主廳高達十米嘅空間就會豁然呈現。中央通道連接住會議區、展覽區同茶室。落地書架同幾何鏤空屏風分隔咗各個區域。一組懸掛式玻璃裝置，用超過5,000片桃花花瓣逐片人手安裝而成。

榮譽認可

關於A' Design Award 銀獎

Wonderland 主要功能：展覽中心室內設計是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Wonderland 主要功能：展覽中心室內設計將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Wonderland 主要功能：展覽中心室內設計是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
尺寸同包裝: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
標籤: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
生產技術: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
設計挑戰: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
研究: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
靈感: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
項目時長: The Project started in January 2018 in Shanghai China
操作流程: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
團隊成員: Mingxin Lu
Yunhui Tang
圖片來源: Main Image: Photographer Hai Zhu, 2018