More than a designer, I consider myself a researcher of the world that surrounds us, evolving alongside the rest of things. I enjoy creating new items taking into account the blend of established elements. This is how natural evolution works, and in my opinion is the best way to make a design up.
There are mainstream designs made with great charisma and sensitivity. That is why they ended up being classical design items. A set up classic is always a good design.
When humanity frees itself from the prevailing speculation that manipulates everything nowadays, design will have no limits and will be able to reach amazing heights.
I’d rather not be classified in any particular style, for at times I can be close to minimalism and other times be more baroque, although I do have a soft spot for Expressionism and Dadaism.
It doesn’t affect or influence me, but I do take it into account when I’m working. Although the aesthetic dimension is becoming more and more important, I think that a strictly functional purpose still prevails.
Concerning my theoretical work, I’m working on the importance of colour in nature and what are its origins and causes. As for more practical issues, I intend to diversify the adjustable lamp as well as searching for other variations within this context.