Manuela Hardy

I`ve always enjoyed crafting, since I was a kid. When my parents could`nt afford the toys I wished for, I sometimes made similar toys myself. I loved to sketch inparticular plans. That`s how I knew I someday wanted to be an architect & deisgner.

Currently I am a freelancer and mostly do designwork in my sparetime, not as something I need to depend on. It makes my work even more enjoyable.

I like to think of it as something beautiful that is beyond what needed. At the same time it is very needed and important. I believe that beautiful surroundings do an important impact on people.

I love most of the designs of Arne Jacobsen. I love the organic forms that fit into most interiors.

Around spring. That is the time it gets much lighter in Scandinavia. I also feel creative when I am with people who have the same interests.

All kinds. I do a lot of thinking and my feelings affect the design.

The visual aspects and also the functionality and that it is original.

To be able to see Things and possibilities before they are realized.

It Depends on the size of the project and also on how inspired I feel. It could take from a week to a year or more.

At the moment I am busy being a mother for my 3 kids that are still pretty Young. But in the future I would love to design both furniture (maybe also other products) and architecture.

My design background is rooted in a combination of formal education and hands-on experience. I graduated with a diploma degree in architecture and design from fiuni school of architecture & design, where I focused on residential architecture and creative processes. This foundation helped me develop strong technical skills in design software, user research, and visual communication.

I’ve always been drawn to creative expression and problem-solving, and design sits right at the intersection of those two passions. From a young age, I was fascinated by how everyday objects and visuals could evoke emotions and convey messages. Over time, that curiosity evolved into a drive to create my own solutions—ones that are both visually appealing and meaningful to the people who interact with them. Becoming a designer felt like a natural step because it allows me to combine art, functionality, and strategy in a single pursuit. I’m motivated by the challenge of translating complex ideas into intuitive visuals or user experiences, and I’m constantly inspired by the impact thoughtful design can have on how people perceive a product, a brand, or even an entire community. Above all, the thrill of bringing an idea to life—from concept sketches to final implementation—keeps me excited about pushing my creative boundaries and growing as a designer.

I definitely chose to become a designer—it wasn’t something I felt obligated or forced to pursue. From an early age, I had an inclination toward creativity, whether that involved drawing, painting, or experimenting with different mediums. Over time, as I discovered the world of design, it became clear that this field would let me merge my love for visual expression with a practical, problem-solving mindset. The more I learned about various design disciplines, the more I realized that this was not just a hobby but a genuine career path I wanted to follow.

My primary focus is on designing residential houses and cabins, which I absolutely love doing. There’s something incredibly rewarding about shaping people’s personal spaces—seeing how thoughtful layouts, natural materials, and well-placed details can create a true sense of comfort and belonging. I’ve always been drawn to the coziness and warmth of small-scale, nature-inspired dwellings, whether that’s a small cabin in the woods or a modern family home filled with light. Looking ahead, I’d love to continue refining and expanding my expertise in this area. I’m particularly interested in sustainable building practices and exploring innovative ways to integrate each structure with its surrounding environment. Designing spaces that harmonize with nature—while still meeting the practical needs of the people who live in them—is my passion, and I can’t wait to keep pushing the boundaries of what’s possible in residential and cabin design.

The most important advice I can give young designers is to focus on the work that truly speaks to your heart—because when you love what you do, your passion shines through in every project. Whether you’re fascinated by architecture, product design, graphics, or any other creative field, nurturing that genuine enthusiasm is what sustains you through the late nights, tight deadlines, and occasional setbacks. Surround yourself with projects that challenge and inspire you, and never stop exploring new techniques or perspectives. Always stay open to learning—from mentors, colleagues, and even from your own mistakes. Keep in mind that design is a journey of continual growth, fueled by curiosity and a commitment to making meaningful, impactful work. When you stay true to what you love, your unique style and dedication will help you stand out and make a lasting mark in the design world.

A good designer meets expectations and delivers solid work. A great designer goes a step further—adding depth, innovation, and genuine empathy for the end user. They’re constantly pushing boundaries, refining their craft, and finding unique ways to communicate and solve problems. It’s this combination of passion, originality, and user-focused thinking that truly sets a great designer apart.

A good design is clear, functional, and emotionally resonant—it serves its purpose while engaging users on a deeper level. I look for simplicity, impact, and how seamlessly it integrates with its environment or user flow. Ultimately, a really good design solves the right problem in a way that feels intuitive, meaningful, and delightful.

Good design improves how we live and feel—it solves problems efficiently while enriching our daily experiences. Investing in beautiful, thoughtful design enhances well-being and creates spaces that inspire and uplift. It’s more than aesthetics; it’s about crafting environments that truly support and delight us.

I’d love to design a “design village” built primarily with wood—an immersive, interactive space where everyone can visit, stay, and explore. Think of it like an amusement park for design lovers: a sustainable haven that merges craftsmanship, innovation, and community. It would celebrate creativity in every corner and provide a welcoming environment for people of all ages and backgrounds to connect and be inspired.

The dream project I’m still waiting to bring to life is my “design village”—an immersive, nature-focused community that showcases innovation, craftsmanship, and sustainability. It would be a welcoming destination where visitors can experience beautiful wood-built structures, learn about design, and connect with others who share a passion for creativity and well-being.

My secret recipe is putting the people who will live there front and center—truly understanding their needs and aspirations. From there, I focus on tactility, ensuring each space feels inviting to the touch, and view every project holistically, blending functionality, aesthetics, and context into a seamless experience.

I’m inspired by a wide range of design masters—visionaries like Daniel Libeskind, Peter Zumthor, and Frank Gehry have profoundly influenced my thinking. Their bold forms, attention to detail, and unique use of materials remind me that architecture and design can spark wonder while staying grounded in human needs. I also draw from many other pioneers, constantly seeking fresh perspectives and new ways to innovate.

love Peter Zumthor’s project in Sauda (Allmannajuvet)—it brilliantly shows a simple structure that subtly holds a more intricate form inside. It’s a beautiful balance of restraint and complexity. Frank Gehry’s bold, fluid approach also pushes me to think outside the box, while smaller, accessible designs remind me that thoughtful details can live in everyday objects and spaces, not just grand landmarks.

I’d say my greatest designs are Trekronaa and the Gateway to Lofoten. Trekronaa is already quite well-known and embodies my core values—natural materials, human-centric spaces, and a seamless blend into its environment. The Gateway to Lofoten is still unbuilt, but it holds so much potential. It captures the essence of the rugged landscape in a way that invites people to immerse themselves in nature, and I’m eager to see it finally come to life.

Stay curious. Keep learning new techniques, explore different styles, and challenge yourself with diverse projects. I made a point of seeking mentors, collaborating with other creatives, and constantly questioning how each design could serve people better. Over time, these habits sharpened my skills and deepened my understanding of design’s true impact.

If I hadn’t become a designer, I might have tried my hand at being a rockstar—or, more realistically, I’d be teaching in a creative school or acting. In any case, I’d still be immersed in something that feeds my passion for creative expression.

For me, design is about creating “space in space” where people’s lives and needs remain front and center. It’s a process of shaping environments—both physical and emotional—that elevate everyday experiences and truly serve those who inhabit them.

Honestly, my biggest supporter has been myself. It may sound strange, but you have to believe in your own vision and capabilities to make it in this field. That self-belief—paired with hard work—helped me push forward and reach new heights. Also my husband is a big believer I have to add that.