Nima Keivani

I have been immersed in the world of art and architecture from a very young age. Growing up in Iran, I was constantly surrounded by a rich cultural heritage, historic architectural marvels, and a profound visual language that influenced my understanding of spatial aesthetics and materiality. From as far back as I can remember, I was sketching forms, exploring patterns, and attempting to understand how spaces influence human experience. Even as a child, I found myself fascinated by how certain buildings evoked calmness, while others felt vibrant and energetic. This curiosity naturally led me to pursue architecture and design as my life’s work. I always had a deep desire to shape environments—whether through simple sketches or conceptual models—and to solve problems in creative ways. Early on, I realized that architecture could be a powerful medium to merge art, culture, technology, and society, and that realization solidified my path. So, yes, I have always wanted to be a designer in some form. The decision was less a career choice and more a calling—a natural extension of my curiosity and passion.

Keivani Architects is a design studio I co-founded with my brother, Sina, with a primary focus on architecture and interior design. Based in Tehran, our practice is dedicated to exploring how traditional Iranian architectural principles can be thoughtfully reinterpreted in a contemporary context. Over time, we have developed a body of work that is both distinctly rooted in our cultural heritage and forward-looking in its use of materials, technology, and form. Our firm is a collaborative environment where architects, designers, engineers, and craftsmen work together. We emphasize sustainable design, context-driven solutions, and an architectural language that balances innovation with respect for local culture and the environment. Our projects range from residential and commercial buildings to cultural and educational spaces, each approached with sensitivity to site, climate, and cultural narrative. We’ve received international recognition for our designs, which often feature a seamless integration of traditional craftsmanship, geometric exploration, and state-of-the-art technology.

To me, design is a thoughtful and compassionate problem-solving process. It’s about creating environments that resonate with the human spirit, respond to practical needs, and engage with their cultural and ecological context. Design is not merely about aesthetics; it’s also about utility, sustainability, and meaning. A well-designed space should enhance human well being, foster connections, and inspire people. Ultimately, design is a bridge between imagination and reality—a way to shape the world so it better aligns with our aspirations and values.

I find the most joy in designing projects that allow for a deep dialogue with their surroundings—works that integrate natural elements, cultural references, and a strong narrative. Whether it’s a private residence that embodies a family’s heritage or a public building that aims to inspire a community, I gravitate toward projects with meaningful context. Designing spaces where tradition meets innovation and where people can truly feel at home—both emotionally and physically—is what I find most fulfilling.

While I have been fortunate to work on many projects that are close to my heart, one standout is the “Orsi Residential Building” in Tehran. This project is a manifestation of our approach: blending Iranian architectural elements—like screens, geometry, and spatial layering—with contemporary functional demands. The façade’s interplay of solids and voids, the use of natural light, and the balance between privacy and openness create an environment that feels at once modern and deeply rooted in local traditions. The Orsi Building symbolizes the synthesis of past and future, form and function, and remains a personal milestone in our architectural journey.

Early in my career, I contributed to the interior layout for a small office space. Although modest in scale, it taught me the importance of understanding user needs, optimizing workflows, and considering how lighting, color, and material choice influence morale and productivity. That first corporate design experience underscored the power of design to transform even the most basic interior into an environment where people feel valued and motivated.

I am drawn to natural materials like wood and brick due to their tactile qualities, cultural resonance, and versatility. Brick, in particular, is very common in Iranian architecture and can be adapted into intricate patterns that filter light and air. I also value new technologies—such as parametric design tools and sustainable building systems—that allow us to push the boundaries of what’s possible. The combination of traditional materials and advanced digital modeling or fabrication methods can yield truly unique, contextually rich solutions.

I feel most creative when I’m fully engaged with a context—visiting a site at different times of day, absorbing the local atmosphere, or discussing user needs with a client. Creativity often emerges at the intersection of constraints and possibilities. Also, having quiet moments, perhaps early in the morning or late at night, helps me channel fresh ideas. Travel, art exhibits, and reading about history or philosophy can also trigger bursts of inspiration.

I focus first on spatial organization, how people will move through and interact with the environment. This includes the interplay of light, ventilation, and the relationship between indoor and outdoor spaces. Once I have a strong spatial concept, I delve into materials, details, and the finer aesthetic choices. In other words, I start with the ‘soul’ of the project—its conceptual foundation—before fine-tuning its personality.

Designing often evokes a sense of curiosity, excitement, and optimism. There’s also a reverence for the responsibility I hold—knowing that my decisions can affect how people live, work, and experience their daily lives. Sometimes I feel the tension of balancing various constraints—budget, regulations, client requests—but the overarching feeling is one of possibility and hope.

Seeing a completed project evokes pride, relief, and gratitude. Pride in the collaborative effort, relief that the concept has successfully become reality, and gratitude for everyone—clients, colleagues, craftsmen—who contributed to bringing it to life. It’s deeply rewarding to witness people occupying and enjoying a space you’ve envisioned. At those moments, architecture becomes more than sketches and renderings; it becomes part of people’s lived experience.

A successful design resonates with users, respects its context, and endures both functionally and aesthetically over time. It addresses practical needs—comfort, safety, efficiency—while also uplifting the human spirit. If it can adapt to changing conditions, age gracefully, and continue to inspire, then it has truly succeeded.

My initial assessment focuses on the fundamentals: Does the design serve its intended purpose? Is it sensitive to its environment? Is it constructed responsibly and ethically, and does it improve the user’s quality of life? These core questions guide my evaluation before I consider stylistic choices or decorative elements.

Designers hold a crucial role as stewards of cultural legacy and environmental sustainability. We must create buildings and products that not only look beautiful but also conserve resources, minimize environmental impact, and contribute positively to communities. This includes using sustainable materials, embracing energy-efficient solutions, supporting local craftsmanship, and designing inclusive, accessible spaces. Our responsibility extends beyond aesthetics; we are shaping the future of the planet and its societies through the spaces we create.

Design is becoming more interdisciplinary, collaborative, and technologically driven. We are witnessing the integration of artificial intelligence, parametric modeling, virtual reality, and sustainable innovations into the design process. The future lies in intelligent, responsive environments that adapt to changing needs, and in a heightened global awareness of environmental responsibility. I believe we will also see a renaissance of cultural specificity—designers revisiting traditions and local vernaculars, blending them seamlessly with contemporary methods to create meaningful, future-proof spaces.

We’ve presented our work through various architectural forums and exhibitions over the years, both in Iran and internationally. For instance, our works have been featured in exhibitions and design conferences that highlight contemporary Iranian architecture. While I have a specific recent public exhibition to mention here in Venice, we’re always exploring opportunities to showcase our projects—whether through galleries, architecture biennales, or academic talks. I hope to participate in another international exhibition soon, where we can share our recent projects and engage in meaningful dialogue with the global design community.

My inspirations come from a variety of sources: the intricate geometry of historic Persian architecture, the warm textures of local materials, global architectural discourse, and the natural landscape—mountains, deserts, and gardens. I feed my creativity by traveling, reading extensively about art, philosophy, and history, and staying updated with emerging technologies and design trends. Conversations with clients, craftsmen, and fellow architects also spark new ideas. It’s a continuous cycle of observation, reflection, experimentation, and learning. And also, Iran's rich literature, historical stories, and the roots of local and indigenous architecture are inspiring to me at many times.

My design style is a contemporary interpretation of Iranian architectural vocabulary, blending minimalist forms with culturally significant motifs and materials. I value simplicity, elegance, and spaces that feel both timeless and current. What led me down this path was the desire to create a language that pays homage to my cultural roots while embracing modern needs. The main characteristics are sensitive contextual response, geometric clarity, interplay of light and shadow, and the balanced use of materials like brick and wood. My approach is holistic—combining conceptual thinking, cultural referencing, technical rigor, and a human-centered focus.

I live and work primarily in Tehran, Iran. Iranian architecture is steeped in a millennia-old tradition of craftsmanship, geometric patterns, and poetic spatial concepts, and this cultural heritage deeply influences my designs. The advantage is having a wealth of historical precedents and artisanal skill sets to draw upon. There’s a rich narrative to explore and reinterpret. On the other hand, economic and regulatory challenges, evolving urban conditions, and resource constraints can sometimes limit design freedom. Still, these constraints often inspire more inventive solutions.

When collaborating with companies—whether as clients or partners—we begin with extensive dialogue to understand their brand values, operational needs, and objectives. We then develop conceptual proposals, refine them through iterative feedback, and guide the project from design through construction and completion. Regular communication, transparency, and mutual respect define these relationships. We aim to become partners in their success, offering solutions that enhance both their physical environment and their identity.

Companies should seek designers who are good listeners, open-minded, and aligned with their values. Look for a portfolio that demonstrates not just beauty but also thoughtful problem-solving and consistency. Communication skills are crucial—designers who can articulate their vision and incorporate feedback effectively are more likely to deliver successful results. Finally, consider a designer’s understanding of sustainability, cultural context, and long-term adaptability. Trust and chemistry between the company and the designer are essential for a truly fruitful collaboration.

My design process starts with understanding context: site conditions, cultural and historical background, user needs, and environmental factors. I then brainstorm concepts, sketch ideas, and refine these into more concrete proposals using digital modeling tools. Collaboration with my team and consultants ensures practicality. We test materials, lighting conditions, and structural systems. The process is iterative, balancing conceptual vision with real-world constraints. Finally, we detail every aspect and guide the project through execution, making adjustments as needed to maintain design integrity.

A handcrafted ceramic vase made by a local artisan—it embodies traditional craftsmanship and personal history. A classic Persian carpet with intricate geometric patterns that inspire my architectural details. A well-designed reading chair—ergonomic yet elegant, encouraging quiet reflection. A minimalistic floor lamp with a warm LED light that enhances mood and ambiance. A set of custom-designed shelves that blend form and function, showcasing books, art, and personal mementos. and some antique objects.

My typical day begins early, often with a morning walk to clear my mind before heading to the studio. The first part of the workday involves reviewing ongoing projects with my team, discussing design challenges, and coordinating with engineers or consultants. Later, I may meet clients or visit construction sites to oversee progress. Afternoons often include creative sessions—sketching, model-making, or exploring new materials. Evenings are for catching up on emails, reading architectural journals, or researching inspiration for future projects. I strive to maintain a balance—time for intense focus, for collaboration, and for personal enrichment.

First, embrace your cultural roots and personal experiences—they can become a powerful source of uniqueness. Stay curious; never stop learning about art, technology, history, and human behavior. Practice empathy and always consider how your designs will affect the people who use them. Learn to communicate your ideas clearly, both visually and verbally. Don’t shy away from challenges or constraints; use them as catalysts for innovation. Finally, understand that good design is a process, not just a product. Patience, persistence, and humility will guide you to excel over time. And be like a crazy about your ideas.

On the positive side, being a designer allows you to shape the world in tangible, meaningful ways. You get to combine creative thinking with real-world impact and see your visions improve lives. It’s deeply fulfilling to turn abstract ideas into built realities. On the negative side, design can be demanding, requiring long hours, patience with constraints, and the delicate juggling of client expectations, budgets, and timelines. There’s also the emotional toll of seeing brilliant concepts sometimes compromised due to external factors. But these challenges often fuel resilience and creativity.

My golden rule is to design with integrity and empathy. Every decision—whether spatial, material, or aesthetic—should serve the people who will inhabit the space and respect the environment it occupies. If you remain true to this principle, your designs will naturally be more meaningful, enduring, and impactful.

A designer needs a balanced set of skills: creative vision, technical proficiency, and strong communication abilities. Understanding materials, construction methods, and sustainable principles is essential. Equally important is empathy—truly grasping user needs—and adaptability, allowing you to evolve as new technologies and social conditions arise. Strategic thinking, time management, and the capacity to work collaboratively are also crucial.

My toolbox is multifaceted. It includes traditional tools like sketchbooks, pens, and physical models to quickly test ideas. On the digital side, we use CAD software, BIM platforms, parametric design tools like Grasshopper, and rendering applications for visualization. I maintain a personal library of architecture and art books, as well as journals on philosophy, history, and culture. Inspiration also comes from online archives, architectural databases, and visits to museums and historical sites. Finally, collaboration with artisans and material suppliers provides hands-on knowledge that shapes design decisions.

I prioritize tasks, break them down into manageable segments, and set clear milestones. Effective delegation within my team ensures that everyone contributes their expertise. I also schedule regular reviews and deadlines to keep projects on track. I believe in maintaining a healthy work-life balance because stepping away from work momentarily can renew creativity. Good time management is as much about efficiency as it is about preserving your mental and emotional well-being.

The time frame varies greatly depending on the scale and complexity of the project. A small piece of furniture or a single-family home might take a few weeks to conceptualize and detail, while a larger building could span months or even years from initial sketches to final construction documents. We tailor our process and timeline to the project’s needs, complexities, and the pace of our collaborators.

Clients and students often ask, “How do you balance creativity with practicality?” or “How can we ensure that our project remains true to the initial concept when confronted with real-world challenges?” This is a core inquiry, touching on the heart of architectural practice—the delicate dance between imagination, constraints, and execution. And another most repeated question is, how we can win international awards!

One of the most pivotal experiences was working on projects that required integrating traditional Iranian building techniques with modern construction methods. This experience taught me the value of cultural continuity and how technical innovation can enhance, rather than overshadow, vernacular wisdom. Such projects refined my approach and solidified the core philosophy of Keivani Architects.

Our clients range from private homeowners and entrepreneurs to corporations and cultural institutions. We work with individuals and organizations who appreciate culturally resonant, sustainable, and innovative designs. Our portfolio includes both local Iranian clients and international collaborations, all seeking a unique architectural identity that reflects their values and aspirations.

I particularly enjoy projects that challenge conventions and invite a deeper cultural or environmental narrative. Whether that’s a civic building that engages the community, a residence that reinterprets traditional courtyard typologies, or a workspace that promotes well-being through biophilic design elements—I relish opportunities to push boundaries. Such projects often bring out the best in our team and yield richer, more meaningful outcomes.

I aim to continue refining our firm’s architectural language, deepening our approach to sustainable design, and exploring new materials and technologies. I’m also interested in more international collaborations, exhibitions, and academic engagements to share insights and learn from a global community. The future involves expanding our repertoire—designing more public spaces and cultural projects that foster dialogue, well-being, and environmental stewardship.

While I provide creative direction and maintain a strong personal vision, our designs are ultimately a team effort. Architects, engineers, designers, interns, and consultants all contribute their expertise. I believe in a collaborative studio culture where ideas can flow freely, be debated, refined, and improved. This synergy leads to better, more holistic design solutions.

Yes, we are currently working on a few projects that embody our core philosophies—most notably, a residential complex that integrates green terraces, traditional Iranian courtyard principles, and contemporary energy-efficient systems. We are also designing an educational facility that aims to create inspiring, flexible learning environments infused with natural light and local craftsmanship. Though still in development, these projects represent exciting milestones as we continue to bridge heritage, innovation, and sustainability.

I’m always open to discussing potential collaborations, sharing insights, and engaging in conversations about architecture and design. You can reach out to me and my team in the following ways: Website: www.keivani-architects.com Email: keivani.architects@gmail.com Cell Phone (Iran): +98 912 183 4347 Whether you’re a fellow designer looking to exchange ideas, a potential client with a new project in mind, or a student seeking mentorship, I welcome you to get in touch. My team and I value constructive dialogue and look forward to building relationships that foster innovation and creativity.

One area I am passionate about—and would like to emphasize—is the educational and community impact of architecture. Beyond the aesthetics, I believe architects can play a key role in shaping public awareness about sustainability, cultural heritage, and social responsibility. This goes beyond our day-to-day practice and touches on: Mentorship & Education: I often engage with universities, design workshops, and community programs, offering lectures and critique sessions. Encouraging the next generation of architects and designers is essential for the continued evolution of our field. Sharing knowledge and experiences not only benefits students but also enriches my own perspective. Cultural Diplomacy: As an Iranian architectural firm, our works serve as a bridge between local traditions and international conversations. I see architecture as a form of cultural diplomacy—each building or project communicates aspects of our heritage while engaging global design trends. This enriches the world’s architectural tapestry and helps promote mutual understanding. Research & Publication: At Keivani Architects, we strive to create dialogues within the architectural community through research papers, articles, and exhibitions. Documenting traditional Iranian design principles and examining how they intersect with modern technologies can serve as valuable resources for others. I’m always exploring ways to contribute to global design discourse. Social & Environmental Advocacy: Architecture has a profound impact on communities and ecosystems. We continually seek more environmentally responsible solutions—from energy-efficient facades to locally sourced materials. We also advocate for inclusive design, aiming to create spaces that welcome diverse populations, regardless of age, ability, or cultural background. Awards & Recognition: While we appreciate the acknowledgments we’ve received—such as various architecture awards and features in design magazines—our focus remains on the integrity and purpose of each project. Still, these accolades do help us connect with a broader audience and initiate more impactful collaborations. All of these elements collectively inform who we are as designers, as teachers, and as community members. I believe it’s important to highlight that our mission goes beyond just creating buildings; it’s about fostering human connection, cultural identity, and ecological balance through the built environment.

I’ve been practicing architecture and design for well over two decade, beginning my career shortly after graduating with my Master’s degree in Architecture. My brother, Sina, and I co-founded Keivani Architects, where we focus on blending Iran’s rich cultural heritage with cutting-edge design technology. During this journey, I’ve collaborated with a wide range of clients—from private homeowners to educational institutions and commercial developers. Our work has been recognized locally and internationally, something I attribute to a fundamental commitment to context-sensitive and human-centered design. Every project I undertake is an exploration of how material, light, and form can converge to create deeply resonant experiences.

Becoming an architect was not a momentary decision; it was a progression fueled by curiosity, artistic passion, and a desire to improve people’s lives. From an early age, I was drawn to the interplay of geometry in historic Iranian structures—intricate tilework, symmetrical courtyards, and the poetic use of light. This fascination led me to study architecture academically. My formal education gave me both technical knowledge and a broader philosophical grounding. Initially, I was influenced by vernacular Iranian building techniques, but I also immersed myself in global modernism and sustainable design principles. The driving force was a conviction that architecture is a social responsibility—a way to weave cultural threads and modern needs into cohesive environments that uplift communities.

Contextual Insight: Every project begins with an examination of site-specific conditions—cultural, environmental, and functional. I want each design to reflect and elevate its locale. Human-Centric Experience: Spaces should not only be beautiful but also intuitive and comforting. Human well-being—emotional, physical, and social—is always at the forefront. Sustainability & Innovation: We adopt both traditional craftsmanship and advanced digital tools. Physical mock-ups, 3D parametric modeling, and performance simulations all help us discover new forms and optimize resources. The goal is to create a symbiosis between tradition and technology. I’d describe our style as contemporary reinterpretations of Iranian architectural heritage, emphasizing spatial fluidity, geometric nuances, and an ongoing dialogue with nature.

Designing evokes a deep sense of wonder, curiosity, and responsibility. Initially, there’s the excitement of conceptualizing—like painting with possibilities. As ideas mature, I feel a kind of focused intensity; it’s both thrilling and meditative. The final stages, when a concept transitions from drawings to reality, produce profound satisfaction and humility. Each design phase has its emotional cadence: from the spark of inspiration, to the constructive friction of refining ideas, to the relief and joy of completion. Ultimately, the knowledge that design can tangibly improve people’s lives gives me a daily sense of purpose.

Cultural Heritage: Growing up amidst Iran’s age-old architectural legacy—courtyards, windcatchers, intricate brickwork—engrained in me an intuitive grasp of proportion, light, and ornamentation. Interdisciplinary Curiosity: I’ve always found value in studying and trying fields outside architecture, such as philosophy, cinema, theater, and anthropology, enriching my design toolkit. Empathy & Communication: Understanding clients’ narratives, communities’ aspirations, and local constraints has been crucial. Good listening and collaboration skills often matter more than strictly design-based expertise. These dimensions foster a mindset that merges creativity and empathy, bridging local identity with modern demands.

My personal and professional growth path hinges on continually deepening our architectural language at Keivani Architects. We aspire to broaden our reach internationally, forging design dialogues that transcend national boundaries. We’re also expanding our work into urban-scale interventions, helping shape more holistic environments that integrate public spaces, housing, cultural institutions, and ecological frameworks.

Stay Curious: Continuously explore emerging technologies and historical precedents. Don’t limit your learning to architecture—draw insights from fields like psychology, sociology, and environmental sciences. Embrace Critique: Early in my career, critical feedback (even if daunting) was the greatest catalyst for growth. Surround yourself with people who challenge your ideas constructively. Be Resilient: Design processes can be long and fraught with constraints. You’ll need persistence, adaptability, and the ability to pivot. A mentor once told me: “The best architecture emerges when all constraints—cultural, financial, environmental—are creatively resolved rather than sidestepped.” That advice still guides me today.

Define Your Ethos: Understand your values and vision before diving into any trend. Authentic design stems from clarity of purpose. Network Wisely: Collaborate across disciplines. Artists, scientists, local craftspeople—diverse perspectives lead to unique solutions. Balance Ambition with Humility: Confidence is key, but remain open to learning. Continual refinement of methods, materials, and conceptual frameworks is how you stay relevant. Constant iteration, rigorous research, and a strong moral compass (especially concerning sustainability) build the foundation for long-term success.

I typically start my morning reviewing sketches and design briefs while having coffee. Then I delve into team meetings, where we discuss project progress, brainstorm new concepts, and troubleshoot design or engineering problems. I might spend part of the day overseeing site visits to check on construction details or meeting with clients for feedback. Between these tasks, I carve out time for reading: architectural journals, theoretical essays, and global design news. I wind down by revisiting sketches or working out design details—often in the quieter evening hours—before planning the next day’s objectives. Small joys like an insightful team discussion, a well-executed façade detail, or a new parametric experiment that works perfectly can spark excitement amid the routine.

I stay informed by reading international architectural journals, participating in conferences, and observing global award-winning projects. Social media platforms also offer quick glimpses into emerging technologies and material innovations. However, trends are a double-edged sword. While they can inspire fresh thinking, they risk overshadowing authenticity if blindly followed. I aim to distill the essence of a trend—like a new building methodology or sustainability approach—and see if it resonates with our contextual design ethos. Ultimately, it’s not about chasing fleeting fashions, but incorporating innovations that can endure and enhance user experience long-term.

For me, good design has three pillars: Resonance with Context: It must reflect and enhance the cultural, environmental, and social fabric where it resides. Functionality and Well-being: A design succeeds if it meets or transcends user needs, fosters comfort, and can adapt over time. Timelessness: Does it remain conceptually and aesthetically relevant even as trends evolve? Common pitfalls include flashy aesthetics lacking depth or solutions that ignore fundamental sustainability or user-experience concerns. A truly well-designed space or object is one that stands quietly confident, serving its purpose gracefully while evoking a sense of emotional connection.

I often say a design reaches completion when all key constraints—functional, aesthetic, financial, and environmental—are resolved in a harmonious manner. Perfection is elusive; there’s always room for refinement. However, practical realities—like budgets, timelines, or client needs—set boundaries. I know a project is sufficiently complete when further tweaks would compromise the balance that’s already achieved. Even after construction, I view designs as living entities—the dialogue continues through user feedback and post-occupancy assessments, informing improvements for future work.

I admire a wide spectrum of architects and designers for different reasons. From the Iranian perspective, I’m in awe of vernacular masters who innovated climate-responsive solutions centuries ago, such as the unknown artisans behind Yazd’s windcatchers. Globally, Louis Kahn and Peter Zumthor stands out for his poetic interplay of light and structure, and Tadao Ando for his mastery of minimalism and space. If I could have a conversation with a single (late) visionary, it might be Zaha Hadid—to explore the fluid dynamism of her forms and her visionary approach to parametric design. Each of these figures revolutionized how we perceive space and potential.

I live and work primarily in Tehran, deeply influenced by Iran’s artistic legacy—from calligraphy to intricate mosaics. My cultural identity seeps into every design I undertake, manifested in courtyards, daylight patterns, or semi-private transitional zones. Music often plays a backdrop in my creative process: I enjoy classical Persian music for introspective moments and contemporary global genres when exploring new ideas. Design for me is an instrument of cultural preservation, societal improvement, and personal expression. Small improvements—like adopting local craftsmanship or championing sustainable materials—create incremental but meaningful changes in how I live and design.

Keivani Architects is centered on a collaborative environment. We have interdisciplinary dialogues with engineers, artisans, urban planners, and even sociologists. I believe that a culture of open communication and mutual respect unlocks synergy that leads to rich, multifaceted design solutions. Qualities I look for in new hires or partners include curiosity, adaptability, and moral responsibility. We strive for ethical design—cost-effective yet environmentally conscious, aesthetically captivating yet contextually sensitive. Transparency with clients and stakeholders is vital; each project is a shared venture in pursuit of a refined outcome.

We’ve engaged in pro bono consultations for charity community-driven projects, such as small libraries or schools in underserved areas, where design can significantly enhance quality of life. I’m also active in academic workshops, guiding emerging architects on sustainability and cultural integration. Occasionally, we participate in design competitions that champion humanitarian causes—seeing design as an instrument for broader social impact. I believe that artists, designers, and architects hold a collective responsibility to advocate for ethical and equitable environments. Investing in youth education, mentorship, and public design events remains a personal priority.

Participating in design competitions like the A’ Design Award offers several benefits: Global Exposure: It’s a platform that connects you to an international audience of peers, media, and potential collaborators. Professional Validation & Motivation: Recognition acts as a catalyst for pushing boundaries and refining quality standards. Community & Dialogue: Competitions foster discussions around evolving trends, new technologies, and sustainability challenges. Being named “Designer of the Day” is both humbling and invigorating. It underscores the collaborative efforts of my team and reaffirms our guiding principle—architecture that merges cultural authenticity with visionary thinking. I hope it inspires other emerging designers to be both courageous and compassionate in their approach.

I grew up in Iran, where the architecture is profoundly influenced by millennia-old traditions and craftsmanship. This cultural richness became my earliest teacher, sparking a fascination with how space, light, and material interact. I later pursued a formal architectural education, obtaining a Bachelor’s and Master’s degree in Architecture. During my studies, I focused on sustainable design, heritage preservation, and the interplay between contemporary and vernacular approaches. Continuous learning and research have always been vital to my growth, and I remain engaged with academic circles, with PhD studies and often giving lectures or participating in design symposium.

At its core, I’m motivated by a desire to shape environments that foster human well-being, cultural continuity, and environmental harmony. From a young age, I was captivated by how architecture can uplift or transform communities. The creative challenge of merging culture, climate, and user needs in a single coherent design is an ongoing source of inspiration for me. Ultimately, I became a designer because I see architecture as a bridge between imagination and social responsibility—a means to leave a positive imprint on the world.

My choice to become an architect was entirely my own. I was fortunate to have a supportive environment that recognized my passion for the arts and sciences. Architecture felt like a natural evolution of my interests in art, geometry, and problem-solving. Nobody compelled me to follow this path; it was a calling rooted from my childhood in curiosity and a desire to create meaningful spaces. I have tried to be an artist or architect as a always.

I primarily design architectural projects—residential, commercial, cultural, and educational buildings. Over time, my team and I have also ventured into interiors, furniture concepts, and urban design strategies. Looking forward, I’d love to work more on public and civic projects: museums, cultural centers, or community hubs that serve broader societal needs. Such projects allow us to weave together heritage, technology, and community engagement on a larger scale.

First, remain humble and open to learning. Ground your work in both technical rigor and a clear philosophical vision. Second, be persistent—design excellence is a product of iterative refinement and resilience in the face of challenges. Third, cultivate your own voice by embracing your cultural heritage and unique experiences; these elements will distinguish your designs. Finally, maintain empathy: consider the end-user at every stage. True design “legends” are those whose work resonates meaningfully with people’s everyday lives.

A good designer skillfully meets functional and aesthetic requirements. A great designer goes further—transcending constraints to create a sense of wonder, emotional resonance, or a deeper cultural statement. Great designers also demonstrate leadership, inspiring teams and communities, while advocating for ethical and sustainable practices. It’s that added layer of vision, emotional depth, and social responsibility that sets a great designer apart.

I evaluate design by three main criteria: Functionality: Does it meet the user’s needs effectively? Contextual Sensitivity: Does it reflect and respect local context, culture, and environment? Timelessness: Can it adapt to future needs, and does it hold an aesthetic and conceptual relevance over time? If a design excels in these areas while also elevating the human experience, it is more than good—it’s exceptional.

Good design elevates everyday life. It can reduce energy consumption, foster healthier living, and create spaces that stimulate creativity and emotional well-being. For companies, good design improves productivity and brand image. For cities, it fosters stronger communities and sustainable growth. Ultimately, it’s an investment in long-term quality of life, cultural identity, and environmental stewardship.

If time and resources were unlimited, I’d design comprehensive community-focused developments—integrated housing, cultural centers, and public parks. I would love to collaborate with NGOs or municipalities in under served areas to design socially responsible, sustainable habitats. The idea of creating holistic environments that uplift communities is incredibly appealing.

A multi-purpose cultural center that merges traditional Iranian architectural principles with cutting-edge technologies for renewable energy and interactive public programs. It would be a living laboratory for cultural exchange, showcasing how architecture can unify community, heritage, and innovation under one roof.

The secret ingredient is a synergy of curiosity, empathy, and discipline. Curiosity compels me to explore new ideas and technologies; empathy ensures my designs truly serve people; and discipline translates lofty concepts into real-world solutions. Underlying these is the mindset of continuous improvement with more crazy ideas—each project becomes a stepping stone for the next. I have no border for inspiring.

I derive great inspiration from both Iranian and international visionaries. From the Iranian side, the vernacular masters who pioneered ingenious solutions in desert architecture inspire my approach to climate-responsive design. Internationally, I admire the works of architects like Louis Kahn for his poetic use of light, Tadao Ando for his minimalist sensibility, and the late Zaha Hadid for pushing the boundaries of form and fluidity. And i really enjoyed from Peter Zumthor and Steeven Holl architecture.

I am deeply intrigued by the Salk Institute by Louis Kahn for its profound interplay of geometry, space, and light. Tadao Ando’s Church of the Light resonates with me for its serenity and powerful manipulation of natural light. These designs illustrate how minimal elements can evoke a monumental emotional response. on the otherhand i ispiring of Bernard Tschumi projects too.

Expand your horizons—study art, history, technology, psychology, and even philosophy. Travel to understand diverse architectural traditions. Seek critiques regularly and learn from every project, success or failure. Collaboration is also key; working with diverse teams exposes you to new perspectives. Personally, I’ve continuously engaged with mentors, academic research, and industry events to sharpen both my technical and conceptual skills.

If I weren’t an architect, I might have pursued Cinema director or urban planning—something that still integrates problem-solving with societal impact. Alternatively, I might have become a teacher or scholar, channeling my passion for learning and mentorship in another way.

Design is a holistic, iterative process of problem-solving that synthesizes art, function, context, and culture. It’s an act of empathy—understanding human needs and desires—and a form of storytelling, weaving narratives about identity, place, and aspirations. Design transforms intangible concepts into tangible realities that enhance everyday experiences.

I owe a great deal to my family, who nurtured my early inclinations toward creativity. My brother and co-founder, Sina, has been a steadfast collaborator and supporter from the inception of Keivani Architects. I’ve also been fortunate to have dedicated mentors—professors, fellow architects, clients—whose insights and encouragement propelled my career forward.