Kay Jiaqi Zhou

I didn’t know if I would like to be a designer when I was little. When I was about 16, I was facing the issue about choosing a major to study in school. I wasn’t sure will I be good at science, maths or languages, but I was quite sure I like drawing. I didn’t want to give up this hobby so I decided to go for the art and design route. I did my Product Design diploma in China Academy of Art and I finished my Product Design master degree in Birmingham Institute of Art and Design in the UK.

My company is called ‘POPORCELAIN’. It’s about contemporary handmade porcelain jewellery. Currently locates in Copenhagen, Denmark. I work alone.

‘Design’ for me is like an approach which helps me to discover and understand the world.

It’s hard to name my most favourite design, but I can say one which has stuck in my mind for a long time. It’s the collaboration watch piece designed by Uma Wang for Swatch. It’s called the Black Dancing Rose.The design is a fully black tone wrist watch with artistic leather strap around the dial. Swatch is a brand I like. I appreciate that they smartly balance the commercial side and the creative side. For this special collaboration piece, it’s like a pioneer telling the audience how arty Swatch watch could be.

A collection of kids watches full of cute and floral patterns. They were not fancy pieces at all, but I quite enjoyed drawing those kiddie patterns.

Porcelain. I feel porcelain is magical and miracle. The more I work with it, the more I appreciate it.

The ways how they help people solve a problem or assist people to achieve certain positive purpose.

Is it ‘anti-human or anti-environment’ ?! I would judge a design as good design if it’s under a healthy developing process, which includes environmentally friendly, designers and workers friendly. Not abuse using materials. Not over-pressured on designers nor under-valued on workers.

Certainly designers play a very key role in creating new pieces for the world. I feel designers should have the responsibilities to lead people to understand and adapt eco-friendly and aesthetic concepts and products.

Design field is getting more and more globalised nowadays. Everything seems full of possibilities. Could the future of design be: wakening the olds and creating the news, or combining these two.

I didn’t have a proper exhibition of my branded products yet. I am not sure when would be my next exhibition after this A’ design award exhibition.

From the nature, daily life or other design areas. Sources of inspirations could be browsing images, shopping nice clothes and accessories or spending lots of time by browsing crafts shops or vintage shops.

Contemporary, fashionable, handmade, feminine. My approach to design is to try what I can do. If it failed, make another one or try something else. I believe that creating, refining, handcrafting is what my jewellery is all about.

I currently live the Denmark, while I come from the very south part of China. I do feel the cultural heritage of my country affects my designs, especially when we are talking about ‘china’! Pros: Denmark is like a wonderland for designers. It’s full of design atmosphere in Denmark. The ‘hygge’ cosiness can calm me down and warm me up. Cons: Winter, the sun disappeared.

I work alone at the moment, but I keep in touch with my different suppliers. I feel good to maintain the stable relationship with them.

Thoroughly and friendly communication between companies and designer is more likely to lead a satisfied design result. Before companies selecting a designer, they could arrange a design brief for the designer to finish. If they are happy with the result then that could be the good designer for them. Once they have selected them, the company should be open-mined and trust in the designer.

My design process sometimes begins with sketching. Sketch the idea I got from different bits and bobs, could be an old piece from a vintage shop, or some patterns I have seen from an image. Sometimes I may skip the sketching process. I go directly to the clay and play with it then make something up. My design making process usually includes moulding, crafting, painting, firing, glazing, polishing and assembling. The most time consuming parts would be crafting and firing, sometimes also assembling.

Piuma chair by Piero Lissoni for KartellRevolve sofa bed by Numen/ForUse for ProstoriaWood sparrows by NovoformCircus Set boxes by Marcel Wanders for AlessiPastel pink colour rain coat by RAINS

My workdays usually begin at 7, with simple breakfast and coffee. Then check my emails and social medias. It’s a luxury for me to work from home. My studio is just next to my kitchen. Depends on the work schedule, sometimes I sit in front of the computer to sort out the digital issues, like photo editing, design specifying, emailing or document archiving. But what I enjoy more is to turn my Wi-Fi off then turn the music on and facing my clay or jewellery bits. I allow myself to have a long lunch break. Usually is an hour or even more than that, because it’s very common I work more than 9 hours a day. A long lunch break can refresh myself. I try not to work too many hours in a day. That is possibly one of my principle for being a good designer – not overworking.

Be open-minded, be humble, be concentrated, be cheerful, be patient

Positives: As a designer, I can feel a product more then a shopper, buyer or user. I can understand more of the product not only from the look or the function. I would see things in more details and think more. Negatives: Being picky when something didn’t finish in a nice way. I would complain more when a design makes me feel uncomfortable or inconvenient.

Software such as Adobe Photoshop, Illustrator, Wacom, Microsoft office. My studio room is full of big and small hardware and tools: the ceramic kiln, different glaze jars, different kind of powder, potters’ tools, pens…

Indeed, designing can be very time consuming. I try to record my daily routine on my dairy by every half an hour. The purpose for this is to keep myself up to speed and try not to waste so much time. While I am in the studio room, I like to turn my Wi-hi off from my phone. This really helps me concentrate on what I am doing.

Unlike fast fashion jewellery, my jewellery design comes relatively slow. It could be some two months or half a year, some of the pieces could take even longer time to develop.

While I was working with my previous job, I learned how to analyse a trend; how to deconstruct and reconstruct a design.

I enjoy working on something more artistic, creative, alternative, less commercial, less mainstream. I don’t mean the commercial and mainstream products have less value. On the contrary, they power the global business running. I just feel there are plenty of talented designers working on those. I don’t think I can be even better, so perhaps I should do something else.

The next step for me would still be developing more good designs for POPORCELAIN. In the future I would like to set up my brand shop and design studio.

Some of my designs have been paused because I haven’t found the suitable components for them. Very often I face the issue about sourcing the right components, especially in metal. I only make them in small quantity, so that the manufacturers are not interested in dealing with me. This is one of the difficulty in my design process.

Email, is the best way to contact me. Or nowadays can also be Facebook page or Instagram message. I don’t feel like to answer phone calls especially when I am working - my hands are covered with gloves and muds.

Although I usually work alone, I am happy to work on collaboration design with other designers or companies.

I did my Product Design diploma in China Academy of Art then I finished my Product Design master degree in Birmingham Institute of Art and Design in the UK. Before I started my personal brand POPORCELAIN, I worked for a fashion watch design company in the UK.

I was quite good at drawing when I was little, but I didn’t know if I would like to be a designer. When I was about 16, I was facing the issue about choosing a major to study in school. I wasn’t sure will I be good at science, maths or languages, but I was quite sure I like drawing, crafting. I didn’t want to give up this hobby so I decided to go for the art and design route.

The top 3 aspects of the my deisgn process are crafting, firing and testing. I should perhaps also mention sketching. A lot of the design began with sketching, but this doesn’t apply to all. Sometimes design took place while I play with defferent materials. Crafting is extremely important through the whole design process, no matter before or after firing.Firing is the key for turning clay into porcelain. It’s the ’must-have’ process. Testing applies to all design. Any new design pieces would be tested in different phases. It could be testing on the new glaze, new firing method, new shapes etc..I don’t use digital tools or do rederings to assist my design at the moment, but I can see the possibilities for computer aided design, which is something I would possibly try in the future.

Unsure, challenging, satisfied. Most of the design journey is unsure and challenging. Sometimes even could be disappointing. The most exciting moment can be ‘unlock the kiln’(open the kiln). I always look forward to seeing the new born porcelain pieces, but the fire result may not always be successful. Seeing the final finished product is satisfied and pleased. Turing something undesirable(the soft muddy clay) into some beautiful and desirable jewellery brings me the sense of happiness.

Shopping, searching. Shopping definitely benefit my design. Daily life shopping can bring me ideas and inspirations. Also it can keep to up-to-date with the trends.Good searcing skill can help me find out solutions. For example searching on new materials, or making methods etc.

My growth path so far has been slow and steady. The next step for me would still be developing more good designs for POPORCELAIN. In the future I would like to set up my brand shop and design studio.‘Dream design project’ – cooperate with sophisticated porcelain craftsman and other skillful craftsman – combing the traditional skills to the modern designs.

Be open-minded, be humble, be concentrated, be cheerful, be patient.

Don’t be afraid to try something new, also don’t feel too upset if it failed.

My workdays usually begin at 7, with simple breakfast and coffee. Then check my emails and social medias. It’s a luxury for me to work from home. My studio is just next to my kitchen. Depends on the work schedule, sometimes I sit in front of the computer to sort out the digital issues, like photo editing, design specifying, emailing or document archiving. But what I enjoy more is to turn my Wi-Fi off then turn the music on and facing my clay or jewellery bits in my studio. I allow myself to have a long lunch break. Usually is an hour or even more than that, because it’s very common I work more than 9 hours a day. A long lunch break can refresh myself. I try not to work too many hours in a day. That is possibly one of my principle for being a good designer – not overworking.

I would follow up the latest design trends, but I don’t completely stick with them. I would like my jewellery design to be fashionable, but also timeless. Social medias, fashion and design websites, blogs are the best way to look for new trends. Design trends are like the wind that makes the whole industry dynamic. Without wind, the whole atmosphere would be dull and lifeless.

A well designed product or project should be thoroughly considered during the desiging and making process, also the post-consuming process. Is the whole process ‘anti-human or anti-environment’ ?! I would judge a design as good design if it’s under a healthy developing process, which should be environmentally friendly, designers and workers friendly. Not abuse using materials. Not over-pressured on designers nor under-valued on workers.

Every new design piece would be tested before they are launched. Once they can pass the test, they are ready. But there will always be a way to improve them, such as improving the materials or the making technique.

Plum Blossom Cluster Necklace is the biggest design work so far. Simply because its a delicate statement piece and it takes a long time to make.

mmm…. This is a difficult question to answer. I favour a lot of designers. If I have to name some favourites, then they are Domenico Dolce and Stefano Gabbana. I love their stunning and lovingly handcrafted products. Their deisgn is fashionble, beautiful, detailed, also sometimes a bit playful. If I were given a chance to talk with a signle dead designer, I would like to talk to Zaha Hadid, who gave the new definition to walls and floors.

I currently live the Denmark, while I come from the very south part of China. I do feel the cultural heritage of my country affects my designs, especially when we are talking about ‘china’! Denmark is like a wonderland for designers. It’s full of design atmosphere in Denmark. The ‘hygge’ cosiness can calm me down and warm me up.

I work alone, although I cooperate with bloggers, videographer and suppliers. When I selecting business partners or hiring people, I look for their personality and capability. I prefer to work with honest, humble and creative people.

I am sorry to say I haven’t achieved much philanthropic contributions to society so far, however I will absolutely love to do so in the future. I think artists, designers and architects should involve themselves with humanitarian projects. It could be even more than human being, it could be about animals, plants or environment.

Thanks to A’ Design Award, I can see the whole design industry is full of talents and hope. I love to see every designer is trying their best to contribute to the industry and making effect to improve our everyday life. It’s absolutely an honour can be the Designer of the Day. I appreciate this support and encouragement. I will carry on and bring out more good designs.

I did my Product Design diploma in China Academy of Art and I finished my Product Design master degree in Birmingham Institute of Art and Design in the UK. Before I start up my brand POPORCELAIN, I worked in a watch design company in the UK.

I didn’t know if I would like to be a designer when I was little. When I was about 16, I was facing the issue about choosing a major to study in school. I wasn’t sure will I be good at science, maths or languages, but I was quite sure I like drawing. I didn’t want to give up this hobby so I decided to go for the art and design route.

I was quite sure I would like to be a designer when I was about 17. No one forced me. On the contrary, I convinced my parents about my choice.

I design porcelain jewellery. I wish to design more fashionable or bridal jewellery and accessory pieces.

Be open-minded, be humble, be concentrated, be cheerful, be patient.

A good designer can try to make things perfect, while a great designer can accept things which aren’t perfect.

Apart from the aesthetics and functionality, I feel a good design should under a healthy developing process, which includes environmental friendly, designers and workers friendly. Not abuse using materials. Not over-pressured on designers nor under-valued on workers.

The value of good design, not just about the value of the material, or brand effect. The value of it can be considered as the time and story behind the product. I feel to invest in good design is like to protect the pure wish from our mind, because every good design has been deeply considered and refined by the designer.

Bridal accessories and fashion accessories, such as hair accessories and handbags

Carl Fabergé, Domenico Dolce, Stefano Gabbana, Alexander McQueen

Piuma chair by Piero Lissoni for Kartell: beautiful shape, super light weight, material innovation Revolve sofa bed by Numen/ForUse for Prostoria: multi functional, practical, cute, cosy Wood sparrows by Novoform: lovable shape, handmade, light-hearted Black Dancing Rose limited edition watch by Uma Wang for Swatch: artistic, creative

It’s hard to say which one the greatest design. If I have to name one, I would possibly say the Porcelain Daisy Stud earrings. For the audience, the earrings are simple, pretty, practical – easily go well with different outfits. For the materials: durable, environmental friendly. For the making process: handmade and unique.

‘Design’ for me is like an approach which helps me to discover and understand the world.

My tutors, my parents and my husband. It’s absolutely hard to say who was my biggest supporter, they are like the different links on the chain, I don’t think I can reach these heights without any of them.