Saara Korppi

Specialized in Kitchenware Design.

Saara Korppi

About Saara Korppi

Saara Korppi is a Finnish 34-year-old enthusiastic glassblower and glass designer. She studied 3 years at the Nuutajärvi glass school in Finland and graduated as an Artisan glassblower in 2010. Then, straight after Nuutajärvi she studied one year in the glassblowing postgraduate program in the Nordic Programmer in the Riksglasskolan in Orrefors in Sweden. She continued studies in Orrefors for one year and graduated with a higher education as a Design and Art glassblower in 2013. She has also worked as a glassblower assistant in Norway and Sweden. In addition to this, she has studied at special workshops in Venice in Italy and in the USA. In her studies, she has focused on Venetian glassblowing which includes the production of goblet glasses.

  • Winner of 2 A' Design Awards.
  • Specialized in Kitchenware Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Kitchenware
  • Fine Art
30s Wine Glass

30s Wine Glass

Kitchenware Design

30s  Cognac Glass

30s Cognac Glass

Fine Art Design


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Interview with Saara Korppi

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
I have always had an inner desire to create things with my hands and design my own things. I wanted a more practical approach for designing and so I educated as a glassblower. Learning new things has given me new approaches to design and better design.
Can you tell us more about your company / design studio?
I work as a glass blower in the Glass Studio in Finland. It is situated in the fortress area of Suomenlinna island in Helsinki, so it is always interesting to go there. I design and blow my own glass design. I blow custom glasswork from drinking glasses to chandleries. I will set up my own business and then get the glass available to wider customers.
What kinds of works do you like designing most?
Practical design is near to my heart. I like the most to do challenging glass and use new glass blowing techniques. Goblets are one of the most challenging.
What is your most favorite design, could you please tell more about it?
All challenging design technically, which adds to my knowledge and skills.
What is your favorite material / platform / technology?
Glass and glassblowing techniques. Glass has endless possibilities.
What kind of emotions do you feel when your designs are realized?
After finishing a product, I feel relief and gratefulness. I feel that I am ready for new challenges.
What makes a design successful?
It's easy to use. An innovation combined with good looks from every angle and situation. It helps to improve your life by improving the quality of use.
When judging a design as good or bad, which aspects do you consider first?
It's functionality. Whether it's easy to use and how you plan to use it.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My last group exhibition "Finnish Glass Lives 8" was in 2020 in the Finnish Glass Museum in Riihimäki in Finland. And my last private exhibition “Pian sataa taas” was in 2019 in the Galleria Pirkko-Liisa Topelius in HELSINKI in FINLAND. Next year I am going to have a big glass exhibition. There are going to be a couple of surprises.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My inspiration comes from Finnish nature such as northern lights, rock formations, and especially water as liquid, steam and ice. I like textures and different forms and how water elements shape and reflect light in the different seasons.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
I like clear lines and softness. I want to explore new techniques. Design aspects feeling to reflect inner emotions and growth.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in Helsinki, Finland. I take a lot of inspiration from Finnish nature and its seasons. I think that cultural heritage affects design. Some great Finnish designers have influenced my design. We have practical design and it is a benefit. I hope we could have more works of art and designers because it would be easier for designers to get out of the crowd.
How do you work with companies?
I am looking forward to working with companies. I am happy to listen to a company’s needs.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
The designer listens to companies and has problem-solving skills. They can create solutions for products and thus develop new technologies.
Can you talk a little about your design process?
I think of designing objects in three dimensions and then sketching them on paper. Then I make the first models and improve it to get its final shape.
What are 5 of your favorite design items at home?
They are a 30s Cognac Glass, a leather jacket, a leather handbag, lighting and a pair of shoes.
Can you describe a day in your life?
First, I plan for the day. I go to the glass blowing studio to blow the glass. There is a Glass Melting Furnace. Inside the oven there is molten glass and the temperature can rise to 1210 degrees. Molten glass is like honey. After finishing the glass object, I set it to cool slowly in the cooling oven to remove the glass tension. It is ready the next day. After the working day I fill the Melting Furnace with glass.
From your perspective, what would you say are some positives and negatives of being a designer?
I can express myself. Sometimes it is difficult to create new things.
What skills are most important for a designer?
I would like to think of this as a whole concept. It is visual, functional, practical and material knowledge. Being able to convert ideas to ready-made products and find solutions to problems and thus develop new technologies.
How long does it take to design an object from beginning to end?
It depends on what you are doing. There are many steps in designing an idea to a finished product, and it depends on your experience and how complex it is.
What was your most important job experience?
The wholeness is what matters. There were jobs where I learned from master glass blower and improved myself technically and mentally. I learned glassblowing techniques and something new about myself.
Who are some of your clients?
Design lovers who seek for quality products with individual looks and shapes. They want a design that adds value to the use of the object with appearance, functionality and ease of use. They value handcrafted design where every piece is unique.
What type of design work do you enjoy the most and why?
I can’t really name something in particular. Something that challenges me and where I can learn something new. Goblets are one of them because of the skillful techniques that are needed.
What are your future plans? What is next for you?
I am excited about my future. My next plan is to have an exhibition and make a new glass series for it. I’m soon opening my new webpages where you can see more of my new designs and news. I am looking forward to being a skilled designer and a glassblower.
Do you work as a team, or do you develop your designs yourself?
I design and create my designs and mostly work alone except for some complicated glass making techniques that require a manufacturing team.
Do you have any works-in-progress being designed that you would like to talk about?
Now I make new glass objects for the exhibition. I have some upcoming surprises.
How can people contact you?
I have my Instagram account where you could contact me too and now I am building new webpages. Email is the best option to contact me.
Any other things you would like to cover that have not been covered in these questions?
I am grateful to everyone who believed in me and supported me with my goals

Designer of the Day Interview with Saara Korppi

Could you please tell us about your experience as a designer, artist, architect or creator?
I have blown glass since 2007 and educated as a Glassblower Artisan in 2013. After that I have studied two years in Sweden and had other specific glassblowing education from USA and Italy. Since I started, I have made my own design.
How did you become a designer?
I started to design my glass design since I educated as a glassblower. I have always had an inner desire to create things with my hands and design my own things. I wanted a more practical approach for designing and so I educated as a glassblower. I started to design my glass design since I started to educate as a glassblower. Learning new things has given me new approaches to design and better design.
What are your priorities, technique and style when designing?
Functionality, usage, looks First my approach would be thinking and then sketching it. I make first models and then finalize the product final shape.
Which emotions do you feel when designing?
Excitement, joy and all emotions between. Making it is most exciting. I like most of glassblowing.
What particular aspects of your background shaped you as a designer?
When I was a young, I did had painting and drawing courses. It helped me later to see things more on three dimensional.
What is your biggest design work?
The 30s Cognac Glass and the 30s Wine Glass because both have won the Silver Award
Would you tell us more about your work culture and business philosophy?
I work mostly solo, but some really complicated works need working partner in the working process.

Extended Interview with Saara Korppi

Could you please tell us about your experience as a designer, artist, architect or creator?
I studied for 3 years at the Nuutajärvi glass school in Finland and graduated as an Artisan glassblower in 2010. Then, straight after Nuutajärvi I studied one year in the glassblowing postgraduate program in the Nordic Programmer in the Riksglasskolan in Orrefors in Sweden. I continued studies in Orrefors for one year and graduated with a higher education as a Design and Art glassblower in 2013. In addition to this, I studied at advanced glassblowing workshops in Venice in Italy and in the USA. In my studies, I had focused on Venetian glassblowing which includes the production of goblet glasses.
How did you become a designer?
I have always had an inner desire to create things with my hands and design my own things. I wanted to express myself and have more practical approach for designing, so I sought an education as a glassblower. Passion for glassblowing and experiencing its challenges and opportunities, has inspired me as a designer of glass.
What are your priorities, technique and style when designing?
Sensitivity is my strength. I have always been sensitive to inner and outer beauty. I've always wanted to express myself and bring out my sensitivity to the design. When I became a glassblower, I wanted to make my own design and try new techniques. It is a pleasure for me to design.
Which emotions do you feel when designing?
I mainly design practical glassware. Within this genre, I would like to take on new challenges, such as making goblets, lamps, and plates with new techniques.
What particular aspects of your background shaped you as a designer?
Know yourself. Focus on the things you are good at and make them better. Believe in yourself.
What is your growth path? What are your future plans? What is your dream design project?
Great designer brings out her sensitivity to glassware. Designer's Sensitivity and Self-Knowledge is a resource from which the designer draws her own unique handwriting that tells the story.
What are your advices to designers who are at the beginning of their career?
Good design adds value for experience by its aesthetic and functionality.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Good design means high quality products with high beauty, functionality, practicality and durability. New innovations make your life easier and better.
What is your day to day look like?
I would be interested to design lightning, decorative items and other glass wall elements to homes.
How do you keep up with latest design trends? To what extent do design trends matter?
Free to do everything from glass to unlimited, collaborative projects and exhibitions, goblets and glass jewelry design.
What is your biggest design work?
Ultima Thule series by Tapio Wirkkala. It has got uniqueness and naturalness and is from Finland. More spesifically, it reflects nature and ice and water formations. This work makes me proud to be Finnish.
Who is your favourite designer?
I've designed and made the 30s Cognac Glass and the 30s Wine Glass, both of which I'm really proud of. Glass adds value to the design of both by its shape by looking good from every perspective with or without liquid inside.
Would you tell us a bit about your lifestyle and culture?
Practise a lot and make mistakes. Get to know your material and yourself and your strengths. Teamwork and dream work.
Would you tell us more about your work culture and business philosophy?
Glassblower assistant for other glassblower masters in other glassblowing studios or blowing some other designers’ products as a glassblower.

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