Omar Qubain and Tina Saghbini

Specialized in Design.

Omar Qubain and Tina Saghbini

About Omar Qubain and Tina Saghbini

  • Winner of the A' Design Award.
  • Specialized in Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs

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Interview with Omar Qubain and Tina Saghbini

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
We were drawn to design early on in life. Through design we found our voice, a platform to express our ideas and our personal take on life. Having found each other while doing a Masters in Industrial Design in Milan, we quickly became good friends and shortly after set up our own practice; after two.
Can you tell us more about your company / design studio?
The story behind the name after two is quiet frankly a peculiar one. Coincidentally, whenever Omar and I used to meet for our little design collabs it was always after two pm. Plus the fact that we are two and together we are capable of generating two or more ideas, the name after two was a natural choice. We like to think that this lighthearted name it is also an accurate reflection of our playful design concepts. Pep is our first design baby, and it brings us so much joy that it grabbed the the Bronze A' Design Award. Hopefully it is the first of many to come.
What is "design" for you?
Design is a tool that is able to capture and combine beauty with functionality. It is a language that supersedes cultural and geographical differences. Depending on how it is used, design could be both devastatingly destructive or beautifully constructive. For us, we always focus on the latter.
What is your most favorite design, could you please tell more about it?
Our favourite design is simple design. Simple design is good design and good design is great design.
What is your favorite material / platform / technology?
Sustainable materials, face to face meet ups and Instagram likes.

Which aspects of a design do you focus more during designing?
The core concept and its primary message, without one, a design is rendered useless, doesn’t matter how beautiful it is.
What kind of emotions do you feel when your designs are realized?
Bitter sweets feelings, raging anywhere from pride to a pinch of sadness. Pride, because we were capable of successfully realising a design. Sadness, because who likes goodbyes?
What makes a design successful?
Right away, if the concept was able to tickle us on the inside, thats our measure for a successful design.
When judging a design as good or bad, which aspects do you consider first?
If the concept has little to no explanation, then that is typically the first indicator of good design.
From your point of view, what are the responsibilities of a designer for society and environment?
To constantly work towards social and environmentally sustainable designs.
How do you think the "design field" is evolving? What is the future of design?
Artificial intelligence. A scary and exciting future that yet to be revealed.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
Our inspirations are typically a blast from the past. Brainstorming and picking each other’s minds is also a treasure cove of ideas.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
We would like our design to fit anywhere anytime. We strive to create timeless designs; proposals that have the power to conjure up nostalgic joys.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
Originally Omar comes from Jordan and I from Lebanon. Coming from the levant region, we have a lot cultural heritage to draw inspiration from. Both of us were lucky enough to have traveled abroad for our postgraduate eduction. Especially lucky to be based in Milan!. Needless to say living in Milan is pretty exciting for us designers. With its vibrant and active design scene, there is always something to see, do or experience. That said, living in Milan as a designer comes with it own challenges; it could be compared to trying to make it as an actor in LA.
How do you work with companies?
We collaborated with several respectable companies during our Master Degree program in Milan… Lavazza, iGuzzini and Panino Giusto, just to name a few.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
Companies must take their time to thoroughly go through designers portfolios. Design portfolios speak for themselves.
Can you talk a little about your design process?
We usually set our own design briefs. And typically we are constantly in collaboration, but something that really help our design process is working individually. We would get together and work intensely then leave things for a few days, think of it as breathing space. This time apart allows personal ideas to naturally marinate so that the next time we meet each other, our process is richer in a sense.
What are 5 of your favorite design items at home?
For Tina its: Her university project prototypes Her collection of turtle lucky charms Her drums set The Wassily Chair by Marcel Breuer The Mood cutlery set by Christofle For Omar its: The LC2 Armchair by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand His matcha tea set His tote bag by Abno Designs
From your perspective, what would you say are some positives and negatives of being a designer?
Finding your deign niche and making a living out of it, could be challenging. Designers must have the courage to seek out a job that feed their soul, the kind of job that would make them want to jump out of bed in the morning.
What is your "golden rule" in design?
Following Dieter Rams's ten principlesforgood design while breaking all the rest.
Designing can sometimes be a really time consuming task, how do you manage your time?
Dividing big tasks into smaller more manageable ones and taking things one step at a time. Its all about the small wins.
How long does it take to design an object from beginning to end?
Depends on the deadline; could be anywhere from a day to a year.
What was your most important job experience?
For both Omar and I it was quitting our separate jobs gracefully.
Who are some of your clients?
Ourselves! We can’t wait to get our hands on our very own peps.
What are your future plans? What is next for you?
Pep is currently making the jump from a concept to a physical prototype. If all goes well, we hope to start producing and selling pep within the coming year. Apart from pep we are constantly cooking up more award winning design ideas.
How can people contact you?
DM us on Instagram @aftertwodesigns Or email us at: aftertwodesigns@gmail.com

Designer of the Day Interview with Omar Qubain and Tina Saghbini

Could you please tell us about your experience as a designer, artist, architect or creator?
Before coming together and setting up our very own practice, both of us had separate yet rich experiences in the field of design. We first met at Scuola Politecnica di Design where we obtained a Masters Degree in Industrial Design. During that Masters program and we had the opportunity to intern at two studios based in Milan. Omar at Total Tool and Tina at Antonio De Marco studio. Prior to that we both had various freelance experiences.
How did you become a designer?
We believe having an eye for design is something you are born with. However, that does not in any way make someone a designer. One can become a designer by studying and working hard, doing multiple internships, seeking out design problems and solving them and dare we say fail a few times along the way.
What are your priorities, technique and style when designing?
Our design process is anything but linear, when creating a design we tend to jump back and forth a lot. That said, the initial phase of our process usually starts with brainstorming, researching, mind mapping and creating a well rounded mood board. The second phase includes, but is not limited to: sketching, mock up making as well as continued research. The final phase includes making the switch to digital tools, and rapid prototyping and product testing. To put it shortly our approach is very simple and fun. We enjoy working on a new project that spark joy within its users.
Which emotions do you feel when designing?
The first phase is always the most fun and tantalising because this is where your imagination has no boundaries. Eventually, as with any project, difficult challenges arise which could be extremely stressful at times. However, it is all worth it when the project is realised and you get to see it with your own eyes.
What particular aspects of your background shaped you as a designer?
Moving abroad, forced both us to come out of our shells. In a way, we became more independent. Everything that takes place in our daily lives impacts our designs, whether we are conscious of it or not.
What is your growth path? What are your future plans? What is your dream design project?
Our dream is collaborate with well known brand and clients to create meaningful projects. Projects with the potential of creating tangible and positive change. Projects that spark joy and excitement.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
That is very humbling, however we believe we are still in the beginning of our journey. Therefore, we have yet to fully explore our identity and potential. A piece of advice to our fellow designers, artists and architects is to realise we are free to carve out our own unique ways of being and creating.
How do you keep up with latest design trends? To what extent do design trends matter?
As the saying goes “The trend is your friend”. So its important to stay up to date and keep an eye out for the latest developments in the field, be it materials and/or manufacturing technologies. However, more often than not we like to challenge the notion of trend following and break out of the mold.
How do you know if a product or project is well designed? How do you define good design?
If the concept has little to no explanation, then that is typically the first indicator of good design.
How do you decide if your design is ready?
This is a very subjective question. A design could be considered ready when you are satisfied with the final results, however it is never truly ready. There is always room for improvement, always.
Would you tell us a bit about your lifestyle and culture?
We live in Milan, arguably the design capital of the world. And we feel very luck to be here; immersed in an environment and culture that celebrates and continuously pushes the limits of design.
Would you tell us more about your work culture and business philosophy?
Being of Jordanian and Lebanese descent and having had the opportunity to travel and visit many places, We have been exposed to various cultures and have discovered many different art movements along the way.This has ultimately contributed to our increased involvement and interest in the world of art and design. We are a team of two. Meaning we get to work with each other through any challenge that comes our way. Being in a team gives us the advantage to divide tasks and hence manage our time better. The most important thing when working together is being on the same page. Characteristics and personal traits that make up a good designer include: imagination, daring to be courageous, passionate, hard working and always striving to do better.
What are your philanthropic contributions to society as a designer, artist and architect?
With our work we constantly aim towards realising social and environmentally sustainable designs.
What positive experiences you had when you attend the A’ Design Award?
This entire experience was a super positive one. Especially since we managed to get recognised from our first collaboration as after two. Winning this award, and gaining access to a big audience comes with its challenges. But it also helped boost our confidence in our craft and and vision; fuelling our momentum to keep pushing forward.

Extended Interview with Omar Qubain and Tina Saghbini

Could you please tell us about your experience as a designer, artist, architect or creator?
Before coming together and setting up our very own practice, both of us had separate yet rich experiences in the field of design. We first met at Scuola Politecnica di Design where we obtained a Masters Degree in Industrial Design. During that Masters program and we had the opportunity to intern at two studios based in Milan. Omar at Total Tool and Tina at Antonio De Marco studio. Prior to that we both had various freelance experiences.
How did you become a designer?
Being a designer, is greater than just a job title. it is quite literally a way of life. Practicing the principles of good design means that you will always look at things differently; from magazine, to gadgets, to furniture pieces and buildings.
What are your priorities, technique and style when designing?
It was a choice, of course. Always do what makes you happy, this is the key to success.
Which emotions do you feel when designing?
Currently we are working on furniture design. Eventually we would like to move onto lighting design.
What are your advices to designers who are at the beginning of their career?
If the concept has little to no explanation, then that is typically the first indicator of good design.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Good design can make our lives easier, solve problems and deliver better experiences.
What is your day to day look like?
Tina: Matali Crasset/ would love to design with and for her. A set of Furniture collection Omar: Nendo/ would love to design a collection of flatware.
What are your philanthropic contributions to society as a designer, artist and architect?
Design is a tool that is able to capture and combine beauty with functionality. It is a language that supersedes cultural and geographical differences. Depending on how it is used, design could be both devastatingly destructive or beautifully constructive. For us, we always focus on the latter.

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