The Reset Co.

Specialized in Print Design.

The Reset Co.

About The Reset Co.

Our main value is the development of ideas that solve communication problems with a human approach, that improves the reality of the projects we work on. We seek personalized approaches with the idea of ​​diversifying our portfolio and not using the same discourse. We improvise, explore, go back to basics to implement simple and clear ways to send a message that is different from the reality of competitors. Aesthetics and function are the philosophy in which we focus our objectives. Something nice is meaningless if it's not built on a solid concept.

  • Winner of the A' Design Award.
  • Specialized in Print Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Print
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Print Design


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Interview with The Reset Co.

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
We are about to celebrate 10 years as a design studio. Our philosophy is based on the development of concepts. For us, form and functionality cannot exist independently if the goal is to solve communication problems. We always had a creative approach and we always knew that graphic design would be our goal.
Can you tell us more about your company / design studio?
We are a team with a multidisciplinary approach, our study seeks the solution and consulting of design problems where our specialty is branding and editorial design. However, we work in constant experimentation to create different formulas in each project and adapting solutions from different approaches.
What is "design" for you?
The design for us defined in one word is "opportunities", to improve people's lives through beautiful communication speeches. The design serves to beautify our environment.
What kinds of works do you like designing most?
As we mentioned before, we specialize in brand design and in the construction of editorial structures to improve the way information is presented to a user. However we love the development of infographics, audiovisual animations and building communication strategies.
What is your most favorite design, could you please tell more about it?
We don't have a favorite project, however, for now, we can say that our most challenging project in these almost ten years has been the design and communication campaign of the University of Monterrey this year 2020. The objective of the 2020 campaign was to create a communication approach for the target, generation Z, since this is not identified with the old communication efforts that sought to attract other types of public. We develop all the messages, the concept, and the focus of the campaign, the styling design, to achieve a complex system.
What was the first thing you designed for a company?
The first project that we developed nine and a half years ago was "Coordinates for Living" for the multinational "FEMSA", which included various graphic elements for branding, in addition to an iconographic system and a coffee table book. The objective of the project was to give identity to a social program focused on regenerating the social fabric of Mexican youth, at a time when the insecurity and violence of the Mexican cartels led a large section of youth to commit crimes.
What is your favorite material / platform / technology?
We work with all Adobe design programs, since they are our main tool, however we focus our solutions a lot on adapting manual tools and then integrating them into digital media.
When do you feel the most creative?
The projects that challenge us are the ones that most motivate us to create. No matter where or when they are presented to us, we seek to adapt to each one. Furthermore, creativity is a practice that works and is not born from moments of inspiration.
Which aspects of a design do you focus more during designing?
We strongly believe in the importance of research and the implementation of methodologies that generate creativity and allow us to be disruptive.
What kind of emotions do you feel when your designs are realized?
We always talk about how glamorous the results can be, however the process to achieve the objectives of each project is what drives us to continue learning.
What makes a design successful?
Design is successful when it solves a client's problems, when they are fulfilling a function and also improve the environment.
When judging a design as good or bad, which aspects do you consider first?
The design should focus on the target, not on whether I like it or not. This is a discipline of perception and everyone has a particular opinion of what is presented to them. This is why we mention so much the importance of functionality. Style should focus on the brief and the client's needs.
From your point of view, what are the responsibilities of a designer for society and environment?
We have the responsibility to help our society to constantly educate and inform itself, to improve our environment and our possibilities and in this way to improve the lives of more people.
How do you think the "design field" is evolving? What is the future of design?
Design is what makes any activity different. Creative disciplines are constantly growing from Russian constructivism and BAUHAUS. Design together with technology and innovation is changing in a very short time, life as we traditionally know it. In these times of pandemic for example, technology and new solutions in which design participates, have changed the paradigm and now it is easier to live, access basic services, communicate, be informed, etc.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
We love cinema, architecture, traveling and in this way sharing ideas with people who don't think like us. All these activities feed our curiosity and the desire to experiment in design.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
In a way, having a team as diverse in both ideas and ages allows us to always analyze all our perspectives. All our team has the creative freedom to contribute and exalt the group. In this way, we achieve a midpoint for the implementation of solutions and enrich our creative dynamics.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
Without a doubt, we live in a place where design is a social phenomenon. We dare to say that Monterrey is one of the two most important cities in Mexico in terms of design. It is a hotbed of great creative minds and a constantly growing business space. This has allowed business entrepreneurs to bet on design as a boost for the growth of their companies and for designers to constantly work on the implementation of solutions without rest, thus achieving an ideas laboratory that has changed the citizen's perspective towards two directions. It is a city of opportunities.
How do you work with companies?
We always follow a methodology, but our design process changes radically depending on the type of client we work with. You cannot follow the same guidelines for a clothing boutique for a coffee table book.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
In any case, the circle of trust that is created in the development of a project is often broken because companies stigmatize designers as informal or seek to take advantage of any situation because customers are not used to it. to invest in design. And the question is always the following: When you go to see the doctor, do you question his opinion in order to pay less? Of course not, you blindly trust what he says, because you trust that his opinion will solve your health problem. It is one of the great problems that we face in our profession.
Can you talk a little about your design process?
We work with different methodologies, since two different projects cannot be approached in the same way. Our goal is to always build conceptual dynamics with verbal exercises until we have a clear story defined. Generating creative ideas at this stage is essential to differentiate projects from your competition. Until we have defined our concept, we do not advance to the stage of visual development. This completely distances us from the search for references to try to tackle the project.
What are 5 of your favorite design items at home?
We love our two diamond bertoia chairs, we also have a spot for indoor plants, a ficus lirata is our favorite. We have just added to the room a tubular lamp in the shape of a triangle, golden color, which makes our living room in a very cozy space. Item number 4 is a brushed marble coffee table, which gives a feeling of good taste but without getting close to perfection. It has grains that make it look like a piece of charred wood. And last but not least, a concrete wall clock that frames the divide between the kitchen and the hall.
Can you describe a day in your life?
Coffee is always the kick off of the day, starting the morning with a hot drink is always a good argument to activate the mind. Breakfasts are always small and practical since the days are full of activities. We practically live in the studio and we also teach graphic design students at the University.
Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
Do not stop learning, do not believe everything you think and above all never give up, insisting with the things that are set as objectives is always what results in achieving it.
From your perspective, what would you say are some positives and negatives of being a designer?
In short, my work is not work, I do what I always wanted to do, my profession is what I practice every day. I always see the glass half full, seeing it half empty is not motivating. The challenges have brought me here.
What skills are most important for a designer?
The profile that we seek and that refers to our study is the ability to never give up. We must always achieve the goals no matter how long this takes. It is what works for us.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
Illustrator, photoshop, indesign, netflix, spotify. A coffee maker, paper, pens, markers, camera, tools, board games, puzzles etc.
Designing can sometimes be a really time consuming task, how do you manage your time?
Without a doubt having a defined agenda for each fixed task and thus adding the daily variables, allows you to find leisure times. Respect this vitacora, it is essential not to be consumed. Organizing time allows you to do more things in one day.
What is the most frequently asked question to you, as a designer?
How do you create a concept that makes a project unique and different?
What was your most important job experience?
Work together with other professionals from different disciplines to develop the same projects.
Who are some of your clients?
From small businessmen, universities, government, retailers to doctors and plastic surgeons. The type of clients has been very wide throughout so many years.
What type of design work do you enjoy the most and why?
We enjoy the projects we specialize in (Branding and editorial) however we really like to explore new disciplines and design challenges.
What are your future plans? What is next for you?
2019 for us was a momentous year, we considered growth through having more exposure. With the pandemic, we have been working remotely on all our projects and as soon as the situation stabilizes, we will resume our growth objectives. We have already remodeled our entire workspace to make it more comfortable to work. Now our focus for 2021 is to increase our reach.
Do you work as a team, or do you develop your designs yourself?
We always work as a team, this has allowed us to grow in a short period of time. Although the team is small, it is very efficient and they always integrate their criteria for the solution into the dynamics of the projects.
Do you have any works-in-progress being designed that you would like to talk about?
We have several things in development and also projects that have already been developed but that we continue to manage. As we mentioned before, right now the communication campaign for the University of Monterrey is our most challenging project and of which we are most proud. The launch was made in November 2019 and this year the media plan is already being implemented. We have developed all the academic offer brochures as well as the campaign and marketing pieces.
How can people contact you?
Through our website www.reset.mx, on social networks such as @madebyreset and Behance.
Any other things you would like to cover that have not been covered in these questions?
There is something that is part of our philosophy and that we cannot fail to mention. For us, adaptation is a working lifestyle. Being for comfort working your whole life in one category is a limitation, so experimenting with new challenges every day is a must.

Designer of the Day Interview with The Reset Co.

Could you please tell us about your experience as a designer, artist, architect or creator?
We are about to celebrate 10 years as a design studio. Our clients range from small entrepreneurs to transnational corporations. We have worked for CEMEX, FEMSA, OXXO, SAGARPA, local brands such as Trick and Treats, Inkplant, DATAQ. International projects in the U.S. Beauty Done Right (BDR), Photo Finish (By Modern); in the educational field with EGADE, Instituto Cumbres, Instituto Tecnológico de Estudios Superiores de Monterrey, Universidad de Monterrey. In the health area, we have worked with private doctors such as José de Jesús Iñiguez Flores (Endocrinologist), Victor Melendez (Plastic Surgeon), and Laboratory of Pathology and Molecular Genetics (PGM).
How did you become a designer?
It was always a challenge since the approach I had since I was little was very ordered, perhaps I saw it very far from design and closer to architecture. Also over time, I learned that every day the design changes and we have to adapt to it.
What are your priorities, technique and style when designing?
1_ The first step of our philosophy is to focus on the needs of our clients, always giving priority to solving and improving people's lives. 2_ Investigate thoroughly to fully understand the problems of the projects. 3_ Work to develop a solid concept that allows to differentiate the project from its direct competition. After having our concept, the graphic development part is the most fun stage. We create everything from scratch. We work with fellow photographers who help us develop our portfolio material.
Which emotions do you feel when designing?
Whenever we start a project we think that it fits our interests as a team. The most beautiful part of the projects is the process for creating the concepts. It is where we work in depth to generate creative ideas trying to surprise the target with our solutions. When we create the same conceptual line and find a way to join all the pieces of our puzzle and see the result working, it is the moment where we crown the work of the whole process.
What is your growth path? What are your future plans? What is your dream design project?
2019 for us was a momentous year, we considered growth through having more exposure. With the pandemic, we have been working remotely on all our projects and as soon as the situation stabilizes, we will resume our growth objectives. We have already remodeled our entire workspace to make it more comfortable to work. Now our focus for 2021 is to increase our reach. We are about to design several product packaging projects that we do not want to reveal at the moment. We are very excited.
What are your advices to designers who are at the beginning of their career?
Do not stop learning, do not believe everything you think and above all never give up, insisting with the things that are set as objectives is always what results in achieving it.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Research and conceptualization. A strong belief, is that all good design has a solid base in research and a conceptualization that unfolds from it. Research and references will make designs stand out from predictable results and take them to the next level. Something we never do when starting to develop a project is to go directly to the search for references. We don´t seek projects on the same type of product or service that we have. In this way, we avoid contaminating our minds by taking ideas from other projects and we avoid having similarities in the graphic elements. The goal of solving design projects is to customize them and create differences to make them unique.
What is your day to day look like?
Coffee is always the kick off of the day, starting the morning with a hot drink is always a good argument to activate the mind. We practically live in the studio and we also teach graphic design students at the University. In the morning some days I go to the university to give a workshop and then I continue the dynamics in the study. Every day we have them busy in the projects we work on. We never let there be times without activities. In this way, our planning allows us to keep our minds busy.
How do you keep up with latest design trends? To what extent do design trends matter?
We do not seek to follow a trend, we try to create particular approaches for each type of client. Perhaps a trend for us is innovation in the methodologies we apply and to be disruptive when designing. Our goal is to be timeless, we do not seek to stand out for doing fashion design because it is not transcendent.
How do you know if a product or project is well designed? How do you define good design?
The design should focus on the target, not on whether I like it or not. This is a discipline of perception and everyone has a particular opinion of what is presented to them. This is why we mention so much the importance of functionality. Style should focus on the brief and the client's needs.
How do you decide if your design is ready?
You just know it, when you have nothing to remove or add to design it is that you realize that it is ready to make itself known. Our general objective is our goal, however, as we meet smaller concrete objectives we can move forward with confidence.
What is your biggest design work?
We can say that our most challenging project in these almost ten years has been the design and communication campaign of the University of Monterrey this year 2020. This project is special for us because it has challenged us in many aspects to achieving the objectives. For being a recognized and diverse University, finding solutions to communicate to so many people has been our greatest challenge. Working with other creative professionals with a common goal has generated great learning. And then managing responsibility for such a huge reach has also shown us that we are ready to grow into the future.
Who is your favourite designer?
We cannot define a favorite designer, we cannot see them as rockstars or a food dish. However, there is a list of names that have marked us as designers, and that have marked times since they have dared to go further. A good example is Charles-Édouard Jeanneret-Gris who has been one of the most influential architects and designers of the 20th century. Walter Gropius who with his philosophy revolutionized the Bauhaus school and opened the way for the evolution of design and architecture. Lance Wyman who has created the starting point for the overall design. In our times there are many characters who follow this type of trends, such as Catalan designers such as Albert Folch and Alex Trochut.
Would you tell us a bit about your lifestyle and culture?
Erika and I have always been influenced by elements that allow us to relax and clear our minds. Music is an example of these activities that we implement since it allows us to create a suitable environment to work creatively. We like working in spaces without walls where we have freedom of movement and constant exchange of ideas. Over time we have adapted elements such as plants that improve the environment and furniture that gives comfort as well as all the necessary tools to work on our ideas. We love working between manual and digital disciplines to create a balance in our processes. All the elements and objects that stimulate our senses are our raw material for ideas. Touching the textures of papers and finishes, listening to new artists, traveling, and knowing the "B" side of each chosen spot. Eating and talking with people who have different ideas from ours are things that enrich them every day.
Would you tell us more about your work culture and business philosophy?
We do not start to develop the visual part of projects until we have a strong developed concept, that way we do not distract ourselves with visual references that have no foundation. We believe strongly about co-design, our design studio is collaborative since we are currently 6 designers and we all share ideas and compliment the work we make.
What are your philanthropic contributions to society as a designer, artist and architect?
We are involved in education, being teachers of the design career is for us the best example of giving back to our environment. Teach our students to be ethical and seek to improve their particular environment. This connection with the university allows us to focus on the real social problems that we live in and to look for how to implement improvements to live in much healthier environments. In the workplace, we also develop projects that have sustainable approaches and seek to improve the lives of people or their target.
What positive experiences you had when you attend the A’ Design Award?
The prestige for having been selected from among many participants and countries that competed.

Extended Interview with The Reset Co.

Could you please tell us about your experience as a designer, artist, architect or creator?
Our philosophy is based on the development of concepts. For us, form and functionality cannot exist independently if the goal is to solve communication problems.
How did you become a designer?
We became designers because it was a challenge. Design challenges you everyday and it requires you to be so many things: from dealing with clients, creating and maintaining brands, making them effective. We've realized that since we're in this discipline our heads are constantly busy and spinning around, its a personal challenge that you face everyday. And one of the biggest challenges of Graphic Design is that it requires you to connect with the human side of projects.
What are your priorities, technique and style when designing?
We both chose to become designers and pursue our careers further than a bachelors degree, which is why we studied a graphic design master's degree at Barcelona, where we met.
Which emotions do you feel when designing?
Our specialty as a studio is branding and editorial design. However, we work in constant experimentation to create different formulas in each project and adapting solutions from different approaches. Recently we've been expanding our work into the fields of publicity and communication strategies which was really exciting, and we look forward to keep expanding into that direction.
What particular aspects of your background shaped you as a designer?
Research and conceptualization. A strong belief in Reset Co. is that all good design has a solid base in research and a conceptualization that unfolds from it. Research and references will make designs stand out from predictable results and take them to the next level.
What is your growth path? What are your future plans? What is your dream design project?
The ability to question yourself with each new project that comes.
What are your advices to designers who are at the beginning of their career?
Good design solves the client's problems, it is functional and the form follows that function.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
The value of good design is ubiquitous: it's in everything that sorrounds us. We think the value of good design is to be able to better peoples lives by beautifying the communication around them. Investing in good design means investing in better, thoughtful ways of living that everyone would benefit from.
What is your day to day look like?
We would like to design and implement solutions for a Center Pompidou exhibition, from the conceptual elements, the museography, the user experience, the identity of the event, and all the peripherals that improve the environment.
How do you keep up with latest design trends? To what extent do design trends matter?
In terms of packaging we really want to design a wine bottle. A magazine that allows us more creative liberties and experimental design. And for branding we want to have more projects that create a user experience going further that just a brand and covering communication, strategy and publicity.
How do you know if a product or project is well designed? How do you define good design?
We work with different methodologies and design strong concepts that are based on research. We do not start to develop the visual part of projects until we have a strong developed concept, that way we do not distract ourselves with visual references that have no foundation.
How do you decide if your design is ready?
We are really inspired by the fundamentals of design. Starting with Russian Constructivism, Bauhaus, Le Corbusier, Walter Gropius, Lance Wyman and Massimo Vignelli. We are also really inspired by the Catalan school of design in which the most important idea is that form follows function. The list can go on and on, but these are a few to mention that have formed us visually.
What is your biggest design work?
Elephant Magazine by Folch Studio, Nicollet by Pentagram, All of the projects from Stranger & Stranger. What all these projects have in common is how they dare to do different things, always experimenting and innovating.
Who is your favourite designer?
We don't have a favorite project, however, for now, we can say that our most challenging project in these almost ten years has been the design and communication campaign of the University of Monterrey this year 2020. The objective of the 2020 campaign was to create a communication approach for the target, generation Z, since this is not identified with the old communication efforts that sought to attract other types of public. We develop all the messages, the concept, and the focus of the campaign, the styling design, to achieve a complex system.
Would you tell us a bit about your lifestyle and culture?
Enjoying themselves outside of design! Living their life and hobbies with the eyes of an artist, looking for inspiration in other places and then bringing that back into your work.
Would you tell us more about your work culture and business philosophy?
Erika would have become an architect. As of me (Julián) I always knew I wanted to be a designer, but I would have become a musician.
What are your philanthropic contributions to society as a designer, artist and architect?
The design for us defined in one word is "opportunities", to improve people's lives through beautiful communication speeches.
What positive experiences you had when you attend the A’ Design Award?
For both of us our families have been our biggest supporter. Personally my parents and sibilings, and for Erika specifically her father.

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