Masaru Eguchi

Specialized in Photography Design.

Masaru Eguchi

About Masaru Eguchi

Masaru Eguchi started photography in 2002 and won domestic and foreign awards as a photographer. Design career is from 2006. As a designer, he has designed the world's No. 1 badminton racket maker, stationery brand design, traditional Japanese technology brand design, and social business design. Later he founded the design office "Sunpono" in 2016. He sees the "health of the business" as improving the profits of the business and improving the well-being of the workers and the people living in it.

  • Winner of the A' Design Award.
  • Specialized in Photography Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Photography
The Japanese Forest Photography

The Japanese Forest Photography

Photography Design


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Interview with Masaru Eguchi

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
I started taking pictures when I was a college student. I studied psychology in college and after graduating, I began my career as a photographer, winning national and international awards. Later, I also became a designer, designing badminton rackets for the world's number one market share and branding design for a social business, which won the Red Dot Award in 2019.
Can you tell us more about your company / design studio?
I'm a freelance designer and photographer, but the name of my office is Sunpono. The word "Sunpo" literally means "walking" in Japanese. His work includes branding design, artwork creation, and photography. In addition to this, I also train young designers.
What is "design" for you?
It's planning and execution. What is not designed does not exist in this society. However, all things are divided into "good design" and "bad design". A good design is one in which planning and execution are working effectively, and a bad design is one in which they are not working effectively. A good designer is good at planning and execution.
What is your most favorite design, could you please tell more about it?
In terms of my work, it's the latest. I'm always improving. In terms of designs from other companies, my latest favorite is the measuring cup from the Swedish brand Jonas. This is great.
What is your favorite material / platform / technology?
I love everything about it. I like the cutting edge, and I like the old, outdated stuff.
Which aspects of a design do you focus more during designing?
The balance between design that gives wisdom and design that sells.
What kind of emotions do you feel when you design?
The excitement of creating something new and the stress of having to meet deadlines. The other thing is the desire to raise the budget.
What kind of emotions do you feel when your designs are realized?
There's nothing. It's something I've planned and executed. "I was right, wasn't I?" The only thing I can think.
From your point of view, what are the responsibilities of a designer for society and environment?
For the environment, it should be completed with fewer materials and resources. For society, designers have to give wisdom and inspiration.
How do you think the "design field" is evolving? What is the future of design?
If I talk about the near future, the knowledge is increasing and the act of creating a design is getting easier. However, the bad design is only increasing.There will be a similar phenomenon with the rise of stale photos as everyone is able to take them.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
I've forgotten about it and I don't have any plans for the next exhibition.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
I try to look back at history. Also, I try to put myself in nature. Then I make it a point to take a warm bath, eat good food, and get a good night's sleep.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
It's all about observation, insight, execution, and improvement. We don't just repeat patterns that have worked in the past. I'm always trying new things.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I was born and raised in Japan and still live in Japan, so I'm very influenced culturally. The advantage is that we can create the details. I guess the downside is that there is a lot of tuning pressure. Individuality will be killed. Japan is a difficult country for designers to live in.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
It's all about trusting the designer's suggestions. To meet with a good designer, you have to be lucky. It's the same thing as meeting your lifelong companion. The only secret is luck.
Can you talk a little about your design process?
First, a hearing. Next, observations and insights. And iterate on execution and improvement.
What are 5 of your favorite design items at home?
Paper and pen. Tableware and knives. The chairs and desks are nice. I like the primitive tools.
Can you describe a day in your life?
Wake up in the morning, eat breakfast, go for a walk, work, eat lunch, work, go for a walk, have a snack, work, go for a walk, work, go for a walk, eat dinner, take a bath, go to sleep. It's important to take a walk.
From your perspective, what would you say are some positives and negatives of being a designer?
The positives are that I'm good at making improvements, I'm good at finding problems, and I'm easy to fantasize about. But there are a lot of negatives. Being detail-oriented, overthinking, complaining a lot, doing everything... designers are bad people.
What is your "golden rule" in design?
There is nothing. From the moment you have the Golden Rule, the design rots and dies.
What skills are most important for a designer?
Don't be afraid. It's having the stupidity to try new things.
Designing can sometimes be a really time consuming task, how do you manage your time?
Start with the first thing that comes to mind. Too many people make inexperienced plans. Move!
What type of design work do you enjoy the most and why?
There is no such thing as a fun job. Every work is a trial and a challenge. All it needs courage.

Designer of the Day Interview with Masaru Eguchi

Could you please tell us about your experience as a designer, artist, architect or creator?
I started taking pictures when I was a college student. I studied psychology in college and after graduating, I began my career as a photographer, winning national and international awards. Later, I also became a designer, designing badminton rackets for the world's number one market share and branding design for a social business, which won the Red Dot Award in 2019.
How did you become a designer?
I thought if I understood design, I could improve the performance of the designers who were around me. Then I started designing. I had fun and I was good at it. Now I’m even better at it.
What are your priorities, technique and style when designing?
It's about observing, thinking, doing, and improving. I want to make something that I haven't seen yet. And don't cling to past success patterns. If you want to create something new, you have to do something new.
Which emotions do you feel when designing?
It's fun at first, but it's a long period of hard, painful trials because the constraints increase as the design progresses. I'm happy when it's finished, but that happiness doesn't last. Mass production produces a range of good and bad products, so it's not the best. So, the happy part is the first and the moment I get my reward.
What particular aspects of your background shaped you as a designer?
Believe in myself, even if all the people in the world don't believe in my abilities. Especially when you live in Japan, individuality is suppressed. People who do design and art are considered to be dim-witted or high-handed. In order to continue being a creator in such a country, you need to have the ability to believe in yourself.
What is your growth path? What are your future plans? What is your dream design project?
I want to design for people overseas. I'm tired of being in Japan now. Being a designer or creator in Japan is a lot of hard work. I'd love to go to a country that believes in the power of design. I want to feel that my work is contributing to people's happiness.
What are your advices to designers who are at the beginning of their career?
If you want to be successful, you'd better read the classics, study history, and observe nature. I've talked to a lot of people, but the future is anybody's guess. That is, no one knows what their own future career will be. So, experiencing what has remained for hundreds or thousands of years is a sure step to success.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
You don't want to take the easy way out. Always looking for the best will lead to success. The reason there are so many similar designs around the world is because designers around the world are choosing to do things the cheap way. That may be more true of countries with lower labor productivity. It's just that Japanese design sucks these days. We don't have the time or money to design. So there is no motivation to create new designs. If you want to create a new design without losing motivation, you have to look to history and find your people in historical figures. So, I'd recommend the classics. If you want to try a new design, read the classics.
What is your day to day look like?
My day is so mundane that people might be surprised. You may be surprised to learn that I don't do much work. Wake up in the morning, have breakfast, study English, work, eat lunch, go for a walk, take a nap, work, go for a walk, eat dinner, take a bath, go to bed. For the most part, I live by a set routine. Now I've noticed something. Maybe it's the lack of harshness that allows me to try difficult designs. Making peace with your routine is the best advice for staying creative.
How do you keep up with latest design trends? To what extent do design trends matter?
You can chase design trends, but don't let them dominate you. If someone can do the job, someone else can do it. But it's dangerous to not know the trends. If you don't know the trends, you won't be able to predict what kind of people will be happy with the products and services you're going to design, or who will buy them. No, you're not designing something that will be purchased by people a thousand years from now, are you? There's another dangerous reason not to know the trends. That is the danger of designing something that is already in the world. If you want to do a new design, you have to know the old one. Because trends are old the moment they become a trend. I don't want to make something like that.
How do you know if a product or project is well designed? How do you define good design?
Every design must solve a problem. For example, a chair should have the ability to sit. However, there is one more important thing. It's a beauty to look at. Surrounded by beautifully designed things, one's mind becomes peaceful and enriched. If you lived in a wasteland or a ruin, your heart would be in a bad. Also, if you were living in a harsh environment, you would be a harsh person. Society is made up of design. So, when you live in a society that is poorly designed, its people get rough heart. Design is a way of developing human beings intellectually and enriching their minds. That's why good design is both functional and beautiful.
How do you decide if your design is ready?
It's up to the deadline. By the deadline, the design had to be functional and figurative. And sold. Then, as the design can be improved, it will be improved. In that sense, there is no end to the design. The design goes on as society goes on. It never ends.
What is your biggest design work?
This question is a tough one. I like every piece of design work, and I can say that it can be improved. The Yonex badminton racket, the branding design for the Satoyama Marugoto Hotel, The Japanese Forest, and all the other pieces are still in the process of being improved. That's partly because of my own growth and partly because of the changes in society.
Who is your favourite designer?
Artists of the Renaissance. Especially Leonardo da Vinci. I like it a lot. The reason for this is that I can't imagine him. Maybe he was really there, maybe he was alone, maybe it was the name of the organization. I like people who are able to influence people even after they're dead. There were a lot of good artists and designers in Japan. Yusaku Kamekura, Makoto Wada, Jakuchu Ito, Korin Ogata, etc. Also, I was influenced by Helmut Schmid, Emil Ruder and William Morris. If you're a living person, I like Hedi Slimane.
Would you tell us a bit about your lifestyle and culture?
I was born and grew up in Japan and I still live in Japan. I'm very influenced by Japanese culture. It's all about bringing in natural elements. Japanese people have a very sensitive image, don't they? But it's pretty decent. I've learned the art of tea ceremony and I've learned it. It' s too important to cherish the form, and the meaning of the form is not fixed. So people have their own interpretations of it. This is a country where it's allowed.
Would you tell us more about your work culture and business philosophy?
Having a work ethic. What I design has to be a benefit to the client and to the user. This is very important, because if left alone, humans will only work for their own benefit. If a client is only talking about his or her own benefit, I'm scolding him or her. Also, when deciding on a design, there is no majority vote. There are times when I take advice, but it's up to me to decide whether or not to adopt that advice. And I also decide on the design. Without this, I know from experience that client-driven work will turn out to be a terrible design. So, what I design is my own decision.
What are your philanthropic contributions to society as a designer, artist and architect?
We have a mission to pass on our history, to improve it, and to pass it on to the next generation. I see this as our mission as a human being. That's why I've been so generous with my knowledge and skills, and I'm trying to develop a younger generation of designers. In addition, I try to talk about the idea of design when I have conversations with people who are not designers. Because the idea of design is useful to society.
What positive experiences you had when you attend the A’ Design Award?
Participating in a design award is a good thing. First, it allows me to test my abilities. It's important that what you design impresses people and makes a profit, but if you get the hang of it, anyone can do it. But in order to find out where you stand among designers and creators around the world, you need to put your work in a place where the world's designs are gathered. The second good thing is that I get to experience a world that I don't know about. We have better insight into the future than others, but the vision of the future that we see is different from the vision that other designers see. To figure out and learn about this difference, it's better to participate in a design award. Finally, there are other people around the world who are just like me. All creators, including designers, are lonely. They are often perceived by the public as high-handed and stubborn. But when you look at designs from all over the world, you realize that there are others who are struggling as lonely as you are.This is a great encouragement.

Extended Interview with Masaru Eguchi

Could you please tell us about your experience as a designer, artist, architect or creator?
I started taking pictures when I was a college student. I studied psychology in college and after graduating, I began my career as a photographer, winning national and international awards. Later, I also became a designer, designing badminton rackets for the world's number one market share and branding design for a social business, which won the Red Dot Award in 2019.
How did you become a designer?
I thought if I understood design, I could improve the performance of the designers who were around me.
What are your priorities, technique and style when designing?
I can't say either way. If I had met some very talented designers, I wouldn't have become a designer. It's that kind of environment that compelled me to become a designer.
Which emotions do you feel when designing?
I design social design, product design, branding design, graphic design, websites, applications, all sorts of things. These days, I'm also training designers.
What is your growth path? What are your future plans? What is your dream design project?
A good designer should be able to solve the problem and bring benefits to the client. In addition to this, a great designer has to create new values and change the conventions of the past.
What are your advices to designers who are at the beginning of their career?
Be beautiful for hundreds of years. So, it takes time for the design to have real value.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
That's the difference between an ape and a human. If you want to be a monkey, you don't have to invest in design.
What is your day to day look like?
In April 2020, we are facing a crisis like we have never experienced before. Everyone has to stay home. You have to be happy to stay at home. So, I've started distributing content for that on Youtube.
How do you keep up with latest design trends? To what extent do design trends matter?
That's a difficult question to answer. I want to design something that moves me in a way that humans haven't experienced yet, but I don't know what it is. It's working for the time being, though.
How do you know if a product or project is well designed? How do you define good design?
Move! Trying new things. Don't stick to the must-win patterns of the past.
How do you decide if your design is ready?
There are just too many to answer. Renaissance artists, William Morris, Arts and Crafts, Bauhaus, Helmut Schmidt, Emil Ruder, I'm influenced by a lot of people. In Japan, I am also influenced by Korin Ogata, Hokusai Katsushika, Yusaku Kamekura and Kenya Hara. Sorry, I can't even begin to describe it.
What is your biggest design work?
My latest favorite is the Swedish brand Jonas. The kitchen tools are amazingly good.
Who is your favourite designer?
Nature. I can't think of anything so functional and beautifully shaped in a man-made object that wasn't designed for it.
Would you tell us a bit about your lifestyle and culture?
I have studied history, observed nature and people, thought about it, executed and improved. It's especially important to learn the classics.
What are your philanthropic contributions to society as a designer, artist and architect?
It's planning and execution. What is not designed does not exist in this society. However, all things are divided into "good design" and "bad design". A good design is one in which planning and execution are working effectively, and a bad design is one in which they are not working effectively. A good designer is good at planning and execution.

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