Ariane Cristina da Rosa

I always had a different look, seeking to create customized solutions for each project, which led me to develop a series of exclusive furniture for my clients. I love studying, researching and I'm very curious about the infinite possibilities that design offers. Thus, developing a signed line of furniture was the natural result of the path taken here.

At AR - Ariane Rosa Studio of architecture and design, we believe that everyone can be whoever they want. We create unique and daring projects, expressing your unique individuality in projects that value your stories and your personality in a unique way.

For me design is a way of seeing the world, a way of looking for alternatives to the endless day-to-day situations: improving processes to make life easier or simply for aesthetic reasons through a new look at the trivial.

I love people and their stories, and I believe that these stories must be told, whether in an architectural or interior project, residential, commercial or corporate, there is always a story behind every choice I make.

Philippe Starck was the first designer to catch my eye. Le Corbusier and Oscar Niemeyer, the Eames couple, Lina Bo Bardi and Jorge Zalszupin are some of my main references.

When I'm creating I forget that the world exists. At that moment there is only me and my thoughts. I am totally immersed, researching and looking for viable solutions for a given issue. I don't rest until I get the expected result.

when I get the result I expected, the feeling is of accomplishment. Then I try to multiply that particular solution for several possibilities.

Good Design is innovative, satisfies functional and aesthetic criterias, adds beauty to the world and remains relevant over the years.

First of all what is the function: good design solves the question it proposes. Then technical criteria such as the type of material, form of presentation and last but not least, the beauty.

The ideal would be to use sustainable, recyclable, reusable processes and raw materials, taking into account the entire path from creation and development to the final product.

More and more people seek to express themselves as individuals, to have their voice heard. Design is a way to realize this intrinsic human desire.

My last exhibition was at the Casa Cor decoration show in 2001 whith the interior design of "Intimate Area Bathroom" project, carried out jointly with the architects Inara Beck Rodrigues and Maria Andrea Triana, received the award for the best use of Portinari ceramics.

My inspiration comes from the search for solutions for my projects. Each new client brings a new story, needs and desires that need to be taken into account. I always do extensive research in search of alternatives to offer suitable solutions for each situation, so new pieces are born, created especially for that particular work.

my style is light and clean looking for elegant and sophisticated yet simple solutions.

I live in Brazil, here we have an exuberant nature and a very pleasant climate. I see inspiration everywhere, all the time: colors, textures and scents are a delight for the senses.

The main issue is an alignment of values, seeing if the designer's brand matches the company's brand. Once this is defined, everything else can be negotiated.

I usually have a vision of what I need or want as a result. So I do a search to see if what I'm looking for already exists, usually it doesn't. Thus begins the creation of a new design.

I love waking up early, having my family breakfast and doing my daily physical activity. Then I go to the office to carry out the day's agenda: doing projects, delegating tasks, meeting clients and suppliers. At the end of the day, I go home with a feeling of accomplishment, where I meet my family, we have dinner together, watch TV or play a game and then a good night's sleep.

Write down your ideas, research a lot, never copy someone, be persistent, believe in yourself, keep trying, have courage and determination, believe in your dream, always follow your path with joy in your heart because everything happens at the right time.

there is nothing negative, only positive. I am captivated by the constant challenge, the search for innovative, unexpected and yet simple solutions.

As an architect who is passionate about transforming the world through design, I believe the most important skills for a designer go beyond just technical knowledge. It starts with empathy—the ability to truly understand the needs of people and the environment. Design, for me, is about creating spaces that inspire, comfort, and improve lives.

I draw all my ideas on paper, then model them in autocad and after making all the adjustments, I send them to my team to render and do the detailing

I have a well-organized schedule with free windows that I use to rearrange some appointments whenever necessary, such as spending more time researching or producing my projects.

It depends on the project, sometimes it's very quick, it takes just one day and sometimes the creation requires a lot of research, analysis and adjustments and can take up to months to be ready.

To continue creating signature lines of furniture and decoration pieces, I want to exhibit at the Venice Biennale and at Il Salone in Milan

most of the time by myself, but I really enjoy working in teams and collabs

I'm working on a furniture collection made from solid wood. The big challenge is to create new pieces that, in addition to being beautiful, are also comfortable and commercial.

By email contato.arianerosa@gmail.com or on Instagram @arianerosa_arquiteta

as an architect who is passionate about transforming the world through design, one thing that often doesn’t come up but I believe is crucial is the emotional connection between people and the spaces they inhabit. Architecture, at its core, isn’t just about materials, forms, or functions—it’s about how spaces make people feel. Whether it’s the warmth and comfort of a home, the inspiration one feels in a cultural space, or the serenity in a well-designed garden, the emotional impact of design is something I always consider. I also think it’s important to emphasize the social responsibility we carry as designers. The decisions we make affect communities for generations. By choosing sustainable materials, promoting inclusive design, or creating accessible public spaces, we have the power to shape a more equitable world. I strive to ensure that my work reflects these values and that my designs contribute to a future where architecture doesn’t just serve the few but uplifts everyone. Lastly, I’d like to highlight the joy of continuous learning. Architecture is an ever-evolving field, and I thrive on keeping up with new technologies, techniques, and ideas. Whether it’s embracing new sustainable innovations or learning from different cultures and their approaches to space, I believe staying curious and open-minded is essential for any designer who wants to make a lasting impact.

My background is in architecture and urbanism (1997). I have a degree in interior design and over the years I have taken courses and participated in immersions in search of constant improvement.

Since I graduated in architecture and urbanism most of my work is interior design. I always do a lot of research while carrying out my projects and I try to create really different environments that express the personality of my clients.

My creativity knows no limits. In each project I create exclusive pieces for each situation, for each client. Design came naturally to me in the daily performance of my duties as an architect and interior designer.

I design furniture and decorations, as well as lamps and small objects.

Be persistent, study hard and always improve. Listen to your heart and let the emotion flow.

Find simple and unusual solutions for common situations is the hardest part.

In my opinion, good design is one that stands out for its beauty, originality and simplicity. A good design brings a positive emotion to people and transforms the environment in which it is found.

Good design is always good, it doesn't lose its value over the years.

I would love to create limitless environments to vent my creativity. Commercial spaces, for example, are perfect for experimenting with new ways of relating to the environment.

My secret ingredient in design is empathy. I believe that great design starts with truly understanding the people who will experience it. It’s not just about how a space looks or functions—it’s about how it makes people feel, how it meets their needs, and how it enhances their lives. By putting myself in the shoes of those who will live, work, or relax in the spaces I create, I can design with intention and purpose, ensuring that the result is not only beautiful but meaningful. Another key element for me is resilience. Design is a process full of challenges, from technical limitations to unexpected obstacles, but I’ve learned that every problem is an opportunity for creativity. By embracing these moments, I push myself to find innovative solutions that often lead to more thoughtful and impactful designs. Finally, I think it’s about maintaining a passion for learning and exploration. Design is ever-evolving, and I love staying curious—whether it’s diving into new materials, exploring sustainable technologies, or drawing inspiration from diverse cultures. This hunger for knowledge allows me to continuously grow as a designer and keep my work fresh, relevant, and inspiring.

Karim Hashid, Philippe Starck, Isay Weinfeld, Sig Bergamin, Kelly Hoppen, Marcel Wanders, Oscar Niemeyer

Chaise Longue Rio by Oscar Niemeyer for its elegant, lightweight and extremely comfortable shape. It's a masterpiece.

My greatest design is the one I haven't done yet, and that's exactly what makes it great, the anticipation of what's to come.

To become a better designer, the most important thing is to stay curious and open to learning. Design is constantly evolving, and the best way to improve is to never stop exploring new ideas, techniques, and approaches. Whether it’s learning from other disciplines, experimenting with different materials, or staying updated on trends, curiosity keeps you growing. One thing that helped me immensely was developing empathy—understanding the people who will use the spaces or objects I design. The more you understand the needs, emotions, and behaviors of people, the more thoughtful and effective your designs will be. I’ve found that putting the human experience at the center of my work leads to solutions that are both functional and deeply meaningful. Another key aspect is embracing failure and challenges. Design can be full of setbacks, but each one is an opportunity to learn. Instead of being discouraged, I learned to see problems as creative challenges that push me to find better, more innovative solutions. This resilience helps refine your thinking and makes your designs stronger. Lastly, collaboration is vital. Working with other designers, engineers, or people from different fields broadens your perspective. I’ve found that some of my best ideas come from teamwork and listening to others’ insights. Improving as a designer is a lifelong journey, and it requires a mix of curiosity, empathy, resilience, and a willingness to learn from every experience.

If I hadn’t become a designer, I think I would have pursued something where I could still create and make a positive impact on people’s lives. Maybe I would have been a writer or a storyteller, because I love the idea of using words to inspire, connect, and transport people to different places and ideas. Writing, like design, is about crafting experiences and evoking emotions, and I think that would have fulfilled my creative side in a different way. Another path that’s always fascinated me is teaching. I believe in the power of education to transform lives, and sharing knowledge while helping others find their own voice and creativity would be incredibly rewarding. Whether in the classroom or through mentoring, I think teaching is another way to leave a meaningful impact on the world. Ultimately, whatever path I would have chosen, it would have to involve creativity, human connection, and a drive to make the world a little better, just like design does for me.

For me, design is about creating solutions that improve the human experience. It’s not just about aesthetics or form—though beauty is important—but about how things function, how they serve people’s needs, and how they make life better. Design is the intersection of creativity and problem-solving, where we balance art with practicality to shape environments, products, and systems that are both meaningful and functional. Design, at its core, is about intentionality. Every element has a purpose, whether it’s the curve of a chair that enhances comfort, or the layout of a space that fosters connection and well-being. It’s about seeing the world through the lens of possibility and always asking, “How can this be better? More efficient? More inspiring?” For me, design is also deeply tied to responsibility. We, as designers, have the power to shape how people interact with their surroundings, and with that comes the responsibility to design sustainably, inclusively, and thoughtfully. Whether it’s reducing waste in materials, creating spaces that everyone can access, or designing with future generations in mind, design isn’t just about the present moment—it’s about leaving a positive impact for the future. In short, design is about human connection, purpose-driven creativity, and making life better—one thoughtful solution at a time.

It may sound cheesy, but my family and my husband have a prominent role as supporters.