Güneş Duman Gürbüz

When I was 5 years old, I was interested in drawing and at that time I discovered that I had a talent for drawing. Over time, I decided to study fine arts with the enthusiasm of being interested in art. My goal was to be a good designer. Since the first day I stepped into my design life, which has always been a part of my childhood dreams, I have always tried to make progress as a designer. I decided to progress on this path, including my high school and university life, in order to professionalise in this field. My biggest motivation that pushes me to become a designer is the structures, objects and their reflections in nature that I notice in my interaction area.

In my design studio, I try to respond to the requests of every person who needs my design; however, the places I enjoy designing the most are commercial spaces. I have made many people happy with my designs so far and my aim is to increase this happiness on a global level.

In general, I like to design spaces where people come together and communicate.

My favourite design is the healer waves, for which I received an award, because each current design is an improvement on the previous one. My favourite work is always my current design, because it is the harvest of all my work.

The first thing I designed for a company was a waffle shop. It was the first time my design was applied. It reminded me that I had a job that showed me that I could touch people's lives.

Digital art and design impress me a lot. The blending of visual effects with technology makes me feel that I live in another design universe.

When the sun shows its face to humanity, in the morning, I feel that my ideas are enlightened and I feel that I start the day more creatively.

Comfort, ergonomics and applicability are most important to me. I also emphasise the importance of technology.

Designing is the most unique talent in the world. While designing, there are times when I think that I can create something and give direction to something, and this is a very enjoyable and emotional situation at the same time.

It is a different feeling to see, touch and feel the space I designed in front of me. Imagine, you dream it and no one sees it, you draw it but you can't touch it, and then you realise the space you designed and now everyone can see and touch the design that people don't see but you live in every sense. I think it is a marvellous feeling.

It is harmony with nature. A design blended with nature symbolises natural life.

First of all, I look at the area and for whom the design is made and whether it can respond to the requirements in that area and whether it provides the necessary ergonomics and comfort. The concept is also important, as are the emotions that the design feels and the personality it transforms.

The responsibility of a designer is to be able to communicate with the environment and to use this communication to bring nature and human beings together. At the same time, it is to respond to needs with functionality.

Today, design tools are very diversified. Thanks to the programmes that are simple to use and accessible from everywhere, everyone is trying to design in some way. Recently, with the contribution of artificial intelligence, both new design areas have emerged and existing areas have developed further.

Designing for me is like dancing to music that suddenly plays while walking on the road. Everything in nature can be a source of inspiration for me. Sometimes it is an old window, sometimes an old building. Sometimes, some details in the space I am going to design that not everyone can see can be a source of inspiration for me. There are also many designers whose works I love and look up to. Their styles and perspectives on life always feed my soul.

A minimalist approach as a design style always defines me. It is important to be simple and functional. I was first introduced to this style by Ludwig Mies van der Rohe's principle: 'Less is more'. And for years, minimalism and functionality have been at the forefront of my designs.

I live in Turkey, which has a cultural diversity from east to west. Of course, we see the effect of this cultural heritage in Anatolia, where various civilisations have lived, on our designs. Especially the magnificent architecture transmitted to us by Turkish-Islamic art as well as various geometric forms and patterns direct many of our designs.

As a designer, I think the designer's perspective on the world is important. I think the designer should communicate with a universal language. The person should be able to establish a relationship with his/her environment through his/her design. I think it is important to have a wide imagination and way of thinking. The most important thing is the ability to convey what he/she thinks.

When I start designing, I first go to the place I will design and make a discovery, examine all areas and listen to the place. I try to connect with the place. I imagine the design I will make and apply it to the areas in my imagination and draw it in my head. Then I prepare the necessary drafts related to the concept and transfer them to the drawing. Thus, the design process begins for me.

In order of my favourite; chair, wooden sculpture, carpet, painting, pillow.

First thing in the morning I greet the sun. I plan my day while having breakfast. Depending on my mood that day, I either work from home or go to the office and work in the office. At 10.36 a.m. I drink a Turkish coffee. I continue working with music. At the end of the day, after seeing the sun off, I study a foreign language, read a book, take care of myself and prepare for the next day.

Being open-minded, free-spirited and dreamy will open many doors they dream of. In order to open these doors to the end, my advice to them is to devote themselves to the work they love and to have a consistent work discipline on this path.

I honestly don't see a negative aspect of being a designer. Being a designer means being creative. This allows him/her to evaluate the good or bad things he/she encounters not only in terms of work but also in every stage of his/her life with his/her creativity and turn them into opportunities.

Functionality is a must for me. Even if you don't define a trinket as functional, it actually has the functionality of completing that design.

Being open-minded, free-spirited and dreamy are the features that make a designer a designer.

Firstly, I made sketches with hand drawings on the concept, and then I finalised the design through a computer programme.

I divide a job into parts, and after dividing it into parts, I give each of them a certain timing and try to meet these timings.

A specific time cannot be given here, because a time is specified by considering the type, location and functionality of the object to be designed. The main aim in design is not to produce a work in a certain time by restricting oneself, but to create a phenomenon that can communicate with people.

As an interior designer, the most common question I face is what kind of space I live in.

My first clinical design and practice is my most important experience; because I learnt many things about clinical design here.

In general, stage design, dental clinics and libraries are my favourite places to design. Being in the same environment with music while designing the stage makes me happy. Libraries, with their quiet and soft air, give me the warmth I feel on the first day of school and remind me of a peaceful coffee hour.

I want to be a leading designer worldwide and an exemplary person with my teachings. Now I want to participate in competitions and increase the number of awards.

They can contact me by social media and e-mail. Also I have Behance and Linked-in Accounts.

In my design career, I've always aimed to progress and evolve, constantly pushing myself to improve as a designer. My primary motivation comes from the structures, objects, and reflections in nature that I encounter in my daily interactions. This inspiration fuels my creativity and drives me to design spaces that foster communication and connection among people. In my design studio, I strive to meet the needs of every client, emphasizing comfort, ergonomics, and applicability. I also place great importance on integrating technology into my designs. Digital art and design captivate me, as they blend visual effects with technology, creating a unique and immersive experience. For me, designing is not just about creating aesthetically pleasing spaces; it's about communicating and connecting with people through my work. Each project begins with a thorough exploration of the site and its requirements, ensuring that the final design is both functional and reflective of the intended emotions and personality.

My journey to becoming a designer began at a very young age. When I was just five years old, I discovered a natural talent for drawing, which sparked my initial interest in the arts. This early passion for creating and illustrating led me to pursue formal education in fine arts, driven by a deep enthusiasm for art and design. Throughout my high school and university years, I remained committed to professionalizing my skills in design. My dedication was fueled by a childhood dream of becoming a successful designer. During this time, I continuously sought to improve and evolve as a designer, always aiming to refine my craft. My motivation to pursue a career in design is deeply rooted in my observations of structures, objects, and their reflections in nature. These elements within my environment have always inspired me and continue to be a significant source of creativity in my work.

When designing, I prioritize several key aspects to ensure that my work is both functional and aesthetically pleasing. Here are the top three aspects I give most importance to in my design process: 1)Comfort, Ergonomics, and Applicability: -Comfort and Ergonomics: These are crucial in creating spaces that people can use comfortably. I focus on designing spaces that not only look good but also feel good to inhabit, ensuring that they cater to the physical and psychological well-being of the users. -Applicability: It’s important that the designs are practical and meet the needs of the people who will use them. This involves a deep understanding of the functional requirements and ensuring that the design serves its intended purpose effectively. 2)Technology Integration: -Digital Tools and Latest Technology: I heavily rely on digital tools and the latest technology in my design process. The blending of visual effects with technology fascinates me and allows me to create more precise and sophisticated designs. -Computer-Aided Design and Renderings: While I often start with hand-drawn sketches to conceptualize ideas, I finalize my designs using computer programs. These tools enable me to create detailed renderings and simulations that help visualize the final product before it’s built. 3)Connection with Nature and Environment: -Harmony with Nature: A central theme in all my projects is creating a design that harmonizes with nature. This involves incorporating natural elements and ensuring that the design feels organic and in tune with its surroundings. -Environmental and Cultural Sensitivity: Living in Turkey, I draw inspiration from the rich cultural heritage and diverse landscapes. I strive to integrate these elements into my designs, creating spaces that reflect the local environment and cultural context. Design Technique and Approach: -Initial Exploration and Connection: When starting a new project, I first visit the site to understand its unique characteristics and requirements. I spend time exploring and ‘listening’ to the space to form a connection with it. -Conceptualization and Drafting: I begin by imagining the design in my mind, applying it to the physical space. I then prepare initial sketches and drafts, which I later refine using digital tools. -Integration of Functionality and Aesthetics: Throughout the design process, I maintain a balance between functionality and aesthetics. The design must not only fulfill practical needs but also evoke the desired emotions and personality. Mock-ups and Models: While I appreciate the tactile and tangible nature of physical models, I primarily use computer-aided design and renderings to visualize and refine my projects. This approach allows for greater flexibility and precision, enabling me to make adjustments quickly and accurately. In summary, my design process is deeply rooted in ensuring comfort and functionality, leveraging the latest technology, and maintaining a strong connection with nature and cultural context. This holistic approach allows me to create designs that are not only practical and beautiful but also meaningful and resonant with their environment.

Designing is a deeply emotional and fulfilling process for me. Here are the emotions I typically experience throughout different phases of the design process: At the initial phase of conceptualizing a design is incredibly exciting. It’s a time when I feel a surge of creativity and inspiration. The possibilities seem endless, and the thrill of coming up with innovative ideas energizes me. This phase is like dancing to music that suddenly plays while walking on the road—spontaneous and exhilarating. As I begin to explore the site and gather information, I feel a strong sense of curiosity. Discovering the unique characteristics of the space and understanding the client's needs ignites a passion for finding the perfect design solution. During the design development phase, I experience a deep sense of engagement and focus. Translating initial ideas into detailed plans and renderings requires concentration and precision. This phase is intellectually stimulating and fulfilling as I work through challenges and refine the design. As the design takes shape, I feel a growing sense of joy and satisfaction. Each step forward, each problem solved, brings me closer to the final vision. Seeing the design evolve and improve is incredibly rewarding. As the design approaches completion, I feel a mix of anticipation and eagerness. The prospect of seeing the finished product and how it will impact users is highly motivating. This phase is filled with a sense of impending achievement. When the design is finally realized and implemented, I experience a profound sense of fulfillment and pride. It’s incredibly gratifying to see people interacting with the space, appreciating its functionality and beauty. This is the moment when I feel that all the hard work has paid off. The most exciting phase for me is the initial conceptualization. The freedom to explore new ideas and the thrill of innovation make this stage particularly exhilarating. However, the sense of fulfillment when the project is completed and seeing it come to life is also immensely rewarding. What I Like Most When Designing: I love the creative freedom that designing offers. The ability to innovate and come up with unique solutions is what I enjoy most about the process. Designing spaces that facilitate communication and connection among people is deeply satisfying. Knowing that my work can enhance people's lives and create positive experiences is what drives me. Designing fulfills me by allowing me to turn abstract ideas into tangible realities. The process of seeing a design move from concept to completion brings immense joy and a sense of accomplishment. There’s a unique pleasure in creating designs that resonate with people emotionally. Whether it’s a commercial space that delights customers or a serene environment that promotes well-being, the emotional connection that people have with my designs is highly fulfilling. Each design project is an opportunity for growth and learning. The continuous improvement of my craft and the pursuit of excellence keep me motivated and happy. In essence, designing is a source of profound pleasure and satisfaction for me. It’s a blend of excitement, curiosity, joy, and fulfillment that makes the entire process incredibly rewarding.

Several aspects of my background have significantly shaped me as a designer, contributing to my success and helping me develop a unique approach to my work. Here are some valuable non-design skills that have been instrumental in my journey: 1)Observation and Attention to Detail: -Skill: Keen observation and attention to detail are crucial skills for any designer. These abilities allow me to notice the subtle elements in nature, structures, and everyday objects that often inspire my designs. -Benefit: Being observant helps me draw inspiration from my surroundings and ensures that my designs are thorough and meticulously crafted. It allows me to see potential in spaces and objects that others might overlook, leading to more innovative and thoughtful designs. 2)Communication and Interpersonal Skills: -Skill: Effective communication and strong interpersonal skills are essential for collaborating with clients, colleagues, and stakeholders. They help in understanding clients' needs and translating those into successful designs. -Benefit: These skills have allowed me to build strong relationships with my clients and team members, facilitating smoother project execution and ensuring that the designs meet or exceed expectations. Good communication also ensures that I can articulate my vision clearly and persuasively. 3)Time Management and Organization: -Skill: Time management and organizational skills are critical for handling multiple projects and meeting deadlines. These skills help in prioritizing tasks and maintaining a structured workflow. -Benefit: Efficient time management has enabled me to deliver high-quality work consistently, even under tight deadlines. Being organized helps in managing various aspects of a project, from initial concept to final implementation, ensuring that nothing is overlooked. 4)Adaptability and Problem-Solving: -Skill: The ability to adapt and solve problems quickly is vital in the dynamic field of design. It involves being flexible and finding creative solutions to unforeseen challenges. -Benefit: These skills have helped me navigate the complexities of design projects, from unexpected client requests to technical difficulties. Adaptability ensures that I can respond to changing circumstances effectively, while problem-solving keeps projects on track and innovative. 5)Cultural Awareness and Sensitivity: -Skill: Understanding and appreciating cultural diversity is important for creating designs that resonate with different audiences and environments. It involves being aware of cultural nuances and incorporating them into the design. -Benefit: Living in Turkey, a country rich in cultural heritage, has taught me the value of cultural sensitivity. This awareness allows me to create designs that are culturally relevant and respectful, enhancing their acceptance and impact. The structures, objects, and reflections in nature have been a constant source of inspiration for me. My interaction with the environment profoundly influences my design philosophy, driving me to create harmonious and organic designs. The rich architectural legacy and cultural diversity of Turkey have significantly influenced my work. The geometric forms and patterns from Turkish-Islamic art often inspire my designs, adding a unique cultural dimension to my projects. My journey as a designer began at the age of five when I discovered my talent for drawing. This early interest led me to pursue fine arts through high school and university, where I focused on professionalizing my skills. My first major project, designing a waffle shop, marked a turning point in my career. It was the first time my design was implemented in a real-world setting, reinforcing my passion for the field. Over the years, I have established my design studio, specializing in commercial spaces and integrating technology into my work. My design journey has been one of continuous growth, driven by a commitment to innovation and excellence. In summary, my background in keen observation, communication, time management, problem-solving, and cultural awareness has significantly shaped my success as a designer. These non-design skills, combined with the influence of nature and cultural heritage, have defined my unique approach to design and contributed to my professional growth.

My growth path as a designer encompasses both personal and professional aspirations, as well as the evolution of my design studio. I am committed to continual learning and skill development, both as an individual designer and as a leader of my design studio. This involves seeking out opportunities for professional development, such as attending workshops, conferences, and networking events. I strive to stay abreast of emerging trends, technologies, and best practices in the field of design, and to integrate these insights into my work. As the founder of my design studio, I am focused on growing and expanding our business. This includes increasing our client base, expanding our service offerings, and exploring new markets and opportunities for collaboration. I aim to build a team of talented and passionate designers who share my vision and values, and to create a supportive and inspiring work environment where creativity can flourish. Creativity and innovation are at the heart of my design philosophy. I am constantly seeking out new ideas, inspiration, and design concepts, and pushing the boundaries of what is possible in design. I aspire to create designs that not only meet the needs and desires of our clients, but also inspire and delight users, and make a positive impact on the world. In the future, I hope to be remembered as a designer who made a meaningful and lasting impact on the world through my work. I aspire to create designs that are not only beautiful and functional, but also socially and environmentally responsible. I want my designs to contribute positively to the well-being of individuals and communities, and to inspire future generations of designers to think creatively and ethically about the built environment. In terms of future design projects, I have several ideas and concepts that I am excited to explore. These include designing sustainable and eco-friendly spaces, incorporating biophilic design principles, and creating innovative solutions to address pressing social and environmental challenges. I am particularly interested in projects that involve community engagement and collaboration, and that have the potential to make a real difference in people's lives. My dream design project is to create a sustainable community center that serves as a hub for creativity, collaboration, and social engagement. This community center would be a multifunctional space designed to meet the diverse needs of the local community while promoting environmental stewardship and social responsibility.

Being open-minded, free-spirited and dreamy will open many doors they dream of. In order to open these doors to the end, my advice to them is to devote themselves to the work they love and to have a consistent work discipline on this path.

As a designer, I think the designer's perspective on the world is important. I think the designer should communicate with a universal language. The person should be able to establish a relationship with his/her environment through his/her design. I think it is important to have a wide imagination and way of thinking. The most important thing is the ability to convey what he/she thinks.

First thing in the morning I greet the sun. I plan my day while having breakfast. Depending on my mood that day, I either work from home or go to the office and work in the office. At 10.36 a.m. I drink a Turkish coffee. I continue working with music. At the end of the day, after seeing the sun off, I study a foreign language, read a book, take care of myself and prepare for the next day.

As a designer, I believe it's essential to strike a balance between staying informed about the latest design trends and maintaining a distinct personal design style. While I appreciate the value of staying informed about the latest design trends, I prioritize maintaining my own unique design aesthetic and style. I believe that authenticity and originality are key to creating timeless and impactful designs. Rather than blindly following trends, I aim to integrate elements that resonate with my personal vision and design philosophy, while also considering the needs and preferences of my clients and target audience. My goal is to create designs that reflect my own creative vision and ethos, rather than simply chasing what's fashionable or trendy. I believe that staying true to my design principles and values ultimately leads to more meaningful and authentic design outcomes. I strive to develop a cohesive body of work that embodies my signature style and leaves a lasting impression on viewers, rather than producing designs that are fleeting and ephemeral. That being said, I do pay attention to emerging design trends and innovations, particularly those that align with my design philosophy and resonate with my aesthetic sensibilities. I selectively incorporate elements of these trends into my work, blending them with my own unique perspective to create fresh and innovative designs. However, I am cautious not to overemphasize trends at the expense of timeless design principles and functionality. I believe that good design should stand the test of time and remain relevant beyond fleeting trends. My sources of inspiration are diverse and eclectic, drawing from a wide range of influences including nature, art, architecture, culture, and technology. I find inspiration in everyday experiences, as well as in more specialized sources such as design publications, exhibitions, and online platforms. I also value the importance of collaboration and dialogue with other designers and creative professionals, as well as engaging with the broader design community through workshops, conferences, and networking events. In summary, while I remain attentive to the latest design trends and innovations, I prioritize maintaining my own distinct design style and vision. I believe that by selectively integrating elements of trends that resonate with my personal aesthetic, I can create designs that are both contemporary and enduring, while staying true to my own creative identity.

Deciding if a design is ready is a nuanced process that involves a combination of intuition, experience, and objective evaluation. The first step in determining if a design is ready is to ensure that it meets the objectives and requirements set forth at the outset of the project. This involves assessing whether the design effectively addresses the functional, aesthetic, and contextual considerations outlined in the brief. I evaluate whether the design aligns with the client's vision and goals, as well as whether it fulfills the needs and expectations of the end-users. If the design successfully achieves its intended purpose and objectives, it is a strong indicator that it may be ready for implementation. Design is inherently iterative, and I often seek feedback from clients, colleagues, and stakeholders throughout the design process. This feedback loop allows me to refine and improve the design based on input from others and ensures that it evolves in response to changing requirements or preferences. When the feedback converges towards positive responses and there are diminishing returns in making further iterations, it signals that the design may be nearing completion. A key aspect of determining if a design is ready is ensuring that it exhibits a high level of craftsmanship, attention to detail, and quality. This involves scrutinizing every aspect of the design, from the overall composition to the smallest details, to ensure that it meets the highest standards of excellence. When I feel confident that every element of the design has been meticulously considered and executed to the best of my ability, it indicates that the design may be ready for finalization. Ultimately, deciding if a design is ready often comes down to a gut feeling or intuition. After spending significant time and effort on a project, there comes a moment when I simply know in my heart that the design is complete and ready to be realized. This intuitive sense of readiness is informed by years of experience, a deep understanding of design principles, and a passion for creating meaningful and impactful work. While a design can reach a point where it meets the criteria for readiness, there is always room for improvement and refinement. Design is a continuous process of evolution and iteration, and even after a design is implemented, there may be opportunities for further optimization or enhancement. As for determining the success of a product or project, it often involves a combination of qualitative and quantitative measures. Success can be measured by factors such as user satisfaction, functionality, aesthetic appeal, impact on the intended audience, and achieving the project's objectives and goals. Additionally, feedback from stakeholders, positive reviews, awards or recognition, and achieving desired outcomes or performance metrics are all indicators of success.

My work culture and business philosophy are deeply rooted in creativity, collaboration, integrity, and a commitment to excellence. Here's a closer look at how these principles shape my approach to work and the values I prioritize: 1)Creativity and Innovation: Creativity is at the core of everything we do. We believe in pushing the boundaries of design, exploring new ideas, and finding innovative solutions to challenges. Our work culture encourages curiosity, experimentation, and out-of-the-box thinking. 2)Collaboration and Teamwork: Collaboration is key to our success. We foster a culture of open communication, mutual respect, and teamwork, where everyone's ideas are valued and contributions are recognized. We believe that the best designs emerge from collective efforts and diverse perspectives. 3)Integrity and Professionalism: Integrity and professionalism are non-negotiables in our business. We uphold the highest ethical standards in all our interactions, maintaining transparency, honesty, and accountability in everything we do. Our clients trust us to deliver on our promises and exceed their expectations. 4)Continuous Learning and Growth: We are committed to lifelong learning and personal growth. We encourage our team members to stay curious, embrace new challenges, and invest in their professional development. We believe that growth is essential for staying relevant and innovative in a rapidly evolving industry. 5)Client-Centric Approach: Our clients are our top priority. We listen attentively to their needs, preferences, and concerns, and tailor our designs to meet their specific requirements. We believe in building strong, long-lasting relationships with our clients based on trust, communication, and mutual respect. Working with us is characterized by a collaborative and supportive environment where creativity thrives, and individuals are empowered to reach their full potential. We value diversity, inclusion, and mutual respect, and strive to create a workplace where everyone feels valued and appreciated. When selecting business partners or hiring team members, we look for individuals who embody our core values and share our passion for design and innovation. We seek out collaborators who are skilled, knowledgeable, and experienced in their respective fields, but who also bring unique perspectives and fresh ideas to the table. Traits such as creativity, adaptability, problem-solving skills, and a strong work ethic are highly valued. Some core challenges of our profession include balancing creativity with practicality, meeting tight deadlines, managing client expectations, and staying ahead of emerging trends and technologies. However, we view these challenges as opportunities for growth and learning, and approach them with optimism, resilience, and determination. As a designer, artist, or architect, it's essential to possess a combination of technical skills, creative vision, and personal qualities such as: -Creativity and Imagination: The ability to think outside the box and generate innovative ideas. -Attention to Detail: A keen eye for detail and a commitment to excellence in craftsmanship. -Problem-Solving Skills: The capacity to identify challenges and find creative solutions to overcome them. -Communication and Collaboration: Strong communication skills and the ability to collaborate effectively with clients, colleagues, and stakeholders. -Adaptability and Flexibility: The willingness to embrace change and adapt to evolving project requirements and constraints. -Passion and Dedication: A genuine passion for design and a dedication to producing high-quality work that exceeds expectations. By embodying these characteristics and embracing our core values, we believe that designers, artists, and architects can make a meaningful impact on the world and create spaces and experiences that inspire, uplift, and enrich the lives of others.

As a designer, artist, and architect, I believe in the importance of giving back to the community and using my skills and expertise to make a positive impact on society. Here are some ways in which I contribute philanthropically: Pro Bono Design Work: I am committed to using my design talents to support charitable causes and nonprofit organizations through pro bono design work. Whether it's designing spaces for community centers, schools, or shelters, I believe in leveraging my skills to improve the lives of those in need. Pro bono projects allow me to contribute my expertise to projects that may not have the financial resources to afford professional design services, thereby making a meaningful difference in the community. Humanitarian Projects: I actively seek out opportunities to get involved with humanitarian projects that address pressing social and environmental issues. Whether it's designing sustainable housing solutions for underserved communities, creating public art installations that raise awareness about important issues, or participating in initiatives that promote social justice and equality, I believe that artists, designers, and architects have a unique role to play in addressing humanitarian challenges. By lending our creativity, expertise, and resources to humanitarian projects, we can make a tangible difference in the lives of individuals and communities around the world. Supporting Emerging Designers: I am passionate about supporting the next generation of designers, artists, and architects by providing mentorship, guidance, and opportunities for professional development. This may involve participating as a guest speaker or panelist at design events and conferences, offering workshops or masterclasses, or providing internship or apprenticeship opportunities within my studio. By nurturing and empowering emerging talent, we can ensure a vibrant and sustainable future for the design profession and foster a culture of innovation and creativity. Community Engagement: I actively engage with the design community through participation in design events, conferences, and exhibitions. These events provide opportunities to network with fellow designers, share knowledge and insights, and contribute to the ongoing discourse and evolution of the field. I also seek to engage with the broader community through public art projects, educational initiatives, and outreach programs that promote design literacy and appreciation. In summary, my philanthropic contributions as a designer, artist, and architect are driven by a commitment to using my skills and resources to make a positive impact on society. Whether it's through pro bono design work, involvement in humanitarian projects, support for emerging designers, or community engagement, I believe that we have a responsibility to give back to the community that fosters us and to use our talents for the greater good.

When I was 5 years old, I was interested in drawing and at that time I discovered that I had a talent for drawing. Over time, I decided to study fine arts with the enthusiasm of being interested in art. My goal was to be a good designer. Since the first day I stepped into my design life, which has always been a part of my childhood dreams, I have always tried to make progress as a designer. I decided to progress on this path, including my high school and university life, in order to professionalise in this field. My biggest motivation that pushes me to become a designer is the structures, objects and their reflections in nature that I notice in my interaction area.

Designing is the most unique talent in the world. While designing, there are times when I think that I can create something and give direction to something, and this is a very enjoyable and emotional situation at the same time.

I chose it because there is such a thing as feeling that you are born a designer and you feel it vaguely as a child. I was a person who fell in love with the sunlight coming in through the windows and illuminating the furniture. When I was 5 years old, I was a child who was aware of the existence of a colorful life and I had stairs that I built in my imagination. Most of the time it was a ladder made of snow, sometimes of stones. This is the story of a person who was imagined as a doctor becoming an interior designer ...

In general, stage design, dental clinics and libraries are my favourite places to design. Being in the same environment with music while designing the stage makes me happy. Libraries, with their quiet and soft air, give me the warmth I feel on the first day of school and remind me of a peaceful coffee hour.

As a designer, I think the designer's perspective on the world is important. I think the designer should communicate with a universal language. The person should be able to establish a relationship with his/her environment through his/her design. I think it is important to have a wide imagination and way of thinking. The most important thing is the ability to convey what he/she thinks.

A good designer looks, imagines and does, but a great designer sees, hears, imagines and does.

A good design is a thoughtful design. It is a work that has been thought out in every detail, with all the details in the design. In my opinion, a good design is an exemplary design in every aspect and should be invested in. If we open a little more; Good design motivates people in terms of functionality and design integrity. It has an aesthetic point of view. It is natural and free.

My biggest dream project is a library. I want to realize it with its own unique design and as a whole with nature. I want it to be a timeless design.

A minimalist approach as a design style always defines me. It is important to be simple and functional. This is my secret behind my works.

Mimar Sinan is in the first place. Second and third would be Renzo Piano and Zaha Hadid, and lastly Kengo Kuma.

I would become an art historian and introduce people to the buildings around the world and delve into their history.