Zhike Yang

Specialized in Movie Design.

Zhike Yang

About Zhike Yang

Boxon Media, led by visionary narrative visual artist Zhike Yang, and technical artist Wenjie Wu, revolutionizes storytelling by blending emotional experiences with cutting-edge techniques. Their narratives navigate human experiences from ancient myths to future visions, serving as beacons of inspiration, courage, and resilience. Zhike's dedication to narrative innovation, delving into human vulnerability and societal pain points, sets their work apart. Their pioneering approach in animation and content creation challenges traditional storytelling boundaries, contributing significantly to the arts and society with stories that resonate globally.

  • Winner of the A' Design Award.
  • Specialized in Movie Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Movie
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Renai Dance Animation

Movie Design


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Interview with Zhike Yang

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
My journey into art and design began with my experience designing training, which taught me how vision works with feelings. Watching inspiring and touching films like "Frozen" and "Spirited Away" gave me the opportunity to explore the high-concept branches of the world. I self-taught storyboard skills and was fortunate to receive feedback from kind directors and industry professionals. This real-world training process was invaluable in shaping my career.
Can you tell us more about your company / design studio?
Boxon Media, founded in 2018, is based in China and collaborates with artists globally. We excel in developing compelling narratives across various platforms, from feature films to VR movies. Our focus is on exploring human vulnerability and societal pain points, making a significant impact in storytelling. We also seek opportunities to help client groups tell their own stories. This dedication has positioned Boxon Media as a leader in innovative narrative creation, appealing to a diverse international audience and potential clients looking for cutting-edge storytelling solutions.
What is "design" for you?
Design is a vision and opportunity to explore the myriad possibilities of different branches of the world. It's the art of transforming abstract ideas into tangible experiences that resonate deeply with people. For me, design is about capturing the essence of a story or emotion and bringing it to life through visuals. It's a powerful tool that bridges the gap between imagination and reality, allowing us to create immersive experiences that leave a lasting impact.
What kinds of works do you like designing most?
I am passionate about creating stories and visuals that combine an emotional core with themes of relationships and self-challenge. My favorite projects are those that push the boundaries of storytelling and evoke strong emotional responses from the audience. Whether it's a feature film, VR experience, or an animated short, I strive to create works that touch hearts and inspire minds.
What is your most favorite design, could you please tell more about it?
One of my favorite designs is the film "The Greatest Showman." I admire its perfect balance between music, visual exaggeration, and a well-adapted story that resonates with modern trends. The film's ability to combine these elements seamlessly while delivering a powerful message about inclusion and self-acceptance is truly inspiring. It exemplifies how design can elevate storytelling and create a memorable experience for viewers.
What was the first thing you designed for a company?
The first design I created for a company was a set of posters for a 3D animated movie. Seeing my initial sketches transform into a three-dimensional visual was a pivotal moment for me. It was my first experience of how design can bring ideas to life and evoke emotions in viewers. This project ignited my passion for CG storytelling and set me on my path as a visual artist.
What is your favorite material / platform / technology?
My favorite medium is combine of traditional materials in digital, computer graphics. The richness of detail and the dimensionality it offers provide a vast canvas for immersive storytelling. CG allows me to create complex visual narratives that can captivate and engage audiences in ways that traditional media cannot. The endless possibilities it offers make it my preferred platform for bringing my creative visions to life.
When do you feel the most creative?
I feel most creative when I'm sitting on a rooftop balcony with a notebook and pen in hand. The open sky and serene environment inspire a flow of ideas and creativity. It's in these moments of tranquility that I can freely explore my thoughts and translate them into compelling visual stories.
Which aspects of a design do you focus more during designing?
I focus primarily on resonating with the audience’s memory and emotions. It's crucial for me that my designs evoke a strong emotional response and create a lasting impression. I pay close attention to the narrative elements, composition, and visual details to ensure that the story I am telling connects deeply with the viewers.
What kind of emotions do you feel when you design?
Designing is an emotional journey for me, filled with excitement and occasional frustration. I feel a rush of exhilaration when I come up with a great idea and can't wait to bring it to life and share it with others. Conversely, there are times when ideas are elusive, and the process becomes challenging, which can be disheartening. However, these emotional highs and lows are what make the creative process so fulfilling and drive me to keep pushing the boundaries of my work.
What kind of emotions do you feel when your designs are realized?
When my designs are realized, I feel a mix of surprise and cheerfulness. It's incredibly rewarding to see how the audience engages with and reacts to my work. Knowing that they have embarked on the journey I envisioned and experienced the emotions I intended to convey is a profound and joyful experience. It's a validation of my creative efforts and a reminder of the power of visual storytelling.
What makes a design successful?
A design is successful when it effectively tells a compelling story and resonates emotionally with its audience. It should communicate its narrative clearly and leave a lasting impact, making viewers reflect and connect. A successful design blends narrative clarity, emotional engagement, and visual harmony, ensuring that each element supports the overarching story.
When judging a design as good or bad, which aspects do you consider first?
I first assess the narrative clarity—how well the design tells its story. Next, I evaluate the emotional connection it creates with the audience. A good design should evoke the intended emotions and draw viewers into its world. Finally, I look at the visual execution, ensuring it enhances the narrative and provides a cohesive experience.
From your point of view, what are the responsibilities of a designer for society and environment?
Designers are storytellers with the power to influence and inspire change. We have a responsibility to create narratives that promote sustainability, inclusivity, and social awareness. By addressing environmental and societal issues through our designs, we can raise awareness and drive meaningful conversations, contributing to a better world.
How do you think the "design field" is evolving? What is the future of design?
Understood. Let's frame your answers to show your expertise as a storyteller and narrative visualizer while addressing the general design industry. 12. What makes a design successful? A design is successful when it effectively tells a compelling story and resonates emotionally with its audience. It should communicate its narrative clearly and leave a lasting impact, making viewers reflect and connect. A successful design blends narrative clarity, emotional engagement, and visual harmony, ensuring that each element supports the overarching story. 13. When judging a design as good or bad, which aspects do you consider first? I first assess the narrative clarity—how well the design tells its story. Next, I evaluate the emotional connection it creates with the audience. A good design should evoke the intended emotions and draw viewers into its world. Finally, I look at the visual execution, ensuring it enhances the narrative and provides a cohesive experience. 14. From your point of view, what are the responsibilities of a designer for society and environment? Designers are storytellers with the power to influence and inspire change. We have a responsibility to create narratives that promote sustainability, inclusivity, and social awareness. By addressing environmental and societal issues through our designs, we can raise awareness and drive meaningful conversations, contributing to a better world. 15. How do you think the "design field" is evolving? What is the future of design? The design field is evolving towards more immersive and interactive storytelling experiences. With advancements in technology like VR and AR, designers can create multi-dimensional narratives that offer deeper engagement. The future of design lies in integrating these technologies to craft experiences that are visually stunning and emotionally impactful.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My last film showcase was in 2023 at the United states tour, showcasing animated films to child and families. Seeing the audience engage with the narratives was incredibly rewarding. I am planning my next exhibition for late 2024, focusing on blending traditional storytelling with cutting-edge digital technology for more immersive experiences.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My design inspiration comes from a blend of external experiences and introspective exploration. I seek out new experiences to broaden my perspective, but I also look inward, catching feelings and emotions that I’m eager to tell. These emotions often resonate with people from different cultures. Additionally, I draw inspiration from films, art, literature, and everyday interactions, constantly observing and reflecting on how stories can be visually communicated.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
My design style is narrative-driven and emotionally resonant, focusing on visual storytelling. I was drawn to this style through my passion for films and stories that explore deep human emotions, like "Frozen" and "Spirited Away." The main characteristics of my style include intricate details, dynamic compositions, and immersive experiences. My approach involves thorough research, iteration, and collaboration to ensure that every element supports the narrative and enhances the viewer's emotional connection.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in China, a country rich in cultural heritage and history. This cultural backdrop profoundly influences my designs, providing a wealth of stories, symbolism, and artistic traditions to draw from. The pros include a deep well of inspiration and unique perspectives that make my work stand out globally. However, the cons involve navigating varying expectations and balancing traditional elements with modern design trends to appeal to a broader audience.
How do you work with companies?
I work closely with companies to understand their vision, goals, and target audience. This involves regular communication, presenting initial concepts, and iterating based on feedback. Collaboration is key, as it ensures that the final design aligns with the company's objectives and resonates with their audience. I strive to maintain a balance between creative innovation and meeting the client's practical needs.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
Companies should look for designers who have a strong portfolio that demonstrates both creativity and the ability to meet project goals. Effective communication and a collaborative spirit are essential. Companies should also provide clear project briefs and be open to the designer's insights and suggestions. Selecting a designer who shows adaptability and a keen understanding of the company's vision and target audience will lead to successful collaborations.
Can you talk a little about your design process?
My design process begins with understanding the narrative and the emotional journey we want the audience to experience. I immerse myself in the story, identifying key moments and themes that need to be visually highlighted. I start by brainstorming and sketching rough thumbnails to capture the essence of each scene. This step is crucial for experimenting with different compositions, camera angles, and character poses. Once the initial concepts are approved, I develop detailed storyboards, focusing on pacing, continuity, and visual storytelling techniques. I ensure each frame effectively conveys the intended emotion and advances the narrative. Collaboration is a key component of my process. I regularly engage with directors, writers, and other team members to refine the storyboards and incorporate feedback. This iterative approach helps in aligning the visual direction with the overall vision of the project. In the later stages, I might create animatics to visualize the timing and movement within scenes, providing a clearer picture of the final product. Throughout the process, my goal is to ensure that every visual element supports and enhances the storytelling, creating an immersive and emotionally resonant experience for the audience.
What are 5 of your favorite design items at home?
My sketchbooks, filled with ideas and concepts. A custom-designed ergonomic chair that supports long hours of creative work. A high-quality graphics tablet for digital illustrations. A collection of art books from various artists and designers for inspiration. A meticulously organized workspace that promotes creativity and efficiency.
Can you describe a day in your life?
My day starts with a light jog in the park, setting a positive tone. Mornings are spent sketching storyboards and collaborating with directors. A midday frisbee break sparks creativity. Afternoons involve refining storyboards and animatics, followed by team meetings to share ideas. Evenings are reserved for personal projects and relaxation, often with an inspiring film or sketching future ideas. This balanced routine keeps me energized and creatively fulfilled.
Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
Embrace curiosity and never stop learning. Focus on storytelling and emotional resonance in your work. Seek feedback from peers and mentors, and don't be afraid to iterate and refine your ideas. Balancing technical skills with creative vision is key to success.
From your perspective, what would you say are some positives and negatives of being a designer?
Positives: Creativity and innovation, the joy of seeing ideas come to life, and the ability to impact audiences emotionally. Negatives: Tight deadlines, creative blocks, and the challenge of balancing client expectations with artistic vision.
What is your "golden rule" in design?
Always prioritize storytelling and emotional connection. A design should resonate with the audience on a deeper level, beyond just aesthetics.
What skills are most important for a designer?
Strong storytelling, technical proficiency in design software, an eye for detail, and the ability to collaborate effectively with a team.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
My toolbox includes Adobe Photoshop, Illustrator, Storyboard Pro, and Wacom Cintiq. Books on storytelling and cinematography, and films like "The Greatest Showman" for inspiration.
Designing can sometimes be a really time consuming task, how do you manage your time?
I prioritize tasks, set clear deadlines, and take regular breaks to maintain creativity and productivity. Balancing work with light activities like jogging helps keep my mind fresh.
How long does it take to design an object from beginning to end?
The timeline varies based on complexity, but a typical storyboard sequence can take from a few days to a couple of weeks, depending on revisions and feedback cycles.
What is the most frequently asked question to you, as a designer?
"Where do you get your inspiration from?" I often share that my inspiration comes from both personal experiences and exploring new environments, as well as from films and stories that resonate emotionally.
What was your most important job experience?
My most important job experience was creating the visual development and storyboarding for a major Warner Bros 3D animated feature. This role honed my skills in narrative visualization and collaboration with a high-profile team.
Who are some of your clients?
My clients include major studios such as Warner Bros., Aniplex, and ByteDance, and also a lot of culture groups and studios. Collaborating with these industry leaders has refined my storytelling and design skills.
What type of design work do you enjoy the most and why?
I enjoy creating storyboards and visual narratives that evoke strong emotional responses. Crafting stories that connect with audiences on a deep level is incredibly fulfilling.
What are your future plans? What is next for you?
I aim to continue pushing the boundaries of visual storytelling, exploring new technologies like VR and AR. My goal is to tell compelling stories that resonate globally and drive innovation in the industry.
Do you work as a team, or do you develop your designs yourself?
I thrive in collaborative environments, working closely with directors, producers, and other artists. However, I also enjoy developing initial concepts independently to bring a unique vision to the team.
Do you have any works-in-progress being designed that you would like to talk about?
I am currently working on a new VR narrative project that explores human emotions and societal themes. This project aims to create an immersive experience that engages and challenges the audience.
How can people contact you?
People can contact me via email at: zhike_yang@126.com or through my professional website, www.kekyang.com.
Any other things you would like to cover that have not been covered in these questions?
I am passionate about mentoring emerging artists and designers, sharing my knowledge and experiences to help them navigate the industry. Fostering new talent is crucial for the future of storytelling and design.

Designer of the Day Interview with Zhike Yang

Could you please tell us about your experience as a designer, artist, architect or creator?
I have over 7 years of experience in the industry, specializing as a storyboard artist and narrative visualizer. I founded Boxon Media in 2018, which has since developed compelling narratives for a variety of platforms, including feature films and VR movies. My work has involved collaborating with prominent companies like Warner Bros., Aniplex, and ByteDance. I hold a robust educational background with a degree from the School of Visual Arts, and my self-taught skills have been refined through feedback from industry professionals. My portfolio includes award-winning projects that showcase my ability to create emotionally resonant and visually stunning stories.
How did you become a designer?
I became a designer driven by my passion for storytelling and visual narrative. Growing up, films like "Frozen" and "Spirited Away" deeply inspired me, awakening a desire to create compelling visual stories. My journey began with self-taught storyboard skills, refined through invaluable feedback from industry professionals. Working with prominent companies like Warner Bros. and ByteDance, I honed my craft. It was an internal drive to tell stories that resonate emotionally with audiences that propelled me into this field.
What are your priorities, technique and style when designing?
My top three priorities when designing are emotional resonance, narrative coherence, and visual impact. I focus on creating designs that evoke strong emotions and tell compelling stories. My approach integrates both traditional sketching and digital tools like Photoshop and Storyboard Pro. I often start with hand-drawn sketches to capture the initial idea, then refine them digitally. My style is characterized by dynamic compositions and a deep understanding of character emotions and story pacing.
Which emotions do you feel when designing?
Designing fills me with a mix of excitement and fulfillment. The initial idea phase is thrilling as I explore new concepts and possibilities. Throughout the process, there's a sense of joy in bringing ideas to life and solving creative challenges. The most rewarding moment is seeing the final design resonate with the audience, knowing it has made an emotional impact. Designing is a journey that continuously fuels my passion and happiness.
What particular aspects of your background shaped you as a designer?
My background in visual communication and storytelling has significantly shaped my design approach. Skills like empathy, communication, and collaboration are essential. Working with diverse teams and receiving mentorship from industry leaders have been invaluable. The ability to understand and convey emotions through visual narratives is a key aspect of my work. My journey has been influenced by a desire to create meaningful and impactful stories that connect with people on a deeper level.
What is your growth path? What are your future plans? What is your dream design project?
My growth path involves expanding Boxon Media's reach and impact in the narrative design field. I aim to push the boundaries of storytelling in new media like VR and interactive experiences. My dream project is to create a feature film that combines traditional storytelling with cutting-edge technology, exploring complex human emotions and societal themes. I aspire to be remembered as a designer who brought innovative and emotionally resonant stories to life.
What are your advices to designers who are at the beginning of their career?
To young designers, I advise embracing continuous learning and seeking feedback. Don't be afraid of failure; it's a part of the creative process. Surround yourself with mentors and peers who inspire and challenge you. Focus on developing a strong foundation in both traditional and digital skills. Stay curious and open to new experiences. The best advice I received was to stay true to your vision but remain adaptable to change.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
For fellow designers, I suggest focusing on society's pain points and emotional connection. Understand your audience and create designs that resonate on a personal level. Stay updated with industry trends and technology but don't rely solely on them. Maintain a balance between creative vision and practical execution. Avoid common pitfalls like overcomplicating designs or ignoring feedback. Success comes from a combination of passion, persistence, and the ability to adapt and evolve.
What is your day to day look like?
My typical day starts with a review of ongoing projects and a quick scan of industry news to stay updated with the latest trends. I begin my business morning by sketching new ideas or refining storyboards. Meetings with the team to discuss project progress and creative direction are a staple. Little moments of joy come from seeing a concept evolve and receiving positive feedback. I also find happiness in spontaneous brainstorming sessions and the occasional creative breakthrough during routine tasks.
How do you keep up with latest design trends? To what extent do design trends matter?
I believe in the timeless nature of design trends. Once we understand the fundamental emotions and needs of our audience, we can create trends rather than follow them. I stay updated with industry publications, webinars, and professional networks, but I also trust in my personal design style to lead the way. My inspiration comes from blending classic principles with contemporary insights, ensuring my designs are both relevant and innovative.
How do you know if a product or project is well designed? How do you define good design?
A well-designed product or project resonates emotionally with the audience, fulfills its intended function seamlessly, and stands the test of time. Good design, to me, is intuitive, engaging, and meaningful. It avoids unnecessary complexity while delivering a powerful narrative. A design is good if it effectively communicates its story and purpose, creating a lasting impact.
How do you decide if your design is ready?
I know a design is ready when it evokes the intended emotions and effectively communicates the story without any unresolved elements. While there's always room for improvement, a design reaches a point where additional changes may not add significant value. I decide to move on when the design aligns with the project's goals and client expectations, and after receiving constructive feedback from peers.
What is your biggest design work?
One of my most significant projects is the animated film "RenaiDance." This project was particularly challenging and rewarding, blending cutting-edge technology with traditional culture background. The film explores deep emotional themes and was recognized internationally, including a nomination for the 2021 Oscar Student Academy Award. Its success lies in the meticulous attention to narrative and visual details.
Who is your favourite designer?
I admire Hayao Miyazaki for his unparalleled storytelling and visual artistry. His ability to create immersive worlds with rich narratives and emotional depth is inspiring. If given the chance, I would love to converse with him about his creative process and vision.
Would you tell us a bit about your lifestyle and culture?
My favorite city is Beijing, as it offers a blend of deep ancient culture and a modern, convenient lifestyle. Growing up in Changsha, a city known for its spirit of courage and determination, has significantly shaped my personality and creative drive. This environment fostered my willingness to explore new experiences and challenge myself. Music also plays a vital role in my creative process, often inspiring the emotional depth and narrative elements in my work. My cultural background deeply influences my storytelling, allowing me to infuse my designs with rich, meaningful context.
Would you tell us more about your work culture and business philosophy?
Collaboration and innovation are at the core of my work culture. I value open communication and a supportive environment where ideas can flourish. I work closely with a talented team, ensuring that each member's strengths are utilized effectively. Selecting business partners involves looking for shared values and a commitment to excellence. The biggest challenges include staying ahead of industry trends and continuously pushing creative boundaries.
What are your philanthropic contributions to society as a designer, artist and architect?
As a designer and storyteller, I believe in giving back to the community that has fostered my growth. I provide opportunities for students through training programs that allow them to gain hands-on experience in the industry. This initiative helps budding designers and artists develop their skills and gain practical knowledge, preparing them for future challenges. Additionally, I am actively involved in design events and conferences, where I mentor young talents and share insights, encouraging the next generation of designers to pursue their passions and contribute to the field.
What positive experiences you had when you attend the A’ Design Award?
Participating in the A' Design Award has been a rewarding experience. The guidance provided is detailed and clear, ensuring that participants understand each step of the process. The calling service is timely and responsive, offering support whenever needed. These aspects make the competition experience smooth and beneficial, allowing designers to focus on showcasing their best work. Being a part of such a prestigious award has contributed significantly to my career growth and design skills, offering recognition and opportunities for further advancement.

Extended Interview with Zhike Yang

Could you please tell us about your experience as a designer, artist, architect or creator?
I began my journey in design with a passion for storytelling, inspired by films like "Frozen" and "Spirited Away." I am a self-taught storyboard artist who has been fortunate to receive mentorship and feedback from industry professionals. My educational background includes intensive hands-on training from directors and designers, coupled with practical work experiences that shaped my approach to visual storytelling.
How did you become a designer?
Design allows me to explore the depths of human emotions and narratives. The ability to create stories that resonate with audiences worldwide is my primary motivation. I became a designer to bridge cultural gaps through compelling narratives, and to provide experiences that connect people on a profound emotional level.
What are your priorities, technique and style when designing?
I chose to become a designer after realizing the profound impact of storytelling during my bachelor's degree in visual communication design. Initially focused on design, I discovered the motivational power of narrative, prompting me to shift my focus to narrative visualizing. This transition was driven by a desire to connect deeply with audiences through visual storytelling.
Which emotions do you feel when designing?
I specialize in narrative visualization and storyboarding for films and animations. I aspire to design more immersive storytelling experiences, particularly in animated feature films and virtual reality projects that push the boundaries of conventional storytelling.
What particular aspects of your background shaped you as a designer?
Young designers should cultivate a strong foundation in both technical skills and emotional intelligence. It's essential to be open to feedback, continuously learn from industry veterans, and embrace challenges as opportunities for growth. Building a diverse portfolio and staying true to one's unique vision are crucial steps toward becoming a design legend.
What is your growth path? What are your future plans? What is your dream design project?
A great designer goes beyond aesthetics, creating work that resonates on an emotional level and tells a compelling story. While good designers master their craft, great designers innovate, inspire, and push the boundaries of what is possible, making a lasting impact on their audience.
What are your advices to designers who are at the beginning of their career?
A good design seamlessly integrates form and function, but a truly exceptional design evokes emotions and tells a story. I evaluate designs based on their ability to connect with the audience, the clarity of the narrative, and the innovative use of visual elements to enhance the storytelling experience.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Good design has the power to transform perceptions, evoke emotions, and create memorable experiences. Investing in good design enhances user engagement, fosters brand loyalty, and can drive societal change by addressing core human needs and emotions through thoughtful, impactful visuals.
What is your day to day look like?
Given the time, I would love to create a film full of fantasy, relationship building, communication, and family support. One such idea currently incubating is a project called "Strings," which delves into these themes. This film would be aimed at a global audience, transcending cultural barriers and connecting with people on a deeply emotional level.
How do you keep up with latest design trends? To what extent do design trends matter?
My dream project is to create an animated feature film that combines traditional storytelling with cutting-edge technology, offering an immersive narrative experience that resonates with audiences worldwide. This film would explore complex emotional landscapes and human connections in a visually stunning format.
How do you know if a product or project is well designed? How do you define good design?
My secret ingredient is empathy. Understanding and connecting with the audience on an emotional level allows me to create designs that resonate deeply. Coupled with a relentless pursuit of innovation and a commitment to storytelling, this approach has been central to my success.
How do you decide if your design is ready?
I am inspired by Dean DeBlois, the writer and director of the "How to Train Your Dragon" film series. I once met him at a showcasing event, and his ability to capture emotions and translate them into impactful narratives deeply resonated with me. His work exemplifies the power of storytelling in animation.
What is your biggest design work?
I admire the works of Pixar for their seamless blend of humor, heart, and technical brilliance. Films like "Inside Out" and "Coco" stand out for their innovative storytelling and emotional depth, qualities I strive to incorporate in my own designs.
Who is your favourite designer?
One of my greatest designs is "RenaiDance," an animated short film that garnered international acclaim. Its strength lies in the emotional depth and cultural resonance it achieved, effectively combining visual storytelling with a compelling narrative that touched audiences globally.
Would you tell us a bit about your lifestyle and culture?
To improve, designers should embrace continuous learning and seek diverse experiences. I have always sought feedback, attended workshops, and collaborated with other artists to broaden my perspective. Staying curious and open to new ideas is essential for growth.
Would you tell us more about your work culture and business philosophy?
If I hadn't pursued design, I might have become a wedding photographer. Capturing people's happiest moments and being part of their positive emotions flow would be incredibly fulfilling for me. Guiding people to capture their happiest moments feels like a destiny I could have embraced.
What are your philanthropic contributions to society as a designer, artist and architect?
For me, design is a powerful tool for storytelling. It involves creating visual narratives that connect with people emotionally and intellectually. Design is about solving problems creatively and making a lasting impact through meaningful and engaging experiences.
What positive experiences you had when you attend the A’ Design Award?
My journey has been supported by many mentors and industry professionals who provided invaluable feedback and guidance. My family and close friends have also been unwavering in their support, encouraging me to pursue my passion and push creative boundaries.

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