Mehragin Rahmati

Specialized in Jewelry Design.

Mehragin Rahmati

About Mehragin Rahmati

Mehragin Rahmati`s journey into the world of art began in her early years, where she developed a profound passion for painting and design. At the mere sight of a pencil, her hands would eagerly embark on sketching on any available surface. Throughout her childhood, she dedicated herself to painting classes, embracing the intricacies of classical techniques. As she progresses into adulthood, she pursued higher education in graphic design and clinical psychology at university, later delving into the realm of jewelry design. Artistry has remained a steadfast companion throughout her life, defining her most cherished moments. She could find a bright idea for jewelry design or a painting in anything she saw. Her love for creating is undeniable, as each stroke of her brush or design stroke brings her immense joy. Beyond her creative endeavors, she finds solace in the world of literature, indulging in exploration of art and design through the pages of books, while also nurturing her passion for interior design as a beloved pastime. The art she creates always has a story to tell. She strives to express her sense of beauty through designing a beautiful piece of jewelry, just as sometimes she does by creating a beautiful painting. She believes that a piece of jewelry should be designed in a way that remains beautiful and captivating after many years, embodying the true essence of art, remaining timeless. She created the brand “Mergin”, where all the jewelry pieces are bespoke designed. Mergin jewels are not only beautiful, unique and of high quality, but also each piece of jewelry narrates a story or holds a concept of glamour within itself.

  • Winner of 2 A' Design Awards.
  • Specialized in Jewelry Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Jewelry
Spring Dance  Multifunctional Necklace

Spring Dance Multifunctional Necklace

Jewelry Design

Queen of Lake Multifunctional Ring

Queen of Lake Multifunctional Ring

Jewelry Design


Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Sign-Up

Interview with Mehragin Rahmati

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
Since childhood, painting has been my true passion. My happiness and sorrow found expression through my art, no matter the time or place. I even painted gifts for my friends. My family was my greatest supporter—as a child, I covered every surface in the house with my paintings, yet they never discouraged me. Instead, they saw the talent in me. This passion led me to explore painting through various techniques, from colored pencils to oil paints. For years, I trained under the guidance of a renowned teacher. Later, I pursued graphic design in university, then continued my education in clinical psychology, and later studied jewelry design. While I’ve enjoyed every artistic field, painting has always remained my deepest love. When I paint, draw or design, I lose all sense of time. And through it all, my family has been my unwavering support.
Can you tell us more about your company / design studio?
My brand, Mergin, was founded in Dubai in 2020 and features bespoke jewelry born from unique designs that blend rare, high-quality gemstones with a poetic palette of ethereal colors. Since its inception, my designs have won sixteen international awards. Each piece tells a story, reflecting my belief that jewelry should be timeless, captivating, and a true embodiment of art. Mergin strives to pioneer a new wave of originality in jewelry design, conveying not only aesthetic beauty but also meaningful messages rooted in social, environmental, or psychological themes.
What is "design" for you?
Design is a gift—it mixes art and care. When designers create, they put part of themselves into their work. It’s not just a product—it’s a way of making life more beautiful, and make the world a better place to live in.
What kinds of works do you like designing most?
Considering that I am a jewelry designer, I like to design unique and innovative pieces, holding a meaningful concept inside. While being distinctive creations, I like my design to hold aesthetic and visual beauty. A fine design is timeless and becomes more valuable in the passage of time.
What is your most favorite design, could you please tell more about it?
My favorite design is Spring Dance, which won the Platinum Prize. While I love all my work, this piece is deeply personal. The idea came from a psychological concept and a story I invented, and every detail had to be perfect. I faced setbacks and technical obstacles—but these struggles taught me resilience. I kept pushing until my vision came to life. Spring Dance taught me that perseverance pays off. What makes Spring Dance special isn’t just its beauty—it’s how versatile it is. I didn’t want it to be a masterpiece hidden away for special events. Instead, I aimed for something unique, wearable, and practical for everyday life. That’s why I designed it to transform into six different styles, defying traditional jewelry norms
What is your favorite material / platform / technology?
I am deeply drawn to white gold. Among gemstones, my favorites are pearl, Paraiba tourmaline, and opal. I also adore diamonds, and heart-shaped diamonds are my favorite. I am also fascinated by blue titanium. Hand sketching inspires me far more than digital tools—anything involving painting with colors, pencils, and brushes energizes my creativity. As a painter, working with pencils and brushes truly cheers me up. I prefer handmade manufacturing and am skilled in the artistic technique of wax for creating jewelry. Enameling is another favorite of mine, though I approach it unconventionally. I reinvent it in a modern, fresh style, which I find utterly delightful.
When do you feel the most creative?
Whether I'm reading a new story, discovering a psychological idea, spending time in nature, or admiring a unique gemstone - each experience fuels my creativity.
Which aspects of a design do you focus more during designing?
When designing, I consider many aspects—aesthetics, color harmony, hidden stories, and fine details. I pay attention to every angle of my jewelry because I want it to look perfect from every perspective. I design with timelessness in mind, ensuring my jewelry becomes only more valuable with time.
What kind of emotions do you feel when you design?
When I design, pure joy fills me. From the very first moment, I can see the finished piece in my mind. Design always brings me happiness - playing with colors and shapes is my deepest passion. But when a meaningful message or captivating story can shine through my creation, that's when the process becomes truly special.
What kind of emotions do you feel when your designs are realized?
When my designs are realized, I feel truly happy. It’s not just about creating something beautiful—it’s also about sharing the story behind it. Explaining the inspiration and process that shaped each piece adds deeper meaning to my work.
What makes a design successful?
A great design starts with a fresh idea and strong execution. For it to work well, it needs careful planning and research related to the production techniques and methods, as well as material quality. Designer must consider the process of production while working on the design, so the design does not face practical problems during the manufacturing.
When judging a design as good or bad, which aspects do you consider first?
The most important thing to me is the uniqueness of the design. I don’t approve of any kind of imitation. A design should be based on an idea or concept—that’s essential. Aesthetics matter just as much, though that doesn’t necessarily mean the design has to look complex. I also care deeply about color harmony and high quality of the material. And above all, I want the final piece to be comfortable to wear.
From your point of view, what are the responsibilities of a designer for society and environment?
A designer can reflect social issues through their work, which makes them responsible to society. They might even help solve these issues through their creative expression. For instance, in one of my collections, I aimed to raise awareness about environmental conservation.
How do you think the "design field" is evolving? What is the future of design?
AI will undoubtedly transform design and completely change the game. I hope designers use AI solely as a tool to enhance their workflow, not as a replacement for creativity. Art’s beautiful soul risks being eroded by technology and artificial intelligence if we fail to preserve our mindful approach. AI cannot pour genuine meaning into design; ideas born from the human soul carry a depth and resonance that AI-generated work simply cannot replicate.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My last exhibition was held in Paris, France, at the Precious Room. Most likely, the upcoming exhibition will be at the A’ Design Gala Night in Milan.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
A single gemstone’s glow, the way light moves through an ancient monument, nature’s endless palette—these are where my designs begin. To create true art, a designer must understand color’s language—how hues and forms converse and how they dance together.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
I create jewelry that’s both practical and meaningful. Having a concept is essential for me, while designing a multifunctional structure is my signature to achieve practical features of the design. Every piece is made to be looked at from every angle, so I carefully check every detail. I use unique gemstones—rare and full of personality—to make each design stand out. My aim is to apply traces of modern design to my classically designed pieces.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I am from Iran, a country that is very rich in cultural heritage with breath-taking monuments and natural landscapes. Its artistic background and rich literature provides me with a wide range of ideas to create new designs. If looked closely, the footprint of my homeland culture is obvious, and in the future it will be seen too. I currently live in Dubai, a cosmopolitan which is one of the most progressed places in the world with its unique beauty and charm . That allows me to have the opportunity of meeting and knowing different cultures and that would influence my design too.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
They may review their work experience, background, and portfolio to evaluate their design capabilities. It’s not just about the design itself—the final outcome must also be examined to assess the manufacturing process.
Can you talk a little about your design process?
Inspiration strikes anywhere - a beautiful stone, a powerful story, a psychological concept, an ancient monument, a painting’s colors, or a moment in nature. These all can spark a jewelry design. The instant the idea comes, I see the complete piece in my mind: the setting, shapes, and gemstones perfectly assembled. From that first flash of inspiration, every detail is already alive in my imagination. The design is mainly done using classic hand-drawn methods, and sometimes, it is done with Procreate software. Then, depending on the design, I decide whether it should be hand-made or a 3D version. Finally, it moves into the manufacturing stages
Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
They must start by mastering classic design fundamentals. To stay relevant and updated, they should immerse themselves in workshops and the continuous learning of new skills. Studying and analyzing grandmasters’ masterpieces becomes essential. This should be done while staying aware that they need to avoid imitating ideas and designs. Above all, they must embrace that relentless effort drives success—moments of despair are always temporary.
What is your "golden rule" in design?
My golden rule is this: study, learn, practice, and never give up in the face of difficulty.
What skills are most important for a designer?
To master classic design fundamentals—especially in jewelry design—learning composition, perspective, color harmony, and mastering the color palette is vital.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
My toolbox consists of colored pencils, gouache, oil paints, a black pencil for drawing, and my iPad. I am deeply passionate about working with a brush and pencils, and nothing can improve my spirit more than combining the colors and creating forms with my hands.
Designing can sometimes be a really time consuming task, how do you manage your time?
Design is a time-consuming process, but I enjoy every second of it, and I don’t feel the passing of time while I’m busy designing. I wake up very early in the morning, and my day is fully planned the day before so I can follow my schedule in the best possible way. I set priorities to ensure I have enough time for the most important tasks. If any extra time is left, I use it to fulfill other tasks during the day.
How long does it take to design an object from beginning to end?
It all depends on the design itself. Designing a single ring is very different from designing a complete set of jewelry. It also depends on the design tool; classic design is very different from using software. So, there is no exact answer to this question in the field of jewelry design.
What is the most frequently asked question to you, as a designer?
I am mainly asked about the inspiring idea or the design background. I am also asked for information about the gemstones I use in my jewelry, because I usually adorn my pieces with unique, distinct gemstones.
What was your most important job experience?
As a jewelry designer, being involved in the manufacturing process helps me improve my design workflow. Design is not only about creating the initial version but also about being actively involved in the production stage, which is vital. One of my most wonderful design experiences emerged during my work on Spring Dance, a piece awarded the Platinum Prize. It is distinct in both design and manufacturing, and the process provided me with invaluable experience.
What type of design work do you enjoy the most and why?
Those designs that emerge fully from my own thoughts, carry a profound idea or story. Sometimes, a design begins with a unique stone that captivates me with its extraordinary beauty, and the work is based entirely on the gemstone itself. I am always filled with joy to see the result of my passion as a jewelry designer.
What are your future plans? What is next for you?
I want to create a series of designs inspired by my Persian heritage – but with my own fresh style. Many designers use our culture’s history and monuments, but I want to show it in a new way that’s truly mine. I also plan to make another series based on psychological ideas. Both will have my unique artistic vision – connecting culture and emotions through jewelry design.
How can people contact you?
They can reach me via email or WhatsApp, which are available on my Instagram page (mergin_co).
Any other things you would like to cover that have not been covered in these questions?
When choosing jewelry, seek pieces that carry meaning as richly as they carry gemstones. The true value lies not in materials alone, but in designs that grow more beautiful with time. My creations are born from this belief: every form and each stone should whisper a story. Finally, I would like to thank the A' Design Award and the jury for awarding me the Platinum and Silver Prizes. I am deeply grateful and hope to contribute more. Being selected as a winner for two of my designs is profoundly meaningful to me.

Extended Interview with Mehragin Rahmati

Could you please tell us about your experience as a designer, artist, architect or creator?
Since childhood, painting has been my true passion. My happiness and sorrow found expression through my art, no matter the time or place. I even painted gifts for my friends. My mother was my greatest supporter—as a child, I covered every surface in the house with my paintings, yet she never discouraged me. Instead, she saw the talent in me. This passion led me to explore painting through various mediums, from colored pencils to oil paints. Later, I pursued graphic design in university, then continued my education in clinical psychology, and later studied jewelry design. While I’ve enjoyed every artistic field, painting and drawing have always remained my deepest love. When I draw, I lose all sense of time. And through it all, my family has been my unwavering support.
How did you become a designer?
I became a designer because art, painting, drawing, and design have always been inseparable from my life. My family supported me on this path, and everyone respected my choice. I’ve carried a deep love for what I do, and my family encouraged me to stay true to who I am.
What are your priorities, technique and style when designing?
Art has been my true calling since childhood. My family always stood by me in pursuing my passions, and no one ever pressured me to become a designer. Looking back, I realize nothing else could have fulfilled me like painting, drawing, and design. This goes beyond profession—art is woven into my very being. I find art in everything: in what I see, what I read, even in moments spent in nature where new designs take shape in my mind. This has been my constant companion throughout life.
Which emotions do you feel when designing?
I design based on social and psychological concepts. I value aesthetics while prioritizing meaningful ideas. The timelessness of my work has always been my true commitment. In the future, I plan to stay innovative and avoid repetition. My priority is to convey new messages and experiment with materials to create novel pieces.
What particular aspects of your background shaped you as a designer?
Young designers should learn the basics of design first. I believe in classic education in the design process to gain proper knowledge of color palettes, composition, and other fundamental rules. After understanding these foundations, they can begin to choose their own style. Some designers try to innovate without paying attention to basic design principles. This will set them back in the future. Young designers must fight the fear of failure and keep updating their skills with modern technology. They also need to study artwork by established artists carefully to learn from them. However, avoiding imitation is equally crucial - this is the only path to developing an original style. They should believe in themselves and cultivate their own creative voice rather than copying others' work. True design comes from understanding the rules, then making them your own.
What is your growth path? What are your future plans? What is your dream design project?
A good designer is someone who spends much time and works hard, but a great designer is one who has endured much and walked a long path. A great designer studies deeply what they wish to create and never turns away from the fear of failure. For creating great design, there are no shortcuts. The road is hard and long - but worthy and glorious.
What are your advices to designers who are at the beginning of their career?
When I see good design, I first appreciate the idea behind it. Aesthetics matter deeply to me. Some designers chase complexity, but true artistry blossoms when beauty is honored. Innovation alone isn't enough - what's new must also be beautiful. Great design comes from originality that rejects imitation, creating work that's both innovative and visually sublime.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
The true value of a design cannot be measured materially. Each creation carries part of the designer's soul - their heart and feelings poured into form. Behind every unique design lies a world of experience; designers endure much to bring their visions to life. When you encounter an extraordinary, distinct design, know this: its creator has struggled for years through learning, failures, and hard-won experience to reach this point. A remarkable design is never just an object - it is the culmination of a devoted artist's lifelong journey. When we invest in a unique design, its true worth transcends material calculation - it carries spiritual significance. Such designs never fade with passing trends; unlike ordinary objects, they grow more precious with time, as we witness in the enduring works of master artists. Time doesn't diminish these creations - it consecrates them.
How do you keep up with latest design trends? To what extent do design trends matter?
My greatest desire is to blend the art of painting with jewelry design. As I’ve shared, painting is my deepest passion—and through my work, I strive to build a bridge between these two beautiful disciplines.
How do you know if a product or project is well designed? How do you define good design?
Perhaps the secret to my success lies in my background in the principles of painting. As someone who has painted for years, I’ve developed an intimate understanding of color palettes, forms, and composition—harmony lives deep in my heart. Jewelry design wasn’t my first path; I studied graphic design and have painted my entire life. But I’ve always stayed curious, relentlessly learning everything related to my craft. When I design, I prioritize artistry over business—the creative vision always comes first. My love for literature also fuels my creativity; I’m a true bookworm, and stories inspire fresh ideas. Another layer comes from psychology—my academic training in the subject helps me weave deeper meaning into my work, connecting art to the human experience.
What is your biggest design work?
I’m drawn to designs that are truly unique—where artistry breathes life into every piece. The best designers, to me, aren’t those who chase trends or overcomplicate to impress. Instead, they honor aesthetics and the quiet soul hidden within their work. They create with purity, rejecting imitation, because their vision carries its own signature. For them, it’s never just about marketing; it’s about art.
Who is your favourite designer?
My Spring Dance, which won the Platinum Award, is one of my proudest creations. I have many other designs that I am fond of, but I faced a lot of challenges in making this necklace. I wanted it to be beautiful, distinctive, and practical at the same time. I had to pay attention to various aspects of design. The concept of designing Spring Dance was based on a psychological idea and a story that was narrated by myself. In the process of crafting this necklace, although I faced many challenges, I learned a lot, too. I got tired on my path, but I didn’t give up until I got to the final result. I learned how perseverance could pay off. Spring Dance is not merely a beautiful jewelry design. To me, it holds countless sweet and bitter memories, with valuable lessons I learned. Spring Dance is versatile jewelry. I wanted more than a glamorous piece for rare occasions; I wanted to create something both unique and wearable, something practical for every occasion. That’s why I designed it to transform into six distinct styles, breaking the boundaries of traditional jewelry. My new collection, Once Upon a Time, is a highly distinctive line crafted from unconventional materials that pushed my skills to new limits. Inspired by old tales, I created a delicate yet glorious set of jewelry, each piece conveying deep and meaningful messages.
Would you tell us a bit about your lifestyle and culture?
If people want to improve to be better designers, they should remain updated and curious. They should keep learning in their own field. Studying the work of successful artists who have been working in the field of design for years would help them learn a lot. Instead of imitating such artworks, they should look at them as a lesson to upgrade. To reach success, an artist should stay fearless and not be afraid of obstacles. Success comes from countless failures. Failures hide valuable lessons that help us recognize our weaknesses and flaws. Knowing such defects helps an artist move forward. Keeping away from frustration is the key to reaching our ultimate goal.
Would you tell us more about your work culture and business philosophy?
If I hadn’t become a designer, I would probably be a professional painter. If not that, I would’ve been a psychologist
What are your philanthropic contributions to society as a designer, artist and architect?
Design matters because designers make the world a more beautiful and convenient place to live in. A jewelry designer doesn’t merely craft precious metals and gemstones; they create symbols of confidence and elegance, infusing each piece with meaning. An industrial designer solves problems, turning friction into ease. Architects and interior designers transform empty spaces into places pulsing with life and purpose. At its core, design is a gift—a fusion of artistry and empathy. With every creation, a designer pours a fragment of their soul into their work, offering it to the world not just as a product, but as a gesture of care. It’s the quiet magic of making life not just functional, but beautiful.
What positive experiences you had when you attend the A’ Design Award?
Art has always cherished by my family, and their support has shaped my creative journey. From my earliest days clutching a paintbrush to my first steps in jewelry design, my parents stood firmly behind me—seeking out the finest teachers, believing in my potential even before I could see it myself. And when I began this path, my sister became my brightest champion, whispering words that still echo in my work: 'You will be among the greatest.' Her faith, like my parents', taught me to trust my vision even when doubt crept in. This is more than encouragement—it's the foundation that lets me create fearlessly.

Stay Updated with Latest Design News

By clicking Sign-Up, you are opting to receive promotional emails from A' Design Awards, World Design Rankings, World Design Consortium and Designers.Org You can update your preferences or unsubscribe any time.

You are now at the right step

Join Designers.org & Start Promoting Your Design Worldwide.

Create an Account