Mai Wahdan

Specialized in Furniture Design.

Mai Wahdan

About Mai Wahdan

Mai Wahdan is the founder and interior design director of Luxentti Design House, a multidisciplinary studio specializing in architecture, interior design, landscaping, and custom furniture. Her practice explores the relationship between natural materials, spatial experience, and cultural identity, often incorporating biophilic principles to strengthen the connection between people and place. Through residential, commercial, and product design, she leads projects rooted in material exploration and contextual awareness. In addition to her design work, she participates in sustainability-focused initiatives and advocates for design as a tool for human connection and purposeful living.

  • Winner of the A' Design Award.
  • Specialized in Furniture Design.
  • Original Design.
  • Creative, Diligent and Innovative.
  • All Designs
  • Furniture
Tura Table

Tura Table

Furniture Design

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Interview with Mai Wahdan

Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
I’ve always been drawn to spaces, materials, and how they make people feel. I studied architecture in 2008, but my true passion has always been interior and furniture design. It’s my way of telling stories — using natural elements to create spaces and objects that connect emotionally and reflect a deeper purpose.
Can you tell us more about your company / design studio?
Luxentti is a multidisciplinary design studio with a strong presence in the Gulf region. We specialize in architecture, interiors, landscaping, and furniture design. Our international team brings diverse perspectives, and we focus on natural materials, timeless elegance, and emotionally grounded spaces.
What is "design" for you?
Design, to me, is how we shape the way people live, feel, and connect. It’s not just about beauty — it’s about creating purpose, emotion, and a sense of belonging through every detail.
What kinds of works do you like designing most?
I’m most drawn to designing spaces and furniture that feel timeless, natural, and emotionally resonant. I love working with raw materials like stone, wood, and metal — pieces that tell a story and connect deeply with the people using them. Whether it’s a serene villa or a sculptural console, I enjoy creating designs that balance function with quiet beauty.
What is your most favorite design, could you please tell more about it?
One of my favorite designs is the Tura Table, inspired by the strength of the pyramids and the beauty of Tura stone. I used fiberglass to replicate the texture while keeping it light and practical. I designed it with love, never expecting it would win the Golden Award — that made it even more special.It blends history with modern living.The contrast between rugged texture and sleek glass creates a bold statement.It’s a piece that reflects both my roots and my design philosophy.
What was the first thing you designed for a company?
The first thing I designed for a company was a small apartment. It was a full interior project that allowed me to explore space optimization, material selection, and layout flow—all within a limited footprint. It taught me how to make every detail count, no matter the scale.
What is your favorite material / platform / technology?
Material: Stone — timeless, grounding, and full of character. It adds depth and honesty to my work. Platform: Instagram — a space to share stories, connect with a wider audience, and showcase the soul behind each design. Technology: Modeling technology — it helps bring complex forms to life while balancing beauty and function.
When do you feel the most creative?
I feel most creative when I’m surrounded by nature or traveling to new places. The change of scenery, textures, and cultures always spark fresh ideas. Silence, space, and raw materials also help me tune in and create with intention.
Which aspects of a design do you focus more during designing?
I focus most on materials, proportion, and emotional impact. I want every piece to feel balanced, natural, and meaningful — not just visually appealing, but also emotionally resonant and functional in real life.
What kind of emotions do you feel when you design?
When I design, I feel calm, connected, and inspired. There’s a quiet joy in shaping something from nothing — especially when it feels honest and purposeful. It’s a mix of focus and emotion, where intuition leads and every detail has meaning.
What kind of emotions do you feel when your designs are realized?
When my designs are realized, I feel a deep sense of fulfillment. It’s emotional to see an idea take physical form and become part of someone’s life. There’s pride, gratitude, and often surprise — especially when others connect with the piece in their own personal way.
What makes a design successful?
A successful design balances beauty, function, and emotion. It feels natural in its environment, serves its purpose well, and resonates with people on a deeper level. When it tells a story and leaves a lasting impression — that’s success to me.
When judging a design as good or bad, which aspects do you consider first?
I first look at the balance between form and function. A good design should serve its purpose effortlessly while expressing a clear aesthetic language. Material choice, proportion, and emotional impact also play a key role in how I judge its success.
From your point of view, what are the responsibilities of a designer for society and environment?
A designer has a responsibility to create with intention — to design spaces and objects that improve lives, respect the environment, and reflect cultural values. We shape how people live and interact with the world, so our work should be sustainable, inclusive, and meaningful.
How do you think the "design field" is evolving? What is the future of design?
Design is evolving toward deeper purpose — it’s no longer just about aesthetics. There’s a growing focus on sustainability, emotional wellbeing, and cultural relevance. The future of design lies in creating experiences that are human-centered, environmentally conscious, and driven by meaningful innovation.
When was your last exhibition and where was it? And when do you want to hold your next exhibition?
My last exhibition will be at the MOODs exhibition of the A’ Design Award, where I’ll be showcasing my work. I aim to participate in any exhibition related to the A’ Design Award, and I’m planning to present my designs at Milan Design Week next year.
Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
My inspiration comes from nature, history, and the places I travel. I’m drawn to textures, materials, and quiet details that tell a story. I feed my creativity by observing the world around me — from ancient architecture to everyday moments — and by staying curious. I also find inspiration in cultural heritage and raw materials like stone, wood, and metal. They ground my work and connect me to something timeless.
How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
My design style is earthy, luxurious, and emotionally grounded. I’m drawn to natural materials, clean forms, and spaces that feel both refined and rooted. What led me to this style is a deep appreciation for nature, cultural identity, and timeless craftsmanship.The main characteristics of my work are raw textures, balanced proportions, and thoughtful material choices. My approach is always human-centered — I design with feeling, intention, and a strong connection to place.
Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
I live in Egypt, a country rich in history, craftsmanship, and cultural layers. That heritage deeply influences my work — from the use of natural materials like stone to the symbolic storytelling embedded in each design. The richness of local culture is a constant source of inspiration, but it also comes with challenges like limited access to certain modern materials or technologies. Still, these limitations often push me to be more creative and resourceful, blending tradition with innovation in meaningful ways.
How do you work with companies?
We usually start with an initial consultation to understand the company’s vision, target audience, and spatial needs. From there, we develop a tailored design strategy—whether it’s for a space, a product, or a full identity. Collaboration is key: we work closely with the client’s team through regular presentations and feedback loops to ensure alignment at every stage, from concept development to execution.
What are your suggestions to companies for working with a designer? How can companies select a good designer?
Companies should treat designers as creative partners by clearly communicating their goals while allowing room for creativity. Trust, respect, and involving designers early in the process lead to the best outcomes. When selecting a designer, look beyond the portfolio. Choose someone whose style aligns with your vision, who demonstrates strategic thinking, strong communication skills, and a genuine passion for their craft.
Can you talk a little about your design process?
My design process starts with deep research and understanding of the client’s vision, needs, and lifestyle. I then move to concept development, where creativity meets strategy to form a clear direction. Through mood boards, sketches, and 3D visualization, I refine the design, ensuring every detail balances aesthetics, function, and emotion. Collaboration with the client throughout the journey is key to achieving a truly personalized result.
What are 5 of your favorite design items at home?
1.A custom-designed stone coffee table — designed by myself, reflecting raw beauty and personal expression. 2.A vintage leather armchair — timeless and full of character. 3.Large floor candles placed along the staircase — adding warmth and a soft, inviting glow. 4.Frames showcasing traditional Egyptian Bedouin accessories — bringing culture and authenticity to the space. 5.A large, uniquely designed mirror — a bold and artistic focal point.
Can you describe a day in your life?
My day begins quietly in my dressing room, with a warm cup of coffee that gives me a moment to breathe and reflect. I check on my kids, sharing small moments before the day gets busy, and have breakfast with my husband — a simple routine that grounds me. Then, I move into my creative space, where I sketch, explore ideas, and lose myself in the details that turn passion into design.
Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
Be patient with yourself. Mastery takes time, don’t rush it. •Stay curious. Inspiration is everywhere — not just in design books. •Design with feeling. Let your work carry meaning, not just aesthetics. •Stay humble, but protect your vision. Listen, learn, but don’t lose yourself. •Keep building. Every project, every sketch, even the mistakes — they all shape your journey.
From your perspective, what would you say are some positives and negatives of being a designer?
Being a designer is a beautiful journey where you get to shape spaces, emotions, and experiences. It offers endless creativity, continuous growth, and the deep satisfaction of turning ideas into something meaningful. But at the same time, it can be emotionally demanding — balancing your vision with client expectations isn’t always easy. There’s a constant pressure to innovate, and sometimes the path feels lonely when few can truly understand the passion behind every detail.
What is your "golden rule" in design?
Always design with purpose—every line, material, and detail should serve the story and function of the space.
What skills are most important for a designer?
A balance of creativity, emotional intelligence, attention to detail, and the ability to communicate ideas clearly—visually and verbally.
Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
My toolbox includes software like AutoCAD, SketchUp, and V-Ray for visualization, alongside physical material samples, sketchpads, design books, and an archive of references inspired by nature, history, and travel.
Designing can sometimes be a really time consuming task, how do you manage your time?
I break down each project into clear phases, set realistic timelines, and rely on a well-structured team workflow to stay on track without compromising quality.
How long does it take to design an object from beginning to end?
It depends on the complexity, but a furniture piece usually takes between 4 to 8 weeks from concept to prototype.
What is the most frequently asked question to you, as a designer?
“Where did the inspiration come from?”—and the answer is almost always rooted in raw materials and natural elements.
What was your most important job experience?
Transitioning from the educational field into design and founding Luxentti—a turning point that aligned my passion with my profession.
Who are some of your clients?
Private homeowners across the Gulf, boutique hospitality projects, and individuals seeking tailored, high-end interiors and custom furniture.
What type of design work do you enjoy the most and why?
I enjoy creating statement furniture pieces—they’re sculptural, expressive, and allow me to experiment with materials and forms on an intimate scale.
What are your future plans? What is next for you?
I’m launching a curated product line under Luxentti and expanding our design presence in the Gulf region with a focus on emotionally rich, nature-inspired interiors.
Do you work as a team, or do you develop your designs yourself?
I lead the creative vision but collaborate with a talented team of designers, architects, and craftsmen to bring each project to life.
Do you have any works-in-progress being designed that you would like to talk about?
Yes, we’re currently developing a new collection of console tables that combine stone, brass, and glass—each one inspired by natural formations and historical architecture.
How can people contact you?
Through our website luxentti.com, directly via Instagram @luxentti, or by email at mai.ahmedwahdan@gmail.com.
Any other things you would like to cover that have not been covered in these questions?
Just a note on values—my designs always aim to connect emotionally with the user, bringing harmony between luxury, nature, and timeless craftsmanship.

Designer of the Day Interview with Mai Wahdan

Could you please tell us about your experience as a designer, artist, architect or creator?
Since I started my journey in design, I’ve worked on multiple projects ranging from interior architecture to furniture. I’ve led various projects that reflect a deep appreciation for materiality, culture, and form. Over the years, I’ve collaborated with diverse clients across the Gulf region, particularly in Oman and Saudi Arabia. I transitioned from a high-level role in education to pursue my true passion—design—which I studied academically and practiced professionally through my design house, Luxentti. My work has been internationally recognized, including winning the Golden A’ Design Award for the Tura Table in 2025.
How did you become a designer?
Design has always been at the core of who I am. I studied architecture academically, which gave me a strong foundation in spatial thinking, material understanding, and conceptual development. Although I initially pursued a successful career in education, I felt a strong internal pull back to design—the field I originally studied and loved. This wasn’t a sudden decision but a return to my roots. My transition was driven by a passion to create meaningful, soulful spaces and objects that blend natural materials, cultural depth, and modern craftsmanship. My husband, who is also an architect, has been a major source of support and inspiration throughout this journey.
What are your priorities, technique and style when designing?
My top priorities in design are: (1) emotional connection—each space or piece should evoke feeling; (2) timeless materiality—I emphasize natural elements like wood, stone, and metal; and (3) narrative-driven concepts—every project tells a story. My style blends luxury with nature, often incorporating biophilic elements and earthy tones. I begin with hand sketches and mood boards before moving to digital tools for precise development. Depending on the project, I may also use physical mockups or explore materials through prototyping, especially in furniture design.
Which emotions do you feel when designing?
Designing fills me with a mix of excitement, curiosity, and deep focus. The most thrilling phase is the initial spark—translating an abstract idea into a tangible concept. I also find great joy in the development journey, especially when materials and forms begin to align with the vision. There’s a quiet satisfaction in finalizing a project and seeing it come to life. For me, design is both a personal escape and a professional calling—it gives me purpose, creative freedom, and a continuous sense of fulfillment.
What particular aspects of your background shaped you as a designer?
My academic background in architecture laid a strong foundation for my design thinking—combining structure, creativity, and functionality. Studying architecture trained me to approach each project holistically, balancing form, space, and emotion. Beyond academics, growing up in a culturally rich environment surrounded by art and heritage deeply influenced my sensitivity to aesthetics and storytelling. One of the biggest influences on my work has been the connection between people and their spaces—how thoughtful design can shape experience, evoke emotion, and leave a lasting impression.
What is your growth path? What are your future plans? What is your dream design project?
My growth path is centered around expanding the reach and impact of Luxentti—both creatively and geographically. I aim to design more culturally rooted, globally recognized spaces and products that merge tradition with innovation. I’m particularly excited about showcasing our work in international exhibitions like Milan Design Week. A dream project for me would be to design a boutique cultural retreat or museum that celebrates regional identity through architecture, interior design, and custom furniture. I want to be remembered as a designer who told meaningful stories through material and form.
What are your advices to designers who are at the beginning of their career?
Trust your instincts, but be open to learning from every experience—whether success or challenge. Design is not just about beauty; it’s about intention, context, and clarity. Surround yourself with people who elevate your thinking, and never stop exploring. Don’t rush to find a style—let it emerge naturally through practice. One of the best pieces of advice I’ve received is: “Design with purpose, not trend.” Stay curious, stay humble, and most importantly, stay passionate.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Stay grounded in your values, and let your design philosophy evolve through experience. Always design with intent—each line, material, and decision should serve a purpose. Avoid falling into trends without questioning their relevance. Collaboration is key, but so is protecting your creative integrity. Push boundaries, but respect context. And finally, don’t underestimate the power of storytelling in design—it’s what makes your work resonate.
What is your day to day look like?
My day usually starts with reviewing project updates, sketches, or team discussions. I balance creative work—like conceptual development or design reviews—with strategic planning for Luxentti. Depending on the phase, I might be immersed in material selections, overseeing 3D models, or collaborating with clients. Throughout the day, small things like a good playlist, a spontaneous idea, or a beautiful texture sample often bring me joy. Even on the busiest days, there’s always a moment that reconnects me with why I love what I do.
How do you keep up with latest design trends? To what extent do design trends matter?
I stay aware of design trends, but I don’t let them dictate my work. I believe in creating timeless designs that are rooted in material, culture, and emotion. I follow trends through exhibitions, publications, and global design movements, but I filter them through my own lens. My inspiration comes more from history, architecture, nature, and human experience than from what’s trending at the moment. Trends may inform, but they never define my work.
How do you know if a product or project is well designed? How do you define good design?
Good design is intuitive—it feels right even before you analyze it. For me, it’s defined by clarity, purpose, emotional resonance, and timelessness. A well-designed space or object should connect with its user, respect its context, and age gracefully. I look for coherence in form, material, and function. If something can communicate a story or evoke a feeling without explanation, then it’s a success. On the other hand, overcomplication and unnecessary gestures are common pitfalls I always avoid.
How do you decide if your design is ready?
A design is ready when it balances function, emotion, and intention—when each element feels resolved and aligned with the original vision. I’m a perfectionist by nature, so I tend to refine until there’s nothing left to adjust meaningfully. But I’ve also learned to trust the moment when a design stops asking questions and starts offering answers. While I believe every design can be improved endlessly, knowing when to stop is a crucial skill. Once a design carries clarity and confidence, I know it’s ready to move forward.
What is your biggest design work?
One of my proudest works is the Tura Table, which won the Golden A’ Design Award in 2025. It was inspired by the Tura stone used in the ancient Egyptian pyramids, translated into a modern, lightweight form using fiberglass. The table combines three monumental stone-like bases with a tempered glass top, merging history with innovation. It represents years of research into materials, usability, and aesthetics. Tura Table is more than just furniture—it’s a story carved in contemporary form. I’m also excited about current projects that explore cultural identity through interior and architectural storytelling.
Who is your favourite designer?
I admire many designers, but one who deeply resonates with me is Thomas Heatherwick—his ability to merge architecture, art, and engineering into emotionally engaging forms is truly inspiring. I also find inspiration in the work of Kelly Wearstler for her bold layering and fearless creativity. Each of these figures has influenced my appreciation for balance between innovation, elegance, and emotional impact.
Would you tell us a bit about your lifestyle and culture?
I live between cultures, drawing inspiration from both my Egyptian roots and the places I’ve worked in gulf . My lifestyle is a mix of quiet observation and creative exploration. I’m often inspired by traditional crafts, regional textures, and architectural heritage. Music is part of my process—it sets the mood while I conceptualize. I believe good design elevates daily life, and my aim is to reflect that belief in every project. My culture taught me to honor beauty in detail and to value the stories behind forms.
Would you tell us more about your work culture and business philosophy?
At Luxentti, our work culture is grounded in collaboration, respect, and design integrity. I work closely with my partner—my husband—who is also an architect. We lead with a shared vision but from different strengths. When selecting partners or team members, I look for curiosity, accountability, and passion for detail. I value open-mindedness and strong ethics just as much as creativity. We approach each project with care, balancing innovation with cultural sensitivity. The core of our business philosophy is to design with meaning, not just aesthetics.
What are your philanthropic contributions to society as a designer, artist and architect?
I believe design has a responsibility beyond aesthetics—it can uplift communities and create meaningful change. Whenever possible, I contribute by mentoring young designers, sharing knowledge, and participating in initiatives that support creative growth. I’m open to pro bono collaborations, especially when the project aligns with values of sustainability, education, or cultural preservation. I also engage in design events and talks that aim to make design more accessible and inspiring to the next generation. Giving back, for me, means using design as a tool for impact—whether big or small.
What positive experiences you had when you attend the A’ Design Award?
The A’ Design Award was a transformative experience. It provided an international platform to showcase my work, connect with incredible creatives, and gain meaningful exposure. Three major benefits stood out: (1) global recognition, (2) access to a network of like-minded professionals, and (3) the opportunity to exhibit and publish my work. Winning the Golden Award for the Tura Table gave me validation and motivation to push my vision further. Being selected as Designer of the Day is a true honor—it reaffirms my belief in purposeful, story-driven design.

Extended Interview with Mai Wahdan

Could you please tell us about your experience as a designer, artist, architect or creator?
I hold a Bachelor’s degree in Architecture, earned in 2008. My academic foundation, combined with real-world experience and continuous learning, shaped my approach to creating meaningful, balanced spaces.
How did you become a designer?
Design allows me to turn emotions, stories, and visions into real, living spaces. I became a designer because I believe spaces have the power to shape how we feel, live, and connect — and creating that impact has always been my passion.
What are your priorities, technique and style when designing?
I chose it—completely. Even though I started my career in another field, design was always calling me. It wasn’t a forced path; it was a return to who I’ve always been.
Which emotions do you feel when designing?
I currently design interior spaces and furniture pieces, focusing on creating meaningful and elegant environments. Moving forward, I wish to design more highly personalized spaces and statement furniture pieces that tell stories, reflect individuality, and connect deeply with nature — blending luxury, authenticity, and sustainability.
What particular aspects of your background shaped you as a designer?
Stay true to your passion, stay patient with your journey, and never stop learning. Focus on building depth, not just chasing trends. Real greatness comes from consistency, authenticity, and designing with heart — not just with skill. Legends are made by those who keep creating, even when no one is watching.
What is your growth path? What are your future plans? What is your dream design project?
A good designer creates beautiful work. A great designer creates work that feels — designs that tell stories, evoke emotions, and leave a lasting impact. It’s not just about how things look, but about how they connect with people on a deeper level.
What are your advices to designers who are at the beginning of their career?
A really good design goes beyond aesthetics—it solves a problem, tells a story, and evokes emotion. It feels effortless yet intentional. I evaluate good design based on its clarity of concept, harmony between form and function, material honesty, and how it connects with people on a deeper level.
You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?
Good design shapes how we live, feel, and connect with our surroundings. It’s not just about beauty — it’s about creating spaces and objects that enhance everyday life, bring comfort, inspire emotions, and add lasting value. Investing in good design is investing in a better quality of life, in spaces that nurture well-being and leave a meaningful impression over time.
What is your day to day look like?
I would love to design a cultural center that merges art, heritage, and architecture—something rooted in Arab identity. Ideally for a foundation or initiative that promotes cultural preservation.
How do you keep up with latest design trends? To what extent do design trends matter?
Designing a boutique hotel or retreat in a natural landscape, where every interior element is custom-designed and tells a story.
How do you know if a product or project is well designed? How do you define good design?
Depth—whether it’s in concept, material, or meaning. I don’t design for looks only; I always ask “why” and “how it connects to the user.”
How do you decide if your design is ready?
I admire Kelly Wearstler for her fearless eclecticism and bold interiors, and Ferris Rafauli for his masterful detailing and luxurious architectural vision. Their work shows how design can be both artistic and powerful.
What is your biggest design work?
I love Kelly Wearstler’s furniture pieces—they’re bold, sculptural, and full of character. I’m especially inspired by how she designed her Malibu house and the Proper Hotel in LA—each space tells a layered story with texture, art, and emotion.
Who is your favourite designer?
The Tura Table. It blends ancient Egyptian inspiration with a contemporary feel and thoughtful material research. It’s not just aesthetic—it carries meaning and innovation.
Would you tell us a bit about your lifestyle and culture?
Stay curious. I constantly research, observe, and revisit my own work with a critical eye. I also surround myself with different disciplines—art, architecture, even science.
Would you tell us more about your work culture and business philosophy?
I would’ve stayed in the educational field, where I held a leadership role—but deep down, I always knew I’d return to design. It’s where I truly belong.
What are your philanthropic contributions to society as a designer, artist and architect?
Design is storytelling through space, form, and material. It’s a way of connecting people emotionally to their environments.
What positive experiences you had when you attend the A’ Design Award?
My husband, Ahmed Habib. He’s not only my partner in life but also in architecture and design. We push each other to grow and challenge boundaries.

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