Sarban Leather Bag by Aida Mehranfar is a highly esteemed winner of the very prestigious 2024 A' Design Award in Fashion and Travel Accessories Design Competition Category.
IronAccessory· 2024
Sarban Leather Bag
Client: Fida
A' Design Award Winner in Accessory Category
Verified Award Winner
Verify Award Status for #152080The Design
About Sarban Leather Bag
Sarban is a handmade leather bag inspired by the Sarban Minaret in the Joybar neighborhood of Isfahan, Iran. The bag measures 300 mm by 120 mm by 230 mm and weighs about 613 grams. Natural camel leather is used, a material chosen for durability and for the historic role of the minaret as a guide for camels and caravans. Raised and recessed geometric shapes on the front recall the brickwork of the minaret, and a single brick tone follows the same reference. The design refers to an area where different religions coexist peacefully.
The Recognition
About the A' Design Award
Sarban Leather Bag is an Iron A' Design Award winner, a prestigious recognition granted to good designs that meet the professional and industrial requirements expected from well-designed creations. Iron winners demonstrate great skill, high specialization, expert understanding, and creative capacity of their creators. Sarban Leather Bag is expected to be a highly regarded, admired, and cherished creation that is practical and innovative. This Iron A' Design Award-winning design integrates industry best practices and has competent technical characteristics linked with know-how and talent. Sarban Leather Bag is respected for its thoroughness and is designed to provide quality of life improvements that help make the world a better place.
Interviews
Design Interview
What is the main principle, idea and inspiration behind your design?
I have been inspired by the architectural form of an old Iranian building located in Isfahan to design the Sarban bag. This building is a minaret located in a neighborhood that houses people of three different religions. This topic was very interesting to me. that different religions live together. That's why I chose this building for the main idea. This building is used to see the founders of desert caravans during the Seljuk era of Iran. For this reason, it is called Sarban, and I gave the same name to the design that inspired me.
What has been your main focus in designing this work? Especially what did you want to achieve?
I focused on two themes in this work. First, to be able to create a design inspired by Iranian architecture. Because Iran has a very rich architectural history and I wanted to show it at the international level. To reflect the art and culture of my country and to achieve a minimal design inspired by traditional Iranian architecture and its integration with modern art so that it can both reflect the culture and art of my country and have the ability to communicate with the modern world. The second topic I wanted to reach was the reflection of the message of peace. Because I explained in the previous question, Sarban conveys the message of peace. For this reason, I was inspired by a music composed by my composer friend Behrouz Paygan, and this song is called "Peace Smell".
Because I am a designer who mostly draws inspiration from music, and music is one of my sources of inspiration in the field of my artistic activity.
What are your future plans for this award winning design?
I really hope that I can find a connection with different nations by introducing Sarban to the international community. Because I have a long term in mind, Sarban is the starting point. That's why I participated in this competition so that I can carry out the caravan of my future plans and ideas through Sarban.
Grand Interview
Your innovative fusion of Iranian architectural heritage with contemporary fashion in the Sarban Leather Bag has earned recognition at the A' Design Award - could you elaborate on how you translated the geometric patterns of the Sarban Minaret into functional leather design elements?
One of my interests in design is drawing inspiration from Iranian art and culture. In this context, architecture has served as an important source for my work "Sarban." I began by designing lines inspired by the brick muqarnas found in the neck of this minaret, analyzing their shapes. I then arranged these analyzed shapes together and, through methods of trial and error, arrived at a suitable pattern. Ultimately, I transformed this final volume into the shape of a bag, aiming to preserve its beauty while creating a functional product. I believe that art should not be limited to visual arts; even the tools we use in our daily lives can be considered works of art.
The Sarban Leather Bag carries a profound message of religious harmony - how did you approach the challenge of embodying the peaceful coexistence of three faiths within your minimalist design aesthetic?
In fact, I am not directly discussing religion or having a religious message in this design. My intention in bringing up this issue is to illustrate that just as people of different faiths can coexist peacefully in a neighborhood surrounding this minaret, this approach can be applied to all aspects of life, allowing us to achieve peace with ourselves and others. This inner peace ultimately leads to social harmony. Therefore, the main topic I addressed by using religion as an example was the transmission of a message of peace. For me, this minaret can symbolizes peace, as it is situated in a place where the people around it have understood the concept of peace.
What specific traditional leather-working techniques did you employ in crafting the Sarban Leather Bag, and how did these methods help you achieve the architectural protrusions and depressions that echo the minaret's distinctive features?
I didn't use any specific technique that has been used before for the execution of "Sarban." In most of my works that convey a special concept, I employ techniques that I have created myself. For this reason, I often hear from my audiences that they cannot replicate my designs exactly. The techniques I use in my leatherwork are specifically developed for my own designs, and this process brings me a lot of joy. Essentially, creativity should not be limited to design; one can also be creative in the choice of techniques for a specific material.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- This design is efficient both visually and functionally. The material used in this design is natural camel leather, which makes the product more durable. The source of inspiration for this design is an Iranian architectural building, which aims to introduce ancient Iranian art to the world. it's 23 cm x 30 cm x 12 cm bag and its weigh is about 613 g.
- Dimensions & Packaging
- this bag's physical information is: 300 mm x 120 mm x 230 mm
- Tags
- Bag, architecture, Sarban, Iran, peace
- Production Technology
- This bag was designed manually, with a pencil on paper, and also the method of making the initial pattern was done entirely by hand and using paper by trial and error. The protrusions and depressions on the front of the bag were prepared as manual patterns, and by sticking the shapes together with tape, they reached the final form and after reaching the paper pattern, the pattern was transferred to the leather and cut and collected and reached the final shape.
- Design Challenge
- This design is not just a product; it is a means to promote the sense of peace among humans. It aims to foster peace among different thoughts and religions. The region where the Sarban Minaret is located is a place where different religions converge and peacefully coexist. Sarban symbolizes peace. The challenge of this project was to transform an architectural structure into a leather bag and creat it. The forms that were shaped by bricks had to be replicated in the same way using leather, and all of these stages were done by hand.
- Research
- The bag design was created through extensive online and field research in the field of architecture. The goal was to showcase ancient Iranian architectural structures and find an appropriate landmark. The Sarban Minaret was selected for the project, and extensive photography was conducted from different angles. The geometric patterns of the building were analyzed and sketched on paper. Paper templates were created using simplified patterns, and through an iterative process, the final design was achieved. The chosen structure aims to have a positive impact on human perception and promote a deeper understanding of peace.
- Inspiration
- This bag is a handmade product inspired by Iranian architecture and the Sarban minaret in the Joybar neighborhood of Isfahan. It reflects the peaceful coexistence of Jews, Kalimis and Muslims in that area. It has geometric shapes and a single color brick color that resemble the minaret’s design. It is made of camel leather that symbolizes the function of the minaret as a guide for camels and caravans.
- Project Duration
- This project was designed and executed in Iran in December 2020. The design and implementation of this project took two weeks to complete.
- Operation Flow
- This design has incorporated elements from Iranian culture to interact with the audience. Architecture is a part of Iranian art and culture, and through drawing inspiration from it and embodying it in the design of this bag, a connection has been established with the audience.
- Patents
- Trademark Registration Number: 323838
Year of Trademark Registration: 2018
Jurisdiction: Intellectual Property Center of the State Organization for Registration of Deeds and Properties of the Islamic Republic of Iran - Image Credits
- Image One: Photograph by Arash Mehranfar/ Edited by Sahar Gholami/ Created by Aida Mehranfar (Fedacheram)/ Title of the artwork: Sarban/ Year of the image: 2023
Image Two: Photograph by Arash Mehranfar/ Edited by Sahar Gholami/ Created by Aida Mehranfar (Fedacheram)/ Title of the artwork: Sarban/ Year of the image: 2023
Image Three: Photograph by Arash Mehranfar/ Edited by Sahar Gholami/ Created by Aida Mehranfar (Fedacheram)/ Title of the artwork: Sarban/ Year of the image: 2020
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