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Horizontal rows of curved olive-green ceramic panels dominate PMT Partners Ltd.'s Sheerin Pavilion Exhibition, their surfaces catching concealed linear illumination that transforms each concave elemen
Materiality defines PMT Partners Ltd.'s Sheerin Pavilion Exhibition through the interplay of industrial surfaces and atmospheric luminosity, establishing a contemporary architectural vocabulary rooted
Commanding a deep longitudinal axis through architecturally decisive perspective, PMT Partners Ltd.'s Sheerin Pavilion Exhibition establishes its formal authority through a symphony of monolithic conc
Monumental cantilevers of charcoal-toned concrete articulate a dramatically receding spatial corridor where raw materiality and geometric precision converge to construct an immersive architectural the
PMT Partners Ltd.'s Sheerin Pavilion Exhibition unfolds as a sophisticated architectural corridor rendered in a meticulously controlled palette of deep charcoals, warm metallics, and luminous neutrals

PMT Partners Ltd.

Platinum Trade Show Architecture, Interiors, and Exhibit Design · 2024

Sheerin Pavilion Exhibition

by PMT Partners Ltd.

  • A' Design Award 2024 Platinum Winner in Trade Show Architecture, Interiors, and Exhibit Design
  • Awarded April 15, 2024
  • CLIENT: PMT Partners Ltd.
  • Estimated Number of Design Views: 990,598
  • Verification code 5960E7D52A · Verify this award
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About Sheerin Pavilion Exhibition

The Sheerin Pavilion for 2023 Guangzhou Design Week provides an exhibition space for sintered stones. Artificial stones are employed to simulate the natural ones, aiming to present a spatial ambiance of a mined artificial stone canyon. This simulation and representation create a captivating juxtaposition. The systematic design of space, scene, and structure not only presents the unity of form and force, and the connection between behavior and space, but also provides the possibility of recyclability of the exhibition venue. It is a exploration of sustainable exhibition construction.

PMT Partners Ltd.'s Sheerin Pavilion Exhibition represents a distinguished achievement within contemporary exhibition architecture, demonstrating how temporary spatial installations can achieve the contemplative gravitas traditionally associated with permanent cultural institutions. The design appears to engage with longstanding architectural traditions concerning light as primary material, evoking the luminous qualities celebrated in sacred library architecture while translating these precedents into thoroughly contemporary formal language. The carefully calibrated relationship between the olive-toned ceramic panels and their concealed illumination sources creates what might be described as an architecture of revealed light, where each curved element functions simultaneously as spatial divider, display surface, and luminary. Technical accomplishment is evident in the precise engineering of the suspension system, the consistent quality of the ceramic fabrication, and the sophisticated integration of lighting that achieves even, warm illumination without visible hardware. Thematically, the work seems to explore tensions between seriality and individuality, between the rational grid and organic curvature, between material solidity and atmospheric dissolution. The processional quality of the space, emphasized by the perspectival convergence and the blurred figure traversing the installation, suggests consideration of how exhibition architecture shapes not merely visual experience but embodied, durational encounter. One might observe references to historical precedents ranging from monastic scriptoria to contemporary light artists who employ architectural scale to create immersive phenomenological environments. The restrained material palette demonstrates confident design intelligence, allowing the interplay of light, surface, and shadow to generate visual richness without recourse to chromatic complexity. Viewers are invited to consider how spatial experience transforms when light becomes not merely illumination but the primary subject of architectural meditation, and how the rhythms of repeated elements can induce states of contemplative attention.

Press Kit

Unique Properties
The SHEERIN Pavilion for 2023 Guangzhou Design Week provides an exhibition space for sintered stones. Artificial stones are employed to simulate the natural ones, aiming to present a spatial ambiance of a mined artificial stone canyon. This simulation and representation create a captivating juxtaposition. The systematic design of space, scene, and structure not only presents the unity of form and force, and the connection between behavior and space, but also provides the possibility of recyclability of the exhibition venue. It is a exploration of sustainable exhibition construction.
Dimensions & Packaging
The project covers an area of 192 square meters, with dimensions of 16 meters long, 12 meters wide and 5.5 meters high. The exhibition venue requires a roofing of less than 50% to ensure the effectiveness of the sprinkler system. Consequently, the entire constructed section has an open ceiling. The structure is built using a combination of steel and wood, with certain local structural components made of steel or stainless steel. The surface material consists of sintered stone, and the inverted pyramid shape is subjected to static calculations to ensure the unity of form and mechanics and to meet the specified design criteria.
Tags
Exhibition Pavilion
Production Technology
Through structural calculations and checks with PK.PM software, we addressed the stability of each outwardly inclined surface, resolving mechanical problems by combining the forces through top-tensioned beams to establish a stable relationship in the inverted pyramid structure. At the same time, components such as CNC-milled wooden elements, conventional mass-produced metal parts and custom-made metal parts act as "small components" that form the façade and allow for potential morphological development. The emphasis on small components, mass production and high mechanization in the manufacturing process serves as a design orientation that systematically transforms individual elements into a cohesive whole and promotes cost efficiency, recyclability and a sustainable design approach.
Design Challenge
The most significant challenge in this project is to harmonize the relationship between form and mechanics. Our goal is to create an honest and consistent work that has no discrepancies between its external appearance and its internal forces. For an architect, it is essential to bridge the gap between the invisible forces and the visible form. Therefore, a considerable amount of effort went into structural calculations, iterative development of the form, feedback with the mechanical model and finally the replication of the construction nodes through 1:1 models.

Another important consideration was the modular design. To ensure recyclability as part of a sustainable design, we adopted a modular frame system for the skin. At the same time, it was crucial to ensure the convenience of these scaffolds during installation, disassembly, transportation and reassembly. Therefore, a lot of time was invested in iterating the relationships between all components within the entire system.
Project Duration
The project began construction in Guangzhou in July 2023 and was completed in December 2023. It was also officially put into operation in December 2023.
Operation Flow
We strive to create a quiet and sacred space that steers clear of dazzling visual effects to encourage reflection and solitude in an era dominated by ubiquitous visual spectacles. Sustainability is a crucial focus for contemplation, and this is precisely why the design places great emphasis on demonstrating recyclable exhibition construction. In China alone, more than 11,000 exhibitions are held annually, attended by a total of 86 million people and generating 119 million cubic meters of construction waste, equivalent to the volume of seven Beijing Olympic stadiums. In the midst of these visually spectacular events, it is essential for us to reflect and act.
Research
This is a showcase space for sintered stone materials, primarily aimed at commercial presentation. However, we are keen to avoid overwhelming visual intensity in this commercial exhibition. Therefore, we have created a place of solitude and contemplation through a calm and sacred interior design that is metaphorical of stone mines and caves. To achieve the unique shape of the inverted pyramid, we used PK.PM structural software verifying the feasibility of the steel and timber structure in this configuration, ensuring unity of form and mechanics. The modular design also allows the exhibition space to be reused, which represents our thinking about sustainable design and an attempt to reduce the waste of resources caused by various commercial renovations.
Inspiration
Sintered Stone, a large-format, weather-resistant, and durable engineered material, fills the robust demand in the architecture and decoration industry for large-scale stone, significantly reducing environmental resource depletion associated with quarrying. SHEERIN Pavilion for Guangzhou Design Week 2023, serving as a showcase for sintered stone, employs artificial stone to simulate natural rock, capturing the spatial ambiance of an artificially mined stone canyon. This process of simulation and reproduction establishes an intriguing juxtaposition, where the attributes of the material and the spatial atmosphere interchange and blend the concepts of "artificial" and "natural," creating a captivating and playful environment.
Image Credits
Image #1: Photographer Zhaoliang Qin
Image #2: Photographer Zhaoliang Qin
Image #3: Photographer Zhaoliang Qin
Image #4: Photographer Zhaoliang Qin
Image #5: Photographer Zhaoliang Qin
Video Credits: RESSSET CREATIVE

Colors of Sheerin Pavilion Exhibition

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We create innovative exhibition spaces and interiors that captivate audiences while embracing sustainability. Our award-winning approach combines bold architectural vision with practical modular systems, delivering memorable experiences for trade shows, showcases, and commercial environments…

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Design Interview about Sheerin Pavilion Exhibition

Sintered Stone, a large-format, weather-resistant, and durable engineered material, fills the robust demand in the architecture and decoration industry for large-scale stone, significantly reducing environmental resource depletion associated with quarrying. SHEERIN Pavilion for Guangzhou Design Week 2023, serving as a showcase for sintered stone, employs artificial stone to simulate natural rock, capturing the spatial ambiance of an artificially mined stone canyon. This process of simulation and reproduction establishes an intriguing juxtaposition, where the attributes of the material and the spatial atmosphere interchange and blend the concepts of "artificial" and "natural," creating a captivating and playful environment.

We strive to create a quiet and sacred space that steers clear of dazzling visual effects to encourage reflection and solitude in an era dominated by ubiquitous visual spectacles. Sustainability is a crucial focus for contemplation, and this is precisely why the design places great emphasis on demonstrating recyclable exhibition construction. In China alone, more than 11,000 exhibitions are held annually, attended by a total of 86 million people and generating 119 million cubic meters of construction waste, equivalent to the volume of seven Beijing Olympic stadiums. In the midst of these visually spectacular events, it is essential for us to reflect and act.

We plan to use this award-winning design as a case study for sustainable development, further deepening its design concepts in environmental protection and sustainability. We will seek to use more eco-friendly materials, adopt energy-saving production processes, and implement strategies for recycling and reuse throughout the product lifecycle to minimize environmental impact and promote efficient resource utilization.

It took approximately three months to design this particular concept.

We designed this particular concept to meet the demand for innovative products in the market, combined with creative inspiration from our team.

We have already produced a prototype and plan to use it for display in our corporate showroom. We currently have no plans to provide it for use by other companies.

We designed this particular type of work to challenge conventions, explore new creative directions, and deliver a fresh experience to users.

Yes, we were influenced by other architectural works as well as designs from various other fields, incorporating creative elements and ideas from diverse domains into our design.

Our design targets users seeking innovation and high-quality products.

What sets this design apart is its unique combination of sustainability and innovation.

When naming this design, we chose a name that directly reflects the core functionality and features of the product. The name highlights the main benefits and uses of the product.

For this project, we used CAD software, 3D modeling tools, and image editing software.

The SHEERIN Pavilion for 2023 Guangzhou Design Week provides an exhibition space for sintered stones. Artificial stones are employed to simulate the natural ones, aiming to present a spatial ambiance of a mined artificial stone canyon. This simulation and representation create a captivating juxtaposition. The systematic design of space, scene, and structure not only presents the unity of form and force, and the connection between behavior and space, but also provides the possibility of recyclability of the exhibition venue. It is a exploration of sustainable exhibition construction.

We collaborated with skilled technicians to complete this design.

Technology played a central role in this design, enabling innovative features and precise execution.

This is a showcase space for sintered stone materials, primarily aimed at commercial presentation. However, we are keen to avoid overwhelming visual intensity in this commercial exhibition. Therefore, we have created a place of solitude and contemplation through a calm and sacred interior design that is metaphorical of stone mines and caves. To achieve the unique shape of the inverted pyramid, we used PK.PM structural software verifying the feasibility of the steel and timber structure in this configuration, ensuring unity of form and mechanics. The modular design also allows the exhibition space to be reused, which represents our thinking about sustainable design and an attempt to reduce the waste of resources caused by various commercial renovations.

The most significant challenge in this project is to harmonize the relationship between form and mechanics. Our goal is to create an honest and consistent work that has no discrepancies between its external appearance and its internal forces. For an architect, it is essential to bridge the gap between the invisible forces and the visible form. Therefore, a considerable amount of effort went into structural calculations, iterative development of the form, feedback with the mechanical model and finally the replication of the construction nodes through 1:1 models.

Another important consideration was the modular design. To ensure recyclability as part of a sustainable design, we adopted a modular frame system for the skin. At the same time, it was crucial to ensure the convenience of these scaffolds during installation, disassembly, transportation and reassembly. Therefore, a lot of time was invested in iterating the relationships between all components within the entire system.

We decided to submit our design to an international design competition because we believe it is innovative and unique, worthy of competing with top design works from around the world.

During the design process of this work, we learned to be more flexible in facing challenges and continuously improve our creativity and problem-solving skills.

No more, thank you.

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