Vector Scissors by Tamas Fekete is a highly esteemed winner of the very prestigious 2025 Silver A' Design Award in Art and Stationery Supplies Design Competition Category.
SilverArt Supplies· 2025
Vector Scissors
by Tamas Fekete
Client: Openend Design Ltd.
Silver A' Design Award Winner in Art Supplies Category
Verified Award Winner
Verify Award Status for #170558The Design
About Vector Scissors
Vector Scissors combine the guiding precision of a paper guillotine with the versatility of handheld scissors. The handle can be pressed against the edge of a table, stabilizing both the hand and the blades. This allows for a controlled, linear cutting motion using the table as a guide, ensuring straight cuts with ease. Extensive research into scissor mechanics, blade orientation, and ergonomics led to a refined design that enhances precision without altering traditional functionality.
The Recognition
About the Silver A' Design Award
Vector Scissors is a Silver A' Design Award winner, an extraordinarily prestigious recognition granted to top-of-the-line, gorgeous, and impressive designs. Silver winners are tremendously brilliant and exceedingly creative works that illustrate the outstanding expertise, talent, and acuity of their designers. Vector Scissors is expected to be a wonderful, showpiece work that is remarkably professional and profoundly innovative. This Silver A' Design Award-winning design is a highly notable, admired invention that benefits and advances the boundaries of art, science, design, and technology. Vector Scissors is a vastly envied creation that evokes desires, introduces positive feelings, and sparks amazement and wonderment.
Where to Get It
Award-Winning Industrial Design Services
We transform ideas into market-ready products across sporting goods, tools, consumer accessories, and soft goods. Our Rotterdam-Budapest studio combines creative innovation with technical expertise, delivering solutions from concept through prototyping to manufacturing. Recognized at A' Design Awards, we bring proven excellence to every project.
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Grand Interview
Your innovative approach to combining guillotine precision with scissor versatility in Vector Scissors is remarkable - could you walk us through the journey that led to this groundbreaking fusion of cutting technologies?
When I was very young, I always loved making things out of paper. I’d build models, cut out shapes and make cars or buildings out of paper, anything I found exciting at the time. A4 office paper was always available at home, so it naturally became my go-to material for creating things. And with that came scissors. I remember we had this big kitchen scissors with long blades, and I used that for everything. I made so many paper models with it that I’ve lost count.I got pretty skilled at using scissors, especially for papercraft, but one thing always bothered me, cutting a straight line was difficult. No matter how careful I was, I’d always get a bit of wobble. Then one day, my father brought home a paper guillotine because he needed to cut photos and printed sheets. Of course, I immediately started using it for my projects too. It was a game changer, suddenly I could cut clean, straight lines, much faster. So I adapted my workflow and started using both scissors and the paper guillotine together. My paper models instantly looked better.Fast forward to university. I was studying industrial design, and our first assignment was to research and redesign a pair of scissors. The brief was very open and we could take any direction we wanted. At first, it felt impossible. There are so many types of scissors out there, and I was unsure what could I possibly add.But I kept coming back to this one experience from my childhood, cutting straight lines with regular scissors. It still wasn’t easy. Why do we need to draw a line first, grab a ruler, use a pencil, and then carefully follow that line with scissors, just to get something clean? I started wondering, isn’t there a better way of doing this?That’s when it clicked. I remembered how efficient the guillotine was and started breaking down both tools, scissors and the guillotine, into their core functions. That’s when I realised that the paper guillotine is essentially a pair of scissors, just laid out differently. One blade is just a flat plate and you only control the other one. And then it hit me: what if the edge of a table could act like that bottom blade?That was the moment everything slowly came together. Most people cut paper on a table anyway, so why not design scissors that could be pressed along the edge of the table and guide your hand for a straight cut? That was the original concept behind Vector.What followed was months development, cardboard prototypes, testing different mechanisms and shapes. I had to figure out how to make it work. The first working prototype came together by the end of the assignment. The handle was made from wood, the blades were mocked up in plastic, it looked rough, but it functioned. Sort of. It still had plenty of flaws, and the cutting performance wasn’t proven yet. But it was a start.What came next was years of refining it on the side, alongside my university studies. It became one of the longest and most challenging projects I’ve ever worked on.
The ergonomic handle design of Vector Scissors appears to be meticulously crafted - how did your extensive research into scissor mechanics and blade orientation influence the final form and functionality?
The shape of Vector evolved over many iterations. I was essentially designing the scissors from the inside out. I began with the core function, figuring out how the handle could rest against the edge of a table while still allowing the blade to move freely and cut. Once I locked in the blade orientation and handle angle, I had something that worked mechanically, but it was far from comfortable to use.From there, the next challenge was to develop a handle that actually felt good in the hand. That process took months and probably around 40 physical prototypes to get right. I started with cardboard models, then moved to polyurethane foam, clay, and eventually plaster handles that I cast in silicone molds. I sculpted and refined each version by hand, following the natural shape of my palm and how it wanted to hold the object. Then I’d mold and replicate those shapes, iterate again, and slowly evolve the design into something that felt truly ergonomic.Every part of the handle has a purpose. Every radius, every curve, it’s all there for a reason. Even the space between the handles, the size and angle of the thumb rest, and the width of the grip were tested and refined until the scissors just felt “right.” You don’t realize how bad a handle can be until you use one that pinches your fingers in all the wrong places. So I paid close attention to every contact point.I also learned a lot from the scissor craftsman I partnered with during development. Their focus was strictly on the blades. I had to understand how scissor blades are shaped, how and when the edge is forged, and how they fine-tune the closing tip to achieve cutting precision. There’s a tiny protruding bump near the tip, and I learned how critical that is to the mechanics, it controls where and how the blades meet.So the final form is really a fusion of that blade craftsmanship and months of ergonomic sculpting. Once everything came together, the mechanics, the comfort, the proportions, it just felt right. And that’s when I knew the shape was finished.
Vector Scissors represents a significant evolution in cutting tool design - what specific user challenges and frustrations inspired you to develop this table-edge guided cutting system?
The main frustration was how hard it is to cut paper in a straight line with regular scissors. Your hand naturally shakes, and it takes a lot of patience and coordination, not everyone has that. Once I started looking into this, I realized there are many people who could benefit from a tool that makes straight cuts easier and more intuitive.For example, people with shaky hands or less refined motor control can achieve much better results with Vector, because the table edge guides their hand. And the learning curve is surprisingly quick, you don’t need to be precise, the product helps you be precise.Even when using a hobby knife, there are so many steps. You need a cutting mat, a ruler, a pencil to mark the line, then carefully follow it with the blade. It’s a whole setup. A paper guillotine simplifies that, you just place the paper and cut, but those tools are bulky and not very convenient to store or use casually.So with Vector, I wanted to bring the same clean-cut simplicity into a compact, handheld tool. It’s faster, easier to use, and much more convenient for everyday tasks while still offering the precision people need.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Vector Scissors introduce a unique blade and handle design that helps users achieve precise, straight cuts more easily. By pressing the ergonomic handle against the edge of a table, both the blades and the user's hand are stabilized. This allows the user to keep the blades fixed while sliding them forward during cutting. The table edge serves as a natural guide, ensuring a straight and controlled cut with minimal effort.
- Dimensions & Packaging
- Product Dimensions: Width: 225mm x Depth: 40mm x Height: 90mm
- Tags
- scissors, precision cutting, ergonomic handle, straight-cut scissors, guided cutting, innovative cutting tool, paper cutting, crafting scissors, fabric cutting, blade design
- Production Technology
- The development involved multiple physical prototype iterations, including 3D-printed prototypes and clay-sculpted ergonomic handle models. The handle was sculpted and refined by hand, then laser-scanned and reverse-engineered for digital replication. Early production used silicone-molded resin-cast handles with surface treatments for durability, while the latest generation is produced using additive manufacturing, with the option to expand to injection molding as well. The stainless steel blades are precision laser-cut, hardened, and hand-sharpened by a third-generation scissors craftsman in Hungary.
- Design Challenge
- One of the biggest challenges was determining the optimal handle and blade orientation to enable precise straight-line cutting. This required extensive trial and error, with multiple design iterations to refine the right orientation of the blade and the handle. Achieving a balance between functionality and ergonomics was critical, as the form had to strictly follow both. The process involved continuous testing and adjustments to ensure intuitive usability while maintaining the versatility of traditional scissors.
- Research
- The research aimed to enhance scissor precision while preserving the versatility of traditional designs. Through user interviews and focus groups, several common challenges were identified, most notably the difficulty of cutting straight lines accurately. Users frequently expressed frustration at the lack of tools that allow for precise, straight cuts without needing a ruler or external guide. Many described the process of cutting straight lines freehand using scissors are difficult and time-consuming, especially for repetitive tasks. To address these pain points, various blade-handle orientations and ergonomic configurations were tested to develop a solution that not only improves straight-cutting performance but also ensures comfort and ease of use. The result is a design that bridges the gap between everyday functionality and guided precision cutting.
- Inspiration
- The concept emerged from an in-depth exploration of cutting tools, addressing the common challenge of achieving precise, straight cuts with traditional scissors. Inspired by the mechanics of paper guillotines, which use a fixed edge as a guide, the design translates this principle into a handheld tool. Research into various cutting methods and ergonomic studies informed the development, ensuring stability, control, and intuitive use.
- Project Duration
- The project started in June 2013 in Budapest and was completed in its initial form in 2014 in Budapest. It was exhibited in the Hungarian Design Award concept category in Budapest (2014) and later showcased at the Semmelweis Museum the same year. From 2016 to 2017, it was part of the Shaping Hungary - Design in the 21st Century exhibition across various locations in Europe. The latest design update started in 2024 in Rotterdam, and was completed in January 2025 in Rotterdam.
- Operation Flow
- Vector functions like any traditional pair of scissors but offers an additional guided cutting method for improved precision. When used normally, it performs like standard scissors for everyday cutting tasks. For guided straight cuts, users can press the handle against the edge of a table, stabilizing both their hand and the blades. This allows the scissors to slide forward in a straight path, using the table edge as a guide, making precise cuts effortless along the entire length of the table.
- Patents
- Patented. Utility Model No. 4872. Tamás Fekete. 2013. Budapest, Hungary.
Copyrights belongs to Tamás Fekete, 2013–2025. - Image Credits
- Image #1: 3D Rendering Tamás Fekete, Vector Scissors 1, 2025
Image #2: 3D Rendering Tamás Fekete, Vector Scissors 2, 2025
Image #3: 3D Rendering Tamás Fekete, Vector Scissors 3, 2025
Image #4: 3D Rendering Tamás Fekete, Vector Scissors 4, 2025
Image #5: 3D Rendering Tamás Fekete, Vector Scissors 5, 2025
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