Tiangang Art Center ጋለሪ by Syn Architects is a highly esteemed winner of the very prestigious 2022 A' Design Award የወርቅ ሽልማት in የሥነ ሕንፃ፣ ግንባታ እና መዋቅር ዲዛይን Competition Category.
ወርቅሥነ ሕንፃ· 2022
Tiangang Art Center ጋለሪ
Client: Tiangang Art Center
A' Design Award የወርቅ ሽልማት Winner in ሥነ ሕንፃ Category
Verified Award Winner
Verify Award Status for #133957The Design
About Tiangang Art Center ጋለሪ
ቲያንጋንግ የስነ ጥበብ ማዕከል በባኦዲንግ ከተማ የሚገኝ የታደሰ ህንፃ ሲሆን የስነ ጥበብ ጋለሪዎችን፣ ሆቴልንና የምግብ አገልግሎቶችን ያካትታል። ፕሮጀክቱ 2586.95 ካሬ ሜትር የሚሸፍን ሲሆን ጥቅም ላይ ሳይውል የቆየውን የመጀመሪያውን ግማሽ ክብ የኮንክሪት ፍሬም መዋቅር በድጋሚ ይጠቀማል። ዋናው አካል ቀለሙ ንጹህ ሆኖ እንዲቆይ በነጭ ጥራጥሬ ቀለም የተለበጠ ሲሆን፣ ይህም ንጹሁን ጂኦሜትሪያዊ ቅርጽ የፀሐይ ብርሃንን የሚይዝ ትልቅ ነገር መልክ ይሰጠዋል። ጠመዝማዛ የጣሪያ መስኮት በዋና ዋና ቦታዎች ላይ የቀን ብርሃንን በእኩል በማሰራጨት በቀኑ ውስጥ ተለዋዋጭ ብርሃንና ጥላ ይፈጥራል። ማዕከሉ ለአርቲስቶችና ለስነ ጥበብ ዝግጅቶች መሰብሰቢያ ቦታ ሆኖ ያገለግላል።
The Recognition
About the A' Design Award የወርቅ ሽልማት
Tiangang Art Center ጋለሪ የA' Design Award የወርቅ ሽልማት አሸናፊ ነው፤ ይህም ለመጀመሪያ ደረጃ፣ ድንቅ እና የላቁ ዲዛይኖች የሚሰጥ እጅግ ከፍተኛ ክብር ያለው እውቅና ነው። የወርቅ አሸናፊዎች የዲዛይነሮቻቸውን ብልሃት፣ ጥበብ እና ችሎታ የሚያንጸባርቁ እጅግ ፈጠራ የተሞላባቸው፣ ራዕይ ያላቸው እና በውበታቸው የሚያስደምሙ ሥራዎች ናቸው። Tiangang Art Center ጋለሪ ወደር የማይገኝለት ዋጋ የሚሰጥ እጅግ የተመሰገነ፣ አዝማሚያ ፈጣሪና ታላቅ ፈጠራ እንደሚሆን ይጠበቃል። ይህ የA' Design Award የወርቅ ሽልማትን ያሸነፈ ዲዛይን የኪነ ጥበብ፣ የሳይንስ፣ የዲዛይን እና የቴክኖሎጂ ድንበሮችን በእጅጉ የሚጠቅምና የሚያስፋፋ አስደናቂና የተከበረ ፕሮጀክት ነው። Tiangang Art Center ጋለሪ ጠንካራ የፍላጎት ስሜት ይፈጥራል፣ ፍቅርን ይቀሰቅሳል፣ ፈጠራን ያበረታታል እንዲሁም ይማርከናል።
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Following the renovation, the building is replete with multiple functions such as art galleries, hotels, and catering services. It is different from traditional scenic spots and resort gateways, acting as a gathering place for artists and art-related events, and is linked with heavy investment in the community.
- Dimensions & Packaging
- The project covers a total of 2586.95 square meters.
- Tags
- Architecture, Gallery, Art Center, Modern, Natural, Elegant, Simple, Hebei
- Production Technology
- The main body of the building is coated with white granular paint to maintain a purity of color - and with its clean geometric form and absence of linear directionality, it becomes a kind of enormous sunlight-catching object.
- Design Challenge
- The original semi-circular concrete frame structure sits amongst the mountains and rivers in the area, facing Tiangang Village. The disorderly initial condition of the site and fractured structure evoked a village in a predicament of forced stagnation.
- Research
- The use of natural materials is essential in a space evoking an idyllic, pastoral atmosphere and light itself is also a kind of natural material. The building's curved skylight provides even illumination throughout the main spaces, generating rich light and shadow effects throughout the day, lending the building a kind of sundial effect, enacting an easy embrace of the passage of time.
- Inspiration
- Behind the "abandoned architecture" is the first review of the building and site by the village cadres during the "initial revitalization". SYN Architects took this as a pre-existing condition, analyzing it fully in order to comprehend the site and its situation to better upgrade its functioning.
- Project Duration
- The project started in February 2020 in Baoding and finished in April 2021 in Baoding.
- Operation Flow
- The building's sculptural presence is combined with nearby rice fields and villages, establishing a strong visceral connection between the building and the natural environment, enabling it to leverage its surroundings to amplify the aesthetic tension between the two entities.
- Patents
- Copyrights belong to Zheng Yan, 2021.
- Team Members
- Zou Yingxi
Gao Bo
Jin Nan
Jiang Zhihua
Chen Shifang
Tian Yahong
Wang Ziqiang - Image Credits
- Image #1: Photographer Zheng Yan, Tiangang Art Center, 2021.
Image #2: Photographer Zheng Yan, Tiangang Art Center, 2021.
Image #3: Photographer Zheng Yan, Tiangang Art Center, 2021.
Image #4: Photographer Zheng Yan, Tiangang Art Center, 2021.
Image #5: Photographer Zheng Yan, Tiangang Art Center, 2021.
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