Cadence of the Spiral Primary Function: Instalasi Kinetik naébbu Yusuke Kamiyama

Cadence of the Spiral Primary Function: Instalasi Kinetik naébbu Yusuke Kamiyama iyanaritu pammènangngé iya temmaka riéloinna ri 2026 A' Design Award Salaka ri Katégori Kompétisi Desain Seni Rupa dan Instalasi Seni.

SalakaSeni Rupa· 2026

Cadence of the Spiral Primary Function: Instalasi Kinetik

ᨑᨗ Yusuke Kamiyama

ᨀᨒᨗᨕᨙ: Spline Design Hub Inc.

Pammènangngé A' Design Award Salaka ri Katégori Seni Rupa

20,405

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #182460

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Cadence of the Spiral Primary Function: Instalasi Kinetik

Book Text: Cadence of the Spiral mappilei wettué selaku séuwa-uwa iya maléttu, maréla-réla, sibawa tuo. Sileppa baja besi pés stainless ripaada mancaji séuwa rupa iya tuli berubah ri telluppulo lima lengen mékanik. Lengen-lengené makkédo-kédo ri ritme malolo, iya magéséré fasena. Ri wettu spiral iya massengngennge, magguléng, sibawa naatoro alénapa, dé'gaga duwa wettu iya pada-pada. Pappau-pau wé naonroi pole ri mainspring jam mékanik. Naseseki paimeng bessi iya makkoiloq selaku wadah énergi iya ritaroang sibawa lao-laoé wettu. Akédoenna dé'na nappabbali. Sangadinna, perubahanngé ripaita lalengngi variasi iya rikontrol. Wettué dé'na rioromenni, sangadinna ripéneddingiwi.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka

Cadence of the Spiral Primary Function: Instalasi Kinetik iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. Cadence of the Spiral Primary Function: Instalasi Kinetik ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Cadence of the Spiral Primary Function: Instalasi Kinetik iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Ukurang & Kemasang: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Tag: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Téknologi Produksi: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Tantangeng Désain: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Panélitiang: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Inspirasi: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Wettu Proyék: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Alur Opérasi: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Paténg: Copyrights belong to Spline Design Hub Inc., 2025.
Anggota Tim: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Krédit Gambar: IMAGE CREDITS: Daisuke Ohki