Vicereines of Ireland Akademikong Libro ni Jurga Rakauskaite-Larkin

Ang disenyo nga Vicereines of Ireland Akademikong Libro ni Jurga Rakauskaite-Larkin usa ka labihan ka tinahod nga mananaog sa prestihiyosong 2022 A' Design Award nga Puthaw sa Kategoriya sa Kompetisyon sa Disenyo sa Imprenta ug Giimprenta nga Media.

PuthawImprenta· 2022

Vicereines of Ireland Akademikong Libro

ni Jurga Rakauskaite-Larkin

Kliyente: The Office of Public Works

Mananaog sa A' Design Award nga Puthaw sa Kategoriya sa Imprenta

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Mga Kolor

Ang Disenyo

Bahin sa Vicereines of Ireland Akademikong Libro

Ang Vicereines of Ireland usa ka akademikong libro bahin sa grupo sa mga babaye sa kasaysayan sa Ireland nga wala hatagi'g pagtagad. Ang disenyo naglangkob sa dato nga materyal nga kalibutan niini nga mga babaye ug nagpakita usab sa pagkatawhanon sa ilang mga buhat. Ang palette sa kolor gikuha gikan sa pink nga bulok nga nahibilin sa paleta sa pintura sa usa niini nga mga babaye. Ang mga end paper giinspirar sa usa ka karaan nga marbled notebook nga Italyano ug gihimo gamit ang tradisyonal nga spot marbling technique nga gipahiangay pag-usab sa paagi nga digital. Usa ka bulawan nga foil frame ang gibutang sa hardcover sa luyo sa hulagway sa hapin, aron ang babaye nga gipakita molutaw sa unahan.

Ang Pag-ila

Bahin sa A' Design Award nga Puthaw

Vicereines of Ireland Akademikong Libro usa ka mananaog sa A' Design Award nga Puthaw, usa ka dungganon nga pag-ila nga gihatag sa maayong mga disenyo nga nakatagbo sa propesyonal ug industriyal nga mga gikinahanglan nga gipaabot gikan sa maayo ang pagkadisenyo nga mga paglalang. Ang mga mananaog sa Puthaw nagpakita og dakong kahanas, taas nga espesyalisasyon, eksperto nga pagsabot, ug mamugnaon nga abilidad sa ilang mga tiglalang. Gilauman nga ang Vicereines of Ireland Akademikong Libro mahimong gipabilhan, gihangaan, ug gihigugma nga paglalang nga praktikal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Puthaw naghiusa sa labing maayong mga praktis sa industriya ug adunay hanas nga teknikal nga mga kinaiya nga nalambigit sa kahibalo ug talento. Vicereines of Ireland Akademikong Libro gitahod tungod sa pagkamaabtik niini ug gidisenyo aron maghatag og mga pagpaayo sa kalidad sa kinabuhi nga makatabang sa paghimo sa kalibutan nga mas maayong dapit.

Luyo sa Disenyo

Press Kit

Mga kredito, mga miyembro sa team ug teknikal nga mga detalye nga gihatag sa tigdisenyo.

Talagsaong mga Kinaiya: Aim of the design was to capture rich material world, and also to reflect these women's humanity. The choice of a simple cover rather than grand portrait, that mainly appear on the covers of art history books, reflects this approach. The gilded frame that usually surrounds many portraits is placed not around the portrait image but behind it, on the hard cover, allowing the image of the woman to come forward. It encourages reader to look beyond the superficial image of women as decorative partners to powerful men.
Gidak-on ug Pakete: Size:
21.46 x 2.79 x 24.51 cm portrait,
Cover:
Hardcover with Luxor 220 Gold foil block on the front and spine
Dust jacket with Matt Black foil block on the front and spine,
Printed: 4/4 CMYK,
Binding:
Hardcover, head and tail gold bands, 2.5 mm boards, thread sewn,
Black silk ribbon,
Repro:
Images supplied digitally, image and colour corrections,
One set of digital colour proofs
Mga Tag: book, irishdesign, irishculture,
Teknolohiya sa Produksyon: The making of the book was a dialogue between the written content, the visual material discovered during the research, and current design practices. One of the key sources used in the writing of the book was an old Italian marbled notebook that belonged to one of the women. This inspired the creation of artwork for the book's end papers. The book's colour palette was sent to an artist, who created six bespoke patterns using a traditional spot marbling technique. After selecting the most suitable, the pattern was digitally manipulated to give this traditional pattern a contemporary look.
Hagit sa Disenyo: As an academic book, there were specific design conventions which had to be followed. The challenge was to strike a balance between meeting these criteria and reflecting the seriousness of the book's content, while also pushing the creative boundaries to modernise the image of the art history book. A bold colour palette, unexpected cover image (and application of it), use of a ribbon bookmark inspired by the diaries of the vicereines and the choice of contemporary serif typography all helped to overcome this challenge.
Panukiduki: The research for the design grew out of several years of original research for the book. This research was carried out in public and private archives across Ireland, Britain and the USA, and attracted funding from bodies including the Paul Mellon Centre for Studies in British Art. The main sources were the letters and diaries of these women, as well as their private collections of textiles, sketches and personal objects. One of the most inspiring of these objects was the paint palette of one of the women featured in the book. The book's colour scheme was taken from the blush pink paint colours that have survived on the palette since the 1780s.
Inspirasyon: The book tells the untold story of a group of overlooked women in Irish history. As the wives of the countrys rulers, they were the female faces of the British administration in Ireland before independence. Even though their privileged world was one of shimmering fabrics, sparkling pearls and blossoming flowers, many of these women worked hard to relieve crushing poverty, promote Irish fashion and mitigate injustices. Despite their pioneering efforts, they have long been almost entirely forgotten in Irish history. Their story, and the value of telling it for the first time, inspired the project.
Gidugayon sa Proyekto: Project started in 2019 and was finished in 2021 in Dublin, Ireland.
Mga Miyembro sa Team: Editor: Myles Campbell
Project Manager: Mary Heffernan
Publisher: Irish Academic Press
Printed: Kopa Print
Mga Credit sa Imahen: Image #1 Unknown artist, The Right Hon. The Countess of Buckinghamshire (detail), 1778. Reproduced courtesy of the National Library of Ireland
Image #2 Ausra Lazauskiene, Marbling artist
Image #4 Robert French (photographed by), The vicereine’s boudoir at the Viceregal Lodge, Dublin, Reproduced courtesy of the National Library of Ireland.
Image #5 After Sir Thomas Lawrence, Lady Henrietta Cole, Lady Grantham, later Countess de Grey, National Trust, Florence Court, County Fermanagh
Henri Gascar, Frances Talbot (née Jennings), Duchess of Tyrconnell, Bridgeman Images.
Maria Phipps, Countess of Mulgrave, later Marchioness of Normanby
Montego Bay, Jamaica, Photograph by Scott Wicking, reproduced courtesy of the Marquis and Marchioness of Normanby.

Photographer: Kevin Fox, 'We Shoot'