Mae Craft as Time Capsule Llyfr gan Hsiao-Wen Hu yn enillydd uchel ei barch o'r 2021 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Print.
ArianPrint· 2021
Craft as Time Capsule Llyfr
gan Hsiao-Wen Hu
Cleient: Pratt Institute
Enillydd Gwobr Arian A' Design Award yn y Categori Print
Enillydd Gwobr Wedi'i Wirio
Gwirio Statws Gwobr ar gyfer #121747Y Dyluniad
Am Craft as Time Capsule Llyfr
Y prosiect hwn yw dogfennaeth derfynol ymchwil thesis Hsiao-Wen ar wneud crefftau fel methodoleg cadwraeth yn yr oes ddigidol gyfredol. Mae’r llyfr yn cynnwys tair rhan, sy’n archwilio’r trawsnewidiad rhwng y ffisegol a’r rhithwir, deunydd a data, ymgysylltiad defnyddwyr a phrofiad o safbwynt gwneud crefftau a chadwraeth. Wrth i'r byd drosglwyddo o weithgareddau corfforol i ryngweithio rhithwir, ysgogwyd anghenion newydd a mathau newydd o ymgysylltu â'n hamgylchedd. Mae newid o'r fath yn arddangos nid yn unig trwy'r gwrthrych a'r dechnoleg, ond hefyd y diwylliant cyfan yn gyffredinol.
Y Gydnabyddiaeth
Am y Gwobr Arian A' Design Award
Mae Craft as Time Capsule Llyfr yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Craft as Time Capsule Llyfr fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Craft as Time Capsule Llyfr yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.
Y Tu Ôl i'r Dyluniad
Pecyn i'r Wasg
Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.
- Priodweddau Unigryw
- This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
- Dimensiynau a Phecynnu
- The dimension of the book is in US letter size: 216 mm x 279 mm.
- Tagiau
- design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
- Technoleg Cynhyrchu
- The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
- Ymchwil
- This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.
As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums. - Ysbrydoliaeth
- This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
- Hyd y Prosiect
- This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.
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