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Vento Stôl Uchel by Hitoshi Motomura

Vento Stôl Uchel by Hitoshi Motomura is a highly esteemed winner of the very prestigious 2022 Gwobr Efydd A' Design Award in Dylunio Dodrefn Competition Category.


EfyddDodrefn· 2022

Vento Stôl Uchel

by Hitoshi Motomura

Client: Idea Interior Design Office

Gwobr Efydd A' Design Award Winner in Dodrefn Category

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Verified Award Winner

Verify Award Status for #134958

Colors

The Design

About Vento Stôl Uchel

Mae Vento yn stôl uchel gyda ffurf ddeinamig ac organig. Mae gan Vento strwythur syml iawn, sy'n cynnwys ffrâm i'w dangos, sedd, a phibellau sy'n cysylltu'r ffrâm. Mae gan Vento strwythur syml iawn, sy'n cynnwys ffrâm i'w dangos, sedd, a phibellau sy'n cysylltu'r ffrâm. Mae'r strwythur syml a main yn pwysleisio llinellau ystwyth y ffrâm. Mae'r ffrâm wedi'i thorri â laser allan o blât metel 6mm o drwch, gan ei gwneud yn gryf, yn isel yng nghanol disgyrchiant, ac yn sefydlog. Mae'r sedd yn suddo'n ysgafn pan fyddwch chi'n eistedd arno, a gallwch chi deimlo elastigedd y metel.

The Recognition

About the Gwobr Efydd A' Design Award

Mae Vento Stôl Uchel yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Vento Stôl Uchel fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Vento Stôl Uchel yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The design emphasizes the supple lines of the product through its simple, waste-free construction. The contrast between the organic lines and the heavy luster of the metal is striking. When placed alone, it has the beauty of a sculpture, and when multiple pieces are placed, it has the beauty of regularity like an architectural structure.
Dimensions & Packaging
Width 356mm, Depth 445mm, Height 808mm
The two cut-out frames are fixed with round pipes and decorative nuts. Simple assembly makes it possible to deliver in a compact package.
Tags
stool, high stool, simple, organic, bone, counter chair, counter chair,
Production Technology
The legs are made of 6mm metal plate, and the seat is made of 3mm stainless steel plate, cut by advanced laser cutting technology. 2 frames are connected by round pipes and fixed with decorative nuts. The seat is made of bent stainless steel sheet and upholstered with leather. The advanced metal laser cutting technology has succeeded in presenting a beautiful frame.
Design Challenge
I propose a new style of "show frame" by cutting out a sheet of metal. Our advanced metal laser cutting technology has made it possible to create a "show frame.
Research
A high stool has a high seat, which gives a light tension to the person sitting on it and attracts attention from others. I believe that a high stool needs to have a sculptural beauty of its own. I created a high stool that is beautiful just by sitting on it.
Inspiration
This high stool has a dynamic, organic form. The lines of the legs are inspired by an animal that kicks its way through the ground, and the thin seat is inspired by standing hair that flutters in the wind.It is a high stool that makes you look beautiful, as if you were sitting on the back of a supple animal running at full speed.
Project Duration
Designed in 2020, prototype produced in 2021.
Operation Flow
It is made so that you can feel the elasticity of the metal as it sinks when a person sits on it. The legs are cut out of metal sheets, so they are sturdy and have moderate weight. While it looks light, it has a low center of gravity and a sense of stability.

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