Mae Aperitio Tŷ gan Tomohiro Araki yn enillydd uchel ei barch o'r 2025 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Pensaernïaeth.

EfyddPensaernïaeth· 2025

Aperitio Tŷ

gan Tomohiro Araki

Cleient: Replus Co,Ltd

Enillydd Gwobr Efydd A' Design Award yn y Categori Pensaernïaeth

12,318

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #164229

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Aperitio Tŷ

Mae Aperitio yn dŷ pren un llawr wedi'i adeiladu ar safle sy'n wynebu Môr Japan yng ngogledd Talaith Tottori. Cedwir y bargodion yn isel er mwyn i'r adeilad ymdoddi i'r dirwedd gyfagos. Dwyseir golau, gwynt, sŵn a golygfeydd i mewn i'r tu mewn. Mae'r wyneb gogleddol sy'n wynebu'r môr wedi'i orchuddio â dalen ddur galvalume, yr un deunydd â'r to, er mwyn hwyluso gwaith cynnal a chadw. Mae agoriadau mawr ar yr ochr ddeheuol yn darparu golau dydd ac awyriad, ac yn cysylltu'r ystafelloedd ag ardal fyw allanol. Cedwir yr wyneb allanol yn syml er mwyn osgoi ffurf ormodol symbolaidd.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae Aperitio Tŷ yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Aperitio Tŷ fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Aperitio Tŷ yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: It is a house built on a site facing the Sea of Japan (Quasi-National Park Geopark) in the northern part of Tottori Prefecture.

By making it a one-story wooden building, the eaves are kept low so that it can blend in with the surrounding environment.

This building emphasizes affinity with the external environment while staying indoors, and the surrounding environment of light, wind, sound, and scenery

The theme is to incorporate as much as possible.

By keeping the exterior simple, we tried to create a design that does not become too symbolic and does not get tired.

The windy north face facing the sea is made of galvalume steel sheet, which is the same as the roof, to achieve both maintenance and design.

The entrance door on the west side is set back from the exterior wall of the building to minimize the influence of the wind by considering the mounting direction.

By providing many openings on the south side, sufficient lighting and ventilation are ensured, and it can be used as an integral part of the outside living room.

The room has an excellent view of the south side.

As a result, it was possible to feel the change of the four seasons on a daily basis, both indoors and outdoors.

The roof gutter under the water on the south side is less to make the eaves look thinner.

On rainy days, by making a water curtain according to the regularity of the roofing material (warp goby),

The sound of rain weaves together to create a longing for rain.

The out-living room on the south side seems to be continuous with the entrance approach.

It is separated by glass, and it has both a sense of openness (a sense of escape) and crime prevention.

Although it is a theory of architecture, with high side lights on the north side and large openings and deep eaves on the south side,

The building is designed to blend in with the surrounding environment without being overdesigned.
Ysbrydoliaeth: People, objects, and space become one landscape.
A villa-like residence filled with a sense of freedom, where you can relax and unwind from the fatigue of everyday life.
The relationship between objects and space in Japan is centered on valuing harmony and building relationships that enhance the environment. Lateral thinking to appreciate the four seasons, the way materials are utilized and enclosed, these are messages that convey the difficulty and awe of coexisting with nature, and are a uniquely Japanese sense of nature.
Hyd y Prosiect: 2023/8~2023/12