Forest Archetype Prif Swyddogaeth: Tŷ gan Genta Takano

Mae Forest Archetype Prif Swyddogaeth: Tŷ gan Genta Takano yn enillydd uchel ei barch o'r 2026 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Pensaernïaeth.

EfyddPensaernïaeth· 2026

Forest Archetype Prif Swyddogaeth: Tŷ

gan Genta Takano

Cleient: Gla

Enillydd Gwobr Efydd A' Design Award yn y Categori Pensaernïaeth

8,183

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #174638

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Forest Archetype Prif Swyddogaeth: Tŷ

Testun y Llyfr: Mae Forest Archetype yn brosiect preswyl sy'n trosi trefn ofodol coedwig yn ffurf bensaernïol gryno. Caiff y dyluniad ei drefnu trwy system strwythurol haenog yn hytrach na rhaniadau ystafelloedd confensiynol. Mae elfennau strwythurol fertigol yn diffinio symudiad a gweithgareddau gan gynnal parhad gweledol ar draws y tu mewn. Mae'r cyfansoddiad haenog hwn yn creu gwagleoedd agored a mannau lled-awyr-agored sy'n cefnogi defnydd dyddiol hyblyg. Trwy resymeg strwythurol glir a dilyniant gofodol, mae'r tŷ yn cyflawni cyfoeth ac agoredrwydd tra'n aros yn gymedrol o ran graddfa.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae Forest Archetype Prif Swyddogaeth: Tŷ yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Forest Archetype Prif Swyddogaeth: Tŷ fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Forest Archetype Prif Swyddogaeth: Tŷ yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: This project is a residential building that reinterprets the spatial structure of a forest within a compact domestic setting.
Instead of relying on conventional room divisions, the house is organized through a layered structural system that integrates architecture and built in furniture.
Large, trunk like elements form the spatial backbone of the house, enabling diverse activities and visual connections.
By combining structural clarity with spatial flexibility, the design achieves richness and openness while remaining restrained in scale.
Dimensiynau a Phecynnu: Number of floors: 2 above ground
Eaves height: 5885mm
Maximum height: 6386mm
Site area: 1293.00m2
Building area: 85.11m2
(Building coverage ratio: 6.58%, allowable: 60%)
Total floor area: 124.14m2
(Floor area ratio: 9.60%, allowable: 200%)
First floor area: 72.16m2 Second floor area: 51.98m2
Construction type: Timber structure
Tagiau: house, architecture, forest, spatial structure, timber
Technoleg Cynhyrchu: The ceiling above the central void was finished with a low gloss metallic surface to control light reflection and enhance spatial depth.
This surface subtly reflects changes in daylight and surrounding vegetation throughout the seasons, contributing to environmental continuity without direct visual imitation.
Large suspended panels beneath the ceiling were designed as abstracted elements derived from surrounding trees, using simplified geometry and controlled spacing.
These elements modulate light, views, and scale, creating differentiated spatial conditions through material treatment rather than enclosure.
Her Dylunio: The primary challenge was balancing continuity with the forest while maintaining architectural clarity and structural stability.
From a creative perspective, the project required reconciling Japanese spatial traditions, such as the fragmentation of small rooms, with contemporary residential needs.
From a technical standpoint, ensuring sufficient structural performance in a timber building led to the adoption of a reinforced frame using aramid fiber sheets to address lateral forces.
Material selection was also critical, as silver steel surfaces were carefully introduced to reflect seasonal light without overwhelming the interior.
These challenges required close coordination between design intent, structural constraints, and construction feasibility.
Ymchwil: This project is based on design research exploring residential architecture adjacent to natural forests.
The objective was to understand how built space can coexist with a forest while maintaining continuity rather than separation.
The methodology involved on-site observation, spatial analysis, and iterative design testing.
Tools included site walks, sketches, physical models, and full-scale spatial studies.
The primary participants were the architect and the future occupants.
The result was a four layered spatial system that aligns architectural elements with the scale of trees.
This research demonstrates how architectural structure can enhance daily comfort and foster a closer relationship between living space and surrounding nature.
Ysbrydoliaeth: This project was inspired by repeated observations of a forest adjacent to the site.
Through walking and spending time within this environment, I became aware of its spatial order, formed by the vertical presence of trees and their layered relationships.

Rather than imitating the forest as a natural form, the design seeks to abstract its vitality into a clear architectural system.
This led to the development of large, trunk like structural elements arranged in layered compositions, responding to the trees along the cliff and translating their spatial logic into architecture.
Hyd y Prosiect: The project was completed in 2017 in Sapporo, Hokkaido, Japan.
Llif Gweithrediad: The house is experienced through movement rather than fixed rooms.
As occupants walk through the interior, the layered walls gradually align with the scale and rhythm of the surrounding trees.
This creates a continuous flow between inside and outside, where built elements and natural scenery visually overlap.

Living within the house involves moving through changing degrees of openness, light, and enclosure.
This interaction allows daily activities to unfold naturally, producing a calm and immersive environment that feels connected to the adjacent forest rather than separated from it.
Cydnabyddiaeth Delweddau: GLA