Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig by Yusuke Kamiyama

Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig by Yusuke Kamiyama is a highly esteemed winner of the very prestigious 2026 Gwobr Arian A' Design Award in Celfyddyd Gain Competition Category.

ArianCelfyddyd Gain· 2026

Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig

by Yusuke Kamiyama

Client: Spline Design Hub Inc.

Gwobr Arian A' Design Award Winner in Celfyddyd Gain Category

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The Design

About Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig

Testun y Llyfr: Mae Rhythm y Sbiral yn archwilio amser fel rhywbeth elastig, perthynol a byw. Caiff stribed o ddur sbring di-staen ei lunio'n ffurf sy'n esblygu'n barhaus gan ddeg ar hugain o freichiau mecanyddol. Mae'r breichiau'n symud mewn rhythmau cynnil, gwedd-symudol. Wrth i'r sbiral anadlu, troelli ac aildrefnu ei hun, nid yw unrhyw ddau eiliad byth yr un fath. Caiff y gwaith ei ysbrydoli gan brif sbring oriawr fecanyddol. Mae'n ailddehongli metel torchog fel llestr o egni wedi'i storio a llif amserol. Nid yw'r symudiad yn cael ei ailadrodd. Yn hytrach, datgelir newid trwy amrywiad rheoledig. Nid yw amser yn cael ei fesur, ond ei deimlo.

The Recognition

About the Gwobr Arian A' Design Award

Mae Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Cadence of the Spiral Prif Swyddogaeth: Gosodiad Cinetig yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Dimensions & Packaging: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Tags: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Production Technology: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Design Challenge: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Research: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Inspiration: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Project Duration: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Operation Flow: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Patents: Copyrights belong to Spline Design Hub Inc., 2025.
Team Members: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Image Credits: IMAGE CREDITS: Daisuke Ohki