Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys by Tomohiro Katsuki

Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys by Tomohiro Katsuki is a highly esteemed winner of the very prestigious 2020 Gwobr Efydd A' Design Award in Mewnol Competition Category.

EfyddMewnol· 2020

Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys

by Tomohiro Katsuki

Client: Prism Design

Gwobr Efydd A' Design Award Winner in Mewnol Category

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Colors

The Design

About Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys

Mae Fontworks Inc. Tokyo yn fewnol pencadlys ar gyfer bwrw teip, wedi'i leoli ar y pumed llawr o adeilad yn Minato-ku, Tokyo. Mae'r swyddfa'n cwmpasu 431 metr sgwâr ac wedi'i chynllunio o amgylch cyfuniad o waith analog a digidol. Mae desg siâp-C yn cynnal tasgau creadigol a chydweithio rhwng gweithwyr. Mae sgrin fawr wedi'i gosod yng nghanol wal yn aros mewn cysylltiad â'r Creative Lab yn Fukuoka, fel bod modd i'r ddau safle gyfathrebu ar-lein. Mae mainc siâp-grisiau ger y fynedfa yn caniatáu cyfarfodydd achlysurol gydag ymwelwyr. Ymhlith y deunyddiau mae teils carped, pren, Corian, dur a bwrdd corc.

The Recognition

About the Gwobr Efydd A' Design Award

Mae Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Fontworks Inc. Tokyo Dyluniad Mewnol Pencadlys yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely”
Dimensions & Packaging: AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900ｍm（slab:H4100ｍｍ）
Tags: Interior, Office, Design ,Font
Production Technology: From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.

MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC ＆ Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint ＆Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK ＆ WHITE Writing Laminated Sheets
12.Steel（BLACK ＆ WHITE Paint）
13.Cork board
Design Challenge: In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval.
Research: We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard.
Inspiration: On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
Project Duration: ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019.
Operation Flow: The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font.
Team Members: 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU
Image Credits: All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi