The Birth of a Book Libro de Urszula Giren

La dizajno The Birth of a Book Libro de Urszula Giren estas tre estimata gajninto de la prestiĝa 2020 Ora A' Design Award en la Konkursa Kategorio Presita kaj Publikigita Amaskomunikila Dezajno.

OroPresaĵo· 2020

The Birth of a Book Libro

de Urszula Giren

Kliento: Urszula Gireń

Gajninto de Ora A' Design Award en la Kategorio Presaĵo

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Koloroj

La Dezajno

Pri The Birth of a Book Libro

La Naskiĝo de Libro estas presita publikaĵo pri librodesegnado en la 16-a jarcenta Pollando. La libro prezentas malnovajn presaĵojn en reala grandeco, tiel ke legantoj povas vidi la originalajn formatojn. La polvokovrilo montras la enpaĝigan metodon uzitan por la malnova oktavo-formato. Rubanda legosigno markas la altojn de foliantaj, kvartaj kaj oktavaj libroj. Lignogravuraĵoj sur la titolpaĝoj estas presitaj en kolora inversigo, memorigante pri matricoj kovritaj per nigra inko. La formato estas 256 je 320 milimetroj, kun 560 paĝoj kaj proksimume 1200 ilustraĵoj. La celo estas klarigi renesancajn presmetodojn al vasta legantaro.

La Agnosko

Pri la Ora A' Design Award

The Birth of a Book Libro estas gajninto de la Ora A' Design Award, treege prestiĝa rekono donata al unuaklasaj, mirindaj kaj elstaraj dezajnoj. La Oraj gajnintoj estas treege novigaj, viziecaj kaj glamure miregigaj kreaĵoj, kiuj reflektas la talenton, saĝon kaj lertecon de siaj dezajnistoj. Oni atendas, ke The Birth of a Book Libro estu tre laŭdata, tendencdifina kaj monumenta inventaĵo, kiu liveras senprecedencan valoron. Ĉi tiu dezajno gajninta la Oran A' Design Award estas spektakla, estimata projekto, kiu tre profitigas kaj antaŭenigas la limojn de arto, scienco, dezajno kaj teknologio. The Birth of a Book Libro kreas intensajn dezirsentojn, vekas pasion, kuraĝigas kreemon kaj fascinas nin.

Malantaŭ la Dezajno

Gazetara Dosiero

Kreditoj, teamanoj kaj teknikaj detaloj provizitaj de la dezajnisto.

Unikaj Ecoj: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Dimensioj kaj Pakado: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Etikedoj: renaissance book, first roman typefaces, old prints, typography
Produkta Teknologio: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Dizajna Defio: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Esplorado: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inspiro: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Projekta Daŭro: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Funkcia Fluo: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Bildaj Kreditoj: Urszula Gireń / 2019