Forest Heart El Cuadro De Madera de Mohamadali Vadood

El diseño Forest Heart El Cuadro De Madera de Mohamadali Vadood es un ganador altamente estimado del prestigioso 2020 A' Design Award de Hierro en la categoría de competición Bellas Artes y Diseño de Instalaciones Artísticas.

HierroBellas Artes· 2020

Forest Heart El Cuadro De Madera

de Mohamadali Vadood

Cliente: Gerdayesh

Ganador del A' Design Award de Hierro en la Categoría Bellas Artes

16,991

Ganador de Premio Verificado

Verificar Estado del Premio para #86837

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Colores

El Diseño

Acerca de Forest Heart El Cuadro De Madera

Forest Heart es un trabajo similar a un proyecto en Naqshbandi, un método de hacer marquetería que afirma ser la implementación de un nuevo período en la historia de este arte de la madera. Inicialmente, representa la figura de un pájaro, cada pieza de su cuerpo de la madera de un árbol del bosque. Sin embargo, lo destacable no es solo mantener los colores originales de las maderas, como se suele hacer en todos los trabajos de marquetería, sino que también guarda patrones, ondas de sombra claras y texturas. Un mundo de descubrimientos sorprendentes que cada pieza tiene incluso con un aspecto de lupa, para que sus espectadores puedan detectar las fortuidades naturales de las maderas.

El Reconocimiento

Acerca del A' Design Award de Hierro

Forest Heart El Cuadro De Madera ha ganado el A' Design Award de Hierro, un reconocimiento prestigioso concedido a buenos diseños que cumplen los requisitos profesionales e industriales que se esperan de creaciones bien diseñadas. Los ganadores de Hierro demuestran gran habilidad, alta especialización, comprensión experta y capacidad creativa de sus creadores. Se espera que Forest Heart El Cuadro De Madera sea una creación muy apreciada, admirada y querida, práctica e innovadora. Este diseño ganador del A' Design Award de Hierro integra las mejores prácticas del sector y tiene características técnicas competentes unidas a conocimiento práctico y talento. Forest Heart El Cuadro De Madera es respetado por su minuciosidad y está concebido para aportar mejoras en la calidad de vida que ayudan a hacer del mundo un lugar mejor.

Detrás del Diseño

Kit de Prensa

Créditos, miembros del equipo y detalles técnicos proporcionados por el diseñador.

Propiedades Únicas: This art project tries to fulfill three intended purposes:
1. Taking a fresh look at wood to explore a new perception in it and to harmonize with its pure nature as well, so we can come up with original ideas to create real art.
2. Applying an innovative technique in working with wood and also in using common tools so we could achieve adequate quality in our performance.
3. Discovering, creating and defining new ways to gain desired images by tracing natural patterns in pieces of wood and making a synthesis between them.
Dimensiones y Embalaje: The size is 35 in 60 cm.
The thickness of wood sheets were 4 mm.
The number of pieces are 47.
The weight is 700 gr.
All the colours and shades are chosen carefully to seize the natural fortuities in the woods.
Etiquetas: naqshbandi, wood pattern tracing, marquetry, wood pattern, double cut, wood texture, wood cut, coping saw, wood character, wood art
Tecnología de Producción: Defining a geometrical table based on cutting angles plus a method of cutting for even 1 mm pieces, and trying to have desired wood patterns and spots by restoring in perfect conditions like natural moisture percentage, etc. to benefit from bacteria activity were the main production phases.
The types of wood, they were haloxylon for the body and the head, barberry for the tail, fig for the feet, tree of heaven for the nose and the leaves, acer monspessulanum (keykom) for the leaves again, jujube for the beak, European ash for the background and wenge for the margin.
The tools were coping saw, plane, sanding paper, nail and hammer.
Desafío de Diseño: Defining geometrical patterns of cuts so that pieces of wood could save their original patterns, overcoming the thickness of cutline without using primer, and coming up with the idea of what I call Double-cut at the time of sanding to prevent the destruction of sub-patterns and sub-textures and save the main image are the parts of this work that ended up being its challenges.
Investigación: Naqshbandi is a new method or attitude which is used to create this piece and aims to benefit from connecting lines, expanding textures from one piece to another, and deciding upon the true light shade, not just the colour contrast and various tonalities as it is usual in other works of marquetry. It requires the artist to make a full-hearted attempt to harmonize themselves with the nature of wood as much as possible, and help them grow a clear perception of their work and gain a direct inspiration from natural fortuities given by wood. So, the whole thing will finally sound the art of nature in the eye of beholder.
Inspiración: Natural wood structure, consisting of a variety of colours, illusory lines, special texture and darkened and bright spots with special makeup during the growth of the tree, can broaden any individuals' horizon in many impossible to imagine ways. The cutting angle of the wood makes these motifs look even more varied on the surface of a piece, cut from the main wood. With this discovery of what the cutting angle leads to what l am thinking of, l came up with this idea that I would find a base for this to control the patterns, lines and colors of the wood to create an originally incredible image based on the nature of wood and not manual changes.
Duración del Proyecto: This work was created, in Tehran, started and finished in 2010, and to find appropriate woods they were provided from different places.
It took 6 months to accomplish the project as it turned out to be time-consuming to find desired wood pieces.
Flujo de Operación: In this project-like work of art you can see a specific way of working with wood using the fewest pieces and mainly benefiting from the natural colour and also texture of the wood so you can build up a perfectly complete image, which actually cannot be repeated or copied as patterns in each piece are naturlly unique. Thus, it can be artistically used as a piece of decoration, specifically in wood-based decorated spaces on the wall or a shelf.
As for the transformation, it could be carried in a box of the same size and as it deos not weigh that much or take up much space, it does not matter a special transport.
Miembros del Equipo: the artist and the founding father of the method: Mohammad-ali Vadood