Urszula Giren diseinatzailearen The Birth of a Book Liburua

Urszula Giren diseinatzailearen The Birth of a Book Liburua lana 2020 Urrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Inprimaki eta Argitaratutako Komunikabide Diseinua Lehiaketa Kategorian.

UrreInprimakia· 2020

The Birth of a Book Liburua

diseinatzailea: Urszula Giren

Bezeroa: Urszula Gireń

Urrezko Saria A' Design Award Irabazlea Inprimakia Kategorian

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Diseinua

The Birth of a Book Liburua Diseinuari Buruz

Liburu baten Jaiotza XVI. mendeko Poloniako liburu-diseinuari buruzko argitalpen inprimatu bat da. Liburuak inprimaki zaharrak benetako tamainan aurkezten ditu, irakurleek jatorrizko formatuak ikus ditzaten. Hautsetatik babesteko azalak antzinako zortzireneko formatuan erabilitako inposizio-metodoa erakusten du. Zinta batek folio, laurdeneko eta zortzireneko liburuen altuerak markatzen ditu. Titulu-orrietako egur-grabatuak kolore-alderantzikatuan inprimatuta daude, tinta beltzez estalitako matrizeak gogoraraziz. Formatua 256 x 320 milimetrokoa da, 560 orrialde eta 1200 ilustrazio inguru dituela. Helburua Errenazimentuko inprimatze-metodoak irakurlego zabal bati azaltzea da.

Aintzatespena

Urrezko Saria A' Design Award Sariari Buruz

The Birth of a Book Liburua Urrezko Saria A' Design Award irabazlea da, lehen mailako, zoragarriak eta nabarmenak diren diseinuei ematen zaien aitorpen izugarri prestijiotsua. Urre-mailako irabazleak berrikuntzaz beteriko, ikuspegi handiko eta distiraz liluragarriak diren sorkuntzak dira, beren diseinatzaileen genioa, jakituria eta trebetasuna islatzen dutenak. The Birth of a Book Liburua oso goraipatua, joera-markatzailea eta monumentala den asmakizuna izatea espero da, balio aurrekaririk gabea eskaintzen duena. Urrezko Saria A' Design Award irabazi duen diseinu hau proiektu ikusgarri eta errespetatua da, artearen, zientziaren, diseinuaren eta teknologiaren mugak oso onuragarriro zabaltzen dituena. The Birth of a Book Liburua desira-sentimendu biziak sortzen dituen, grina pizten duen, sormena bultzatzen duen eta liluratzen gaituen lana da.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Neurriak eta Ontziratzea: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Etiketak: renaissance book, first roman typefaces, old prints, typography
Produkzio Teknologia: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Diseinu Erronka: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Ikerketa: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inspirazioa: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Proiektuaren Iraupena: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Eragiketa Fluxua: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Irudi Kredituak: Urszula Gireń / 2019