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Radiance of Nature with Urushi Ferljochting by Yu Watanabe

Radiance of Nature with Urushi Ferljochting by Yu Watanabe is a highly esteemed winner of the very prestigious 2024 A' Design Award yn Sulver in Ferljochtingsprodukten en Armatueren Ûntwerp Competition Category.


SulverFerljochting· 2024

Radiance of Nature with Urushi Ferljochting

by Yu Watanabe

Client: Yu Watanabe

A' Design Award yn Sulver Winner in Ferljochting Category

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The Design

About Radiance of Nature with Urushi Ferljochting

Ôflaat fan duorsume woune natuerlike sêp yn Japan wurdt Urushi-lak oanbrocht op bamboe, wêrby't in meislepende romte ûntstiet tusken beameftiche foarmen. Oars as yn de Westerske kultuer, dêr't minsken skaden út romten wiskje, makket dit projekt bewust skaden as ûnderdiel fan estetike skientme. De kolommen fan Urushi kinne in kearselachtig ljocht yn in tsjustere romte wjerspeggelje, wêrby't se in ljochtjende gloed ôfjouwe dy't in gefoel fan de djipte fan it tsjuster jout. De unike eigenskippen fan foarm en ljocht meitsje in betoverjend gearspul fan ljochtwjerspeggelingen en skaden, dy't in mikrokosmiese romte opropt dy't oan de natuer tinken lit.

The Recognition

About the A' Design Award yn Sulver

Radiance of Nature with Urushi Ferljochting is in winner fan de A' Design Award yn Sulver, in bûtengewoan prestisjeuze erkenning foar topûntwerpen dy't prachtich en yndrukwekkend binne. Sulverwinners binne tige briljante en ekstreem kreative wurken dy't de treflike ekspertize, it talint en de skerpsinnigens fan har ûntwerpers yllustrearje. Fan Radiance of Nature with Urushi Ferljochting wurdt ferwachte dat it in prachtich foarbyldwurk is, opmerklik profesjoneel en djip ynnovatyf. Dit winnende ûntwerp fan de A' Design Award yn Sulver is in tige opfallende, bewûndere útfining dy't foardiel bringt en de grinzen fan keunst, wittenskip, ûntwerp en technology ferleget. Radiance of Nature with Urushi Ferljochting is in skepping dêr't breed oerjûn wurdt, dy't winsken wekker makket, positive gefoelens bringt en ferwûnderjen en fernuvering opwekket.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Dimensions & Packaging
The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Tags
Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Production Technology
Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Design Challenge
Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Research
Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Inspiration
Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Project Duration
The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Operation Flow
Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Image Credits
ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

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