The Japanese Forest Fotografy by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 A' Design Award yn Sulver in Fotografie en Fotomanipulaasje Ûntwerp Competition Category.
SulverFotografie· 2020
The Japanese Forest Fotografy
Client: Sunpono
A' Design Award yn Sulver Winner in Fotografie Category
Verified Award Winner
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About The Japanese Forest Fotografy
It Japanske Wâld is nommen út in Japansk religieus perspektyf. Ien fan 'e Japanske âlde religys is Animisme. Animisme is in leauwe dat net-minsklike skepsels, stilleven (mineralen, artefakten, ensfh.) En ûnsichtbere dingen ek in bedoeling hawwe. Fotografie is gelyk oan dit. Masaru Eguchi sjit wat dat gefoel makket yn it ûnderwerp. Beammen, gers en mineralen fiele de wil fan it libben. En sels artefakten lykas dammen dy't in lange tiid yn 'e natuer efterlitten fiele de wil. Krekt as jo de untoucheare natuer sjogge, sil de takomst it hjoeddeistige lânskip sjen.
The Recognition
About the A' Design Award yn Sulver
The Japanese Forest Fotografy is in winner fan de A' Design Award yn Sulver, in bûtengewoan prestisjeuze erkenning foar topûntwerpen dy't prachtich en yndrukwekkend binne. Sulverwinners binne tige briljante en ekstreem kreative wurken dy't de treflike ekspertize, it talint en de skerpsinnigens fan har ûntwerpers yllustrearje. Fan The Japanese Forest Fotografy wurdt ferwachte dat it in prachtich foarbyldwurk is, opmerklik profesjoneel en djip ynnovatyf. Dit winnende ûntwerp fan de A' Design Award yn Sulver is in tige opfallende, bewûndere útfining dy't foardiel bringt en de grinzen fan keunst, wittenskip, ûntwerp en technology ferleget. The Japanese Forest Fotografy is in skepping dêr't breed oerjûn wurdt, dy't winsken wekker makket, positive gefoelens bringt en ferwûnderjen en fernuvering opwekket.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people. - Dimensions & Packaging
- The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
- Tags
- Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
- Production Technology
- The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
- Design Challenge
- The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
- Research
- Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
- Inspiration
- One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
- Project Duration
- The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
- Operation Flow
- This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
- Patents
- Copyright: Masaru Eguchi
- Image Credits
- Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.
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