Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail le BIAS Architects and Associates

Tha Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail le BIAS Architects and Associates na bhuannaiche air leth urramach anns an fharpais chliùitich 2021 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Thachartasan agus Thachartasan.

AirgeadTachartas· 2021

Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail

le BIAS Architects and Associates

Neach-ceannach: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Buannaiche Duais Airgid A' Design Award ann an Roinn Tachartas

45,374

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #123023

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail

Bho 2018, tha BIAS air fèis bhailteil a leasachadh agus a chuir an gnìomh gus baile Daxi a chuideachadh ag ullachadh airson prìomh chuirm cràbhach an àite. Mar as trice, tha deas-ghnàthan Taiwanese glèidhteach agus stèidhichte air traidiseanan dùthchail a tha ag òrdachadh seata teann de riaghailtean. Gus seun chreideasan dùthchail a cho-roinn leis a’ mhòr-shluagh bailteil, rinn BIAS na traidiseanan a mheadhanachadh le seata ro-innleachdail de eadar-theachdan dealbhaidh agus gnìomhachd a bheir bèibidh cultar pop don tachartas. Gu sònraichte, bha BIAS na ghlèidheadair agus thug e cuireadh do ghrunn luchd-ealain òga agus luchd-dealbhaidh co-obrachadh leis an fheadhainn a tha a’ gleidheadh seann traidiseanan.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Daxi Daxi A Th’ Ann Am Fèis Chultar Ionadail na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Tomhasan & Pacadh: Total event area: 121,000 sqm
Tagaichean: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Teicneòlas Cinneasachaidh: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Dùbhlan Dealbhaidh: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Rannsachadh: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Brosnachadh: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Faid a' Phròiseict: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Sruth Obrachaidh: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Buill na Sgioba: Main Curator: BIAS Architects & Associates
Creideasan Dhealbhan: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018