Gearr leum chun t-susbaint
Radiance of Nature with Urushi Soilseachadh le Yu Watanabe

Tha Radiance of Nature with Urushi Soilseachadh le Yu Watanabe na bhuannaiche air leth urramach anns an fharpais chliùitich 2024 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Thoraidhean is Fhicstiùirean Soillseachaidh.


AirgeadSoillseachadh· 2024

Radiance of Nature with Urushi Soilseachadh

le Yu Watanabe

Neach-ceannach: Yu Watanabe

Buannaiche Duais Airgid A' Design Award ann an Roinn Soillseachadh

78,009

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #154276

Dathan

An Dealbhadh

Mu dheidhinn Radiance of Nature with Urushi Soilseachadh

Air a thoirt à sùgh nàdarra a chaidh a bhuain gu seasmhach ann an Iapan, tha lacair Urushi air a chur air bambù a' cruthachadh àite tumaidh am measg chumaidhean coltach ri craobhan. Eu-coltach ri cultar an Iar, far am bi daoine a' toirt sgàilean air falbh bhon àite, tha am pròiseact seo a' cruthachadh sgàilean a dh'aon ghnothach mar phàirt de mhaise aistetaigeach. Faodaidh colbhan Urushi solas coltach ri coinneal a nochdadh ann an seòmar dorcha, a' sgaoileadh dealradh soilleir a bheir mothachadh air doimhneachd an dorchadais. Tha feartan sònraichte cruth is solas a' cruthachadh eadar-chluich tharraingeach de dh'ath-nochdaidhean solais agus sgàilean a' dùsgadh àite micreachosmach a chuireas nàdar an cuimhne.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Radiance of Nature with Urushi Soilseachadh air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Radiance of Nature with Urushi Soilseachadh na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Radiance of Nature with Urushi Soilseachadh na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte
Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Tomhasan & Pacadh
The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Tagaichean
Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Teicneòlas Cinneasachaidh
Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Dùbhlan Dealbhaidh
Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Rannsachadh
Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Brosnachadh
Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Faid a' Phròiseict
The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Sruth Obrachaidh
Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Creideasan Dhealbhan
ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

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