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Chinza No Manma Ao Ailtireachd le Yuki Ijichi

Tha Chinza No Manma Ao Ailtireachd le Yuki Ijichi na bhuannaiche air leth urramach anns an fharpais chliùitich 2024 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Ailtireachd, Togalaichean agus Structaran.


UmhaAiltireachd· 2024

Chinza No Manma Ao Ailtireachd

le Yuki Ijichi

Neach-ceannach: Chinza No Manma Ao

Buannaiche Duais Umha A' Design Award ann an Roinn Ailtireachd

17,510

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #158888

Dathan

An Dealbhadh

Mu dheidhinn Chinza No Manma Ao Ailtireachd

Tha bun-bheachd na h-ailtireachd seo stèidhichte air an shide a tha a' riochdachadh àite sònraichte ann an creideamh Shinto Iapanach, agus tha cumadh an shide air a thoirt a-steach don ailtireachd. Tha suaicheantas a' bhùtha stèidhichte air bun-bheachd an shime-nawa, ròp naomh a tha a' riochdachadh an àite naoimh còmhla ris an shide, agus tha cumadh an ròpa air a chleachdadh mar shamhla an t-suaicheantas. Mar sin, bhon ailtireachd chun a' bhrand, tha dealbhadh Chinza no Mamma Ao aonaichte le eileamaidean Shinto.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Chinza No Manma Ao Ailtireachd air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Chinza No Manma Ao Ailtireachd na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Chinza No Manma Ao Ailtireachd a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte
This is an architectural design based on the concept of Shintoism, a Japanese cultural connotation, and is characterized by the fact that it is incorporated into architecture based on the concept.
Therefore, the design embodies a Japanese concept that is not merely characterized by architectural structure and design, but is also related in meaning from the hardware of architecture to the software of logo design.
Tomhasan & Pacadh
Since the building was originally to be constructed on a site surrounded by trees, the size of the site was secured while taking into consideration the extent of the tree roots' influence and the landscape. In consideration of the fact that the store will be open from early morning until night, we also planned to bring in the morning sun in the morning and natural light during the daytime.
Many natural materials were used to evoke the sacredness of Shinto and Japanese culture. In the kitchen, real camellia stone was used to represent the rock where the gods dwell, and Kagoshima lava stone was used for the cash register counter, creating a commonality between the kitchen and the stone. The walls are made of shirasu, which is inspired by the shirasu plateau in Aira, Kagoshima, as a sacred building rooted in the land, and at the same time, the warm texture, function, and meaning of the material, such as moisture absorption, are also used. The wood is quarter-sawn, giving the impression of softness, and the space is simple and clean.
Tagaichean
Store Design, Architecture, Interior Design, Branding, Sign Design, Japan, Chinza No Manma Ao, Japanese Culture, Shinto, Shide
Teicneòlas Cinneasachaidh
The site of Chinza No Manma Ao is located on a lawn where trees are gathered, and in conjunction with the image of Chin-za (meaning the spirit of the gods resides) in the name of the restaurant, the site was designed as a Chinju-no-mori (a forest surrounding the approach and worship hall of a shrine). The restaurant was designed as a special place where the source of life called food gathers and is connected (a place where the spirits of the gods reside).
In order to symbolically represent the special place as a building, the concept of the building was based on the Shi-de, which is used in Shinto to indicate purity and sanctity and to divide the area.
The building was designed by combining this alternating shape with that of the Taisha-zukuri,form one of Japan's oldest shrine architectural styles.
Dùbhlan Dealbhaidh
The design concept of Japanese culture and Shintoism, a difficult theme to grasp, was difficult to balance with the feasibility of expression and the maintainability of the building after construction was completed.
In the kitchen, the Iwa-kura (meaning a rock on which a deity dwells) was expressed by having skilled masons pile up real stones and affix them to the wall surface.
In addition, we designed the building to express Shintoism and Japanese culture by taking advantage of various conditions, such as the extent of influence of trees on the site, the landscape, the lighting plan, and the shape of the building.
It was difficult to achieve consistency between the different natures of hardware (the building) and software (the brand), but by incorporating tools used in Shintoism to symbolize special areas into the architectural and branding concepts, respectively, the building design and branding were linked.
Brosnachadh
The project was inspired by the word Chin-za in the name of the restaurant (a Shin-to word meaning the dwelling of the divine spirit), and the building was designed with the theme of creating a special area where the source of life, food, based on Japanese cultural background, gathers and connects.
Faid a' Phròiseict
The project started in Japan in July 2022, completed in September 2023, and opened in October 2023.
Creideasan Dhealbhan
Image #1 : Photographer Ippei Nakamura
Image #2 : Photographer Ippei Nakamura
Image #3 : Photographer Ippei Nakamura
Image #4 : Photographer Ippei Nakamura
Image #5 : Photographer Ippei Nakamura

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