Tha Shiroyama Taigh-bìdh le Ivan Krupin na bhuannaiche air leth urramach anns an fharpais chliùitich 2025 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Àiteachan Taobh a-staigh agus Taisbeanaidh.

AirgeadTaobh a-staigh· 2025

Shiroyama Taigh-bìdh

le Ivan Krupin

Neach-ceannach: Shiroyama

Buannaiche Duais Airgid A' Design Award ann an Roinn Taobh a-staigh

24,210

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #165963

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Shiroyama Taigh-bìdh

'S e prìomh chuspair a' phròiseict eadar-dhruigheadh agus eadar-cheangal. Tha an dealbhadh a' cothlamadh samhlaidhean agus samhladh cultarach bho chultar Kazakh is Iapanach. Tha cuspair Gàrradh Creige Ryoanji agus Wabi Sabi air fhighe gu còrdail ris a' chraobh naomh Baiterek agus sreath bheanntan stilithe Bozzhira. Tha an nàdar mun cuairt a' dol a-steach don taobh a-staigh ann an cruth chlachan a thogadh bhon chladach, sofathan air an stileadh mar chreagan agus a' lìonadh an àite le solas air a thilleadh bhon mhullach mheatailt, a thuilleadh air raon nàdarra de stuthan.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Shiroyama Taigh-bìdh air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Shiroyama Taigh-bìdh na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Shiroyama Taigh-bìdh na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The main theme of the project is interpenetration and interconnection. Starting with the name, Japanese translation of the name of the location, through the relationship with the nature of the rocky seashore on which the restaurant is located and ending with the interpenetration of Japanese and Kazakh culture, expressed in metaphors, colors and selection of materials and author’s elements. Each element in the interior has its own meaning and contribution to the overall harmony and atmosphere.
Tomhasan & Pacadh: Total area of the restaurant is 286 sqm.
Tagaichean: Shiroyama, Uniting, Culture, Nature, Restaurant
Teicneòlas Cinneasachaidh: An interesting point is that to save money, CBPB slabs were used to imitate concrete panels in wall decoration. Characteristic local materials were also used, such as tabletops made of local Elm, and stones were taken from the shore under the windows of the restaurant. A podium in the center of the room allows patrons behind the bar to use regular chairs, eliminating the difference in height.
Dùbhlan Dealbhaidh: The main challenge when creating the project was the construction budget, as well as the remoteness and isolation of the city. The search for cost reduction and the need to use local possibilities and materials were the main problems when creating the interior
Rannsachadh: An important point in the creation of the project was the task of immersing visitors in a harmonious atmosphere of the environment and showing how local nature and culture can subtly resonate with another culture. My goal was to give visitors a sense of harmony between Japanese cuisine and their familiar surroundings and cultural symbols, without going into design for the sake of design in the form of just a good impersonal interior.
Brosnachadh: I found inspiration in the nature of the Caspian Sea coast, on the shore of which the restaurant is located, and panoramic glazing allows us to strengthen this connection. I looked for themes in Japanese and Kazakh culture to combine them. Thus, the central composition personifies the sacred Baiterek tree, uniting the past, present and future in Kazakh culture, which is reflected in the stylized inverted sea, while other elements gently lead into the atmosphere of Japanese contemplation
Faid a' Phròiseict: The project started in January 2023 and was completed in March 2024. Located in Aktau, Kazakhstan.
Sruth Obrachaidh: The interior was created taking into account changes in natural light throughout the day. In the morning it is filled with sunlight and becomes light, thanks to the reflective property of the metal ceiling, in the evening the reflection of the sunset fills it with its own shades, and at night the restaurant is immersed in a cozy atmosphere created by accent lighting and a variety of backlights that highlight the architecture and interior elements.
Creideasan Dhealbhan: Image #1 : Photographer Rauf Ismailov
Optional image #1 : Photographer Rauf Ismailov
Optional image #2 : Photographer Rauf Ismailov
Optional image #3 : Photographer Rauf Ismailov
Optional image #4 : Photographer Ivan Krupin