Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò le B'in Live Co., Ltd.

Tha Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò le B'in Live Co., Ltd. na bhuannaiche air leth urramach anns an fharpais chliùitich 2026 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Thachartasan agus Thachartasan.

AirgeadTachartas· 2026

Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò

le B'in Live Co., Ltd.

Neach-ceannach: B’in Live Co., Ltd

Buannaiche Duais Airgid A' Design Award ann an Roinn Tachartas

21,110

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #176733

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò

'S e àrd-ùrlar turais chuirm-chiùil beò a th' ann an Rene Final Call, air a dhealbhadh airson luchd-èisteachd lann-mòir. Tha an t-àrd-ùrlar ceithir-thaobhach 28 meatairean de leud, 22 meatairean de dh'fhaid agus 2.2 meatairean de dh'àirde, gus am fan loidhnichean-seallaidh cothromaichte. Bidh clàr-tionndaidh meadhanach ag èirigh gu 3.6 meatairean agus ag obair còmhla ri deich àrdaichearan neo-eisimeileach gus cumaidhean-tìre caochlaideach a chruthachadh. Tha a' chuirm a' gluasad tro cheithir caibideilean, a' dol bho shealladh fon uisge gu fàinneachan ceumnaichte de sgrath agus cactasan. Tha matrix LED trì-sheallach dìreach a' taisbeanadh faclan nan òran ann an sruth. Leigidh co-phàirtean modúlach leis an structar a bhith air ath-chur ri chèile agus air ath-chleachdadh.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Rene Final Call Dealbhadh Àrd-ùrlair Cuirm-chiùil Beò na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
Tomhasan & Pacadh: The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
Tagaichean: 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
Teicneòlas Cinneasachaidh: The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
Dùbhlan Dealbhaidh: The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
Rannsachadh: The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
Brosnachadh: Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
Faid a' Phròiseict: The project finished in 2025 in Taiwan.
Sruth Obrachaidh: Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
Buill na Sgioba: B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu
Creideasan Dhealbhan: B’IN LIVE CO., LTD.