Tea Culture Primary Function: Sala de Experiencia da Cultura do Té de Shenzhen Horizon Space Design Co.,Ltd

O deseño Tea Culture Primary Function: Sala de Experiencia da Cultura do Té de Shenzhen Horizon Space Design Co.,Ltd é un estimado gañador do moi prestixioso 2021 A' Design Award de Prata na Categoría de Competición Deseño de Espazos Interiores e de Exposición.

PrataInteriorismo· 2021

Tea Culture Primary Function: Sala de Experiencia da Cultura do Té

de Shenzhen Horizon Space Design Co.,Ltd

Cliente: Shenzhen Horizon Space Design Co.,Ltd

Gañador do A' Design Award de Prata na Categoría Interiorismo

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O Deseño

Sobre Tea Culture Primary Function: Sala de Experiencia da Cultura do Té

Cultura do Té é unha pequena sala de experiencia da cultura do té deseñada como un ambiente sereno para degustar té. Varios espazos horizontais e verticais únense nunha única área continua onde as persoas visitantes poden camiñar libremente, atoparse entre si ou deterse e mirar cara atrás. A distribución inspirouse no papel dobrado, e os cambios de perspectiva resultantes confiren ao interior tanto quietude clásica como vitalidade moderna. Unhas grellas esveltas substitúen a textura superficial do papel. Cada espazo redúcese a unha función sinxela, de xeito que as persoas visitantes poden relaxarse antes de que se sirva o té.

O Recoñecemento

Sobre o A' Design Award de Prata

Tea Culture Primary Function: Sala de Experiencia da Cultura do Té gañou o A' Design Award de Prata, un recoñecemento enormemente prestixioso outorgado a deseños de gama alta, fermosos e impresionantes. Os gañadores Prata son obras tremendamente brillantes e sumamente creativas que ilustran a pericia, o talento e a agudeza sobresaíntes dos seus deseñadores. Espérase que Tea Culture Primary Function: Sala de Experiencia da Cultura do Té sexa unha obra marabillosa, escaparate de oficio, notablemente profesional e profundamente innovadora. Este deseño gañador do A' Design Award de Prata é unha invención moi notable e admirada que beneficia e fai avanzar os límites da arte, a ciencia, o deseño e a tecnoloxía. Tea Culture Primary Function: Sala de Experiencia da Cultura do Té é unha creación moi envexada que esperta desexos, achega sentimentos positivos e prende asombro e marabilla.

Detrás do deseño

Kit de prensa

Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.

Propiedades Únicas: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Dimensións e Embalaxe: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Etiquetas: Tea Culture Exploration Hall
Tecnoloxía de Produción: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiración: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Membros do Equipo: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu