For Georges Rousse Primary Function: Aguyje ra'ãnga Hasong Lee omba'apóva

For Georges Rousse Primary Function: Aguyje ra'ãnga Hasong Lee omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Jopói Jejapo Ñeha'ã Categoría-pe.

PlátaJopói· 2020

For Georges Rousse Primary Function: Aguyje ra'ãnga

Hasong Lee -gua

Mba'eporuhára: Hasong Lee

A' Design Award Pláta Rembiporuarã Jopói Categoría-pe

85,670

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #104814 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

For Georges Rousse Primary Function: Aguyje ra'ãnga Rehegua

Book Text: Georges Rousse-pe guarã ha'e peteĩ aguyje ra'ãnga ojejapóva omomba'eguasúvo peteĩ Francia-ygua ta'ãngamýi apoharépe. Pe aguyje ra'ãnga ha'e peteĩ ta'ãnga mbohapy jekuaáva ojejapóva anamorfosis rehe, peteĩ óptico mba'eapo omohechaukáva peteĩ ta'ãnga ivaipáva heta ijeku'ási guive. Ojehecha peteĩ tenda ha'eñógui, umi jekutupa oñemboja ha ohechauka peteĩ apu'a perã oguerekóva jeike sa'yguáva. Pe ta'ãnga oñemoheñói peteĩ computadora aporape ta'ãnga mbohapy jekuaáva reheve. Umi cupro-níquel ha kuarepotiti apesã oñekytĩ, oñemokã ha oñemboja, upéi oñemosa'y aku rupive omoheñói peteĩ jehechaukapa hũ ha morotĩ apytépe. Pe aguyje ra'ãnga oguereko 115 rire 137 rire 154 milímetro.

Jeguerohory

A' Design Award Pláta Rehegua

For Georges Rousse Primary Function: Aguyje ra'ãnga ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ For Georges Rousse Primary Function: Aguyje ra'ãnga ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. For Georges Rousse Primary Function: Aguyje ra'ãnga ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Tuichakue ha Ñemyenyhẽ: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Ñe'ẽ Rape: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Ñeapopy Tecnología: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Diseño Jepy'apy: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Ñesẽheka: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Inspiración: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Proyecto Ára Tuichakue: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Mba'apo Rape: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Aty Rembiguái: Hasong Lee
Ta'ãnga Mba'eñemoneĩ: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.