Fading Traditional Trades and Crafts Kuatiañe'ẽ Jesvin Yeo omba'apóva

Fading Traditional Trades and Crafts Kuatiañe'ẽ Jesvin Yeo omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Itaju pegua Kuatiañe'ẽ Jejapo Ñeha'ã Categoría-pe.

ItajuKuatiañe'ẽ· 2022

Fading Traditional Trades and Crafts Kuatiañe'ẽ

Jesvin Yeo -gua

A' Design Award Itaju Rembiporuarã Kuatiañe'ẽ Categoría-pe

659,971

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #140455 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Fading Traditional Trades and Crafts Kuatiañe'ẽ Rehegua

Ko kuatiañe'ẽ oiporu embossing 3D (relieve 3D) omoñe'ẽ ha omomba'eguasu hag̃ua umi mba'e michĩva porãitéva umi mba'apoguasu oñemba'apóva porã umi mba'epoharakuéra ymaguaréva Singapur-gua, ygarupa papel rupive, joha India-gua ha sapatu perlágui Peranakan-gua peve. Umi páhina sa'yju ohechauka ojupíva ha oguejýva umi tembiapo ymaguaréva, oñepyrũvo iñepyrũha árafie (kirirĩ) iépoca dorada peve (sa'yju) ha peteĩteĩva okane'õvo (morotĩ). Oĩ peteĩ tiza pastel oñembojapýva omonguĩ hag̃ua umi páhina ha ojehechakuaa jey hag̃ua umi tembiapo okanéva ko patrimonio cultural intangible Singapur-gua, ñande ava añónte ikatu ñañangareko, ñañemomba'eguasu ha ñamomýĩjey chupe.

Jeguerohory

A' Design Award Itaju Rehegua

Fading Traditional Trades and Crafts Kuatiañe'ẽ ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ Fading Traditional Trades and Crafts Kuatiañe'ẽ ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Fading Traditional Trades and Crafts Kuatiañe'ẽ omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: What makes this book unique is the use of the 3D embossing technique, not just embossing, to highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from dragon boats to Peranakan beaded shoes. With the pastel chalk, the book encourages reader engagement by colouring pages to discover the lost art of our ancestors, as only we humans can help safeguard, support and bring attention to the significance of this intangible cultural heritage.
Tuichakue ha Ñemyenyhẽ: Book Box: 145mm (width) x 305mm (height) x 52mm (thickness)
Book Box Sleeve: 540mm (width) x 220mm (height)
Book: 140mm (width) x 298mm (height) x 40mm (thickness)
Book Sleeve: 530mm (width) x 298mm (height)
Inside pages (accordion fold): 4350mm (width) x 290mm (height)
3 Hard Covers: Inside Cover, Front and Back Covers
Ñe'ẽ Rape: Traditional Artisans, Traditional Crafts, Cultural Artifacts, Intangible Cultural Heritage
Ñeapopy Tecnología: The making of this book explores how to combine traditional book forms with new technologies, make traditional book forms more interesting through unusual structures and visual stimuli, and push the boundaries of book design. The book is of significance to the design field because it not only records the traditional crafts for future designers to explore and contribute to the local craft landscape but also examines book design as a form of vanishing traditional craft.
Diseño Jepy'apy: The project challenges were facing the covid-19 pandemic and the difficulty of making 3D embossed plates. Production of the book was delayed for 6 months due to the intricateness of the artefacts and further halted for 8 months due to the spread of the coronavirus. The team worked closely with the production houses to ensure things could move forward smoothly, and we are grateful that all challenges were managed well in the end.
Ñesẽheka: Given the scarcity of available resources, the approach included analysing oral history data collected by the National Archives of Singapore under the Vanishing Trades project in the 1980s and conducting fieldwork with current and retired artisans to understand the current situation and future substantiate the findings. The aim of the project is to document Singapore lost or vanished traditional crafts so that future generations can learn about them even after they disappear.
Inspiración: Working with traditional artisans, I learned that when our ancestors came to Singapore in the 19th century from Malaya, China and India, they brought their values and livelihoods with them. These livelihoods include various forms of traditional crafts that have largely enriched Singapore cultural heritage. Thus, it is essential to record these crafts, some of which have vanished or will vanish within the next 20 years, and trace their place to the roots of their meaningful beginnings.
Proyecto Ára Tuichakue: The project started in May 2015 in Singapore and finished production in December 2021. The book is on sale from March 2022.
Mba'apo Rape: The colour pages of the book symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull colour) to its golden age (yellow colour) and gradually fades (white colour). The pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore.
Patente-kuéra: Copyrights belong to Jesvin Yeo, 2021
Aty Rembiguái: Jesvin Yeo
Alvin Ng.
Ta'ãnga Mba'eñemoneĩ: All images: Photographer Victor Gui, 2021 and 2022