The Birth of a Book Aranduka Urszula Giren omba'apóva

The Birth of a Book Aranduka Urszula Giren omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Itaju pegua Kuatiañe'ẽ Jejapo Ñeha'ã Categoría-pe.

ItajuKuatiañe'ẽ· 2020

The Birth of a Book Aranduka

Urszula Giren -gua

Mba'eporuhára: Urszula Gireń

A' Design Award Itaju Rembiporuarã Kuatiañe'ẽ Categoría-pe

80,127

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #97144 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

The Birth of a Book Aranduka Rehegua

Peteĩ Aranduka Heñói ha'e peteĩ jehaipyre oñemboguapýva kuatiáre, oñe'ẽva aranduka apopyre rehe Polonia-pe, sa'ary 16-pe. Ko aranduka ohechauka umi jehaipyre ymaguare itamañaite tee-pe, upéicha omoñe'ẽva ikatu ohecha umi fórmato ypykue. Pe aranduka ao okára ohechauka pe imposición apoha ojepurúva pe fórmato octavo ymaguarépe. Peteĩ inimbo poravopyre techaukaha oipapa mba'e yvatekue orekóva umi aranduka folio, cuarto ha octavo. Umi ta'anga yvyrágui ojejapóva (xilografía) oĩva umi kuatia rova ñepyrũháme oñemboguapy sa'y mbojerépe, ñanemomandu'ávo umi matriz oñuãva tinta hũ. Pe fórmato ha'e 256 x 320 milímetro, oguereko 560 rogue ha 1200 rupi ta'anga. Ijehupytyrã ha'e omyesakã umi Renacimiento jehaipyre apoha opavave omoñe'ẽvape g̃uarã.

Jeguerohory

A' Design Award Itaju Rehegua

The Birth of a Book Aranduka ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ The Birth of a Book Aranduka ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. The Birth of a Book Aranduka omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Tuichakue ha Ñemyenyhẽ: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Ñe'ẽ Rape: renaissance book, first roman typefaces, old prints, typography
Ñeapopy Tecnología: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Diseño Jepy'apy: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Ñesẽheka: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inspiración: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Proyecto Ára Tuichakue: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Mba'apo Rape: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Ta'ãnga Mba'eñemoneĩ: Urszula Gireń / 2019